cecile whiting (76 risultati)

Paper Back. Condizione: Very Good.

hardcover. Condizione: Good.

Soft cover. Condizione: Fine. 1st Edition. Book.

Oversized Hardback. Condizione: Good - Cash. Front free end paper is torn in half. Besides that the book has light reader wear and rubbing to the edges, corners, covers, and pages. Stock photos may not look exactly like the book.

hardcover. Condizione: Very Good. A very good hardcover copy. Appears to be unused. No markings. No dust jacket, as issued.

Hard cover. Condizione: Good. Condizione sovraccoperta: Good. Jacket is worn, particularly along the top edge. Jacket covers are slightly yellowed along with some light smudges, not affecting legibility. Cover boards are worn and foxed on both the front and back cover, not affecting legibility. Spine is shaken, but binding is secure. Inside is clean and unmarked.

hardcover. Condizione: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

hardcover. Condizione: New. In shrink wrap.

Condizione: New.

Soft Cover. Condizione: Good. 158 pp. No. 13, Spring 1992 issue only! ISSN 0894-9832. Solidly bound copy with minimal external wear, crisp pages and clean text. Stains on front cover.

hardcover. Condizione: Very Good in Dustjacket. Condizione sovraccoperta: Very Good. First Edition. Berkeley. 2006. University of California Press. 1st American Edition. Very Good in Dustjacket. 0520244605. 256 pages. hardcover. keywords: Los Angeles Art History. DESCRIPTION - Andy Warhol said about his road trip to Los Angeles in 1963: 'The farther West we drove, the more Pop everything looked on the highways.' In this original and engaging book, CEcile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. She finds that the artists who made California their home in the 1960s did not abandon their paint brushes for tennis rackets and surfboards, but rather created in their works a new and different sense of space, the urban experience, and popular culture. Whiting shows how artists such as Vija Celmins, Llyn Foulkes, David Hockney, Dennis Hopper, Allan Kaprow, Claes Oldenburg, Ed Ruscha, and Judy Chicago helped to shape the identity of Los Angeles as an emerging art center, while avoiding in their representation of the city the clichEs of both its boosters and its detractors. Delving deep into the southern California aesthetic sensibility, Pop L.A. recounts how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, dilapidated houses in aging neighborhoods, streets and parking lots, and public buildings such as the Los Angeles County Museum of Art. The common bond of place, for Whiting, gives coherence to the varied experiments in the visual and performance arts that altered the cultural terrain during this pivotal time. The Los Angeles art scene in the 1960s inspired a new generation of architectural writing about the metropolis and its debased sister city, Las Vegas. Over the course of the decade, the conception of the city pioneered by artists in Los Angeles spread beyond the city of angels to characterize cultural life in the United States. inventory #36225.

Condizione: New.

Hardcover with dustjacket, 256 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

hardcover. Condizione: New. **HARDBACK**.

Paperback. Condizione: New. Andy Warhol said about his road trip to Los Angeles in 1963: 'The farther West we drove, the more Pop everything looked on the highways'. In this original and engaging book, Cecile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. She finds that the artists who made California their home in the 1960s did not abandon their paint brushes for tennis rackets and surfboards, but rather created in their works a new and different sense of space, the urban experience, and popular culture. Whiting shows how artists such as Vija Celmins, Llyn Foulkes, David Hockney, Dennis Hopper, Allan Kaprow, Claes Oldenburg, Ed Ruscha, and Judy Chicago helped to shape the identity of Los Angeles as an emerging art center, while avoiding in their representation of the city the cliches of both its boosters and its detractors. Delving deep into the southern California aesthetic sensibility, "Pop L.A." recounts how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, dilapidated houses in aging neighborhoods, streets and parking lots, and public buildings such as the Los Angeles County Museum of Art.The common bond of place, for Whiting, gives coherence to the varied experiments in the visual and performance arts that altered the cultural terrain during this pivotal time. The Los Angeles art scene in the 1960s inspired a new generation of architectural writing about the metropolis and its debased sister city, Las Vegas. Over the course of the decade, the conception of the city pioneered by artists in Los Angeles spread beyond the city of angels to characterize cultural life in the United States.

Hardcover. Octavo. Hardcover. Bound in black cloth. Missing jacket. xii, 304 pages : illustrations (some color) ; 24 cm. When Pop-art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cecile Whiting declares the issues fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes. VG. Bump to fore edge of binding and aforementioned missing jacket, else clean and unmarked. NOT ex-lib.

Condizione: New. pp. 272.

Paperback. Condizione: New. Andy Warhol said about his road trip to Los Angeles in 1963: 'The farther West we drove, the more Pop everything looked on the highways'. In this original and engaging book, Cecile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. She finds that the artists who made California their home in the 1960s did not abandon their paint brushes for tennis rackets and surfboards, but rather created in their works a new and different sense of space, the urban experience, and popular culture. Whiting shows how artists such as Vija Celmins, Llyn Foulkes, David Hockney, Dennis Hopper, Allan Kaprow, Claes Oldenburg, Ed Ruscha, and Judy Chicago helped to shape the identity of Los Angeles as an emerging art center, while avoiding in their representation of the city the cliches of both its boosters and its detractors. Delving deep into the southern California aesthetic sensibility, "Pop L.A." recounts how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, dilapidated houses in aging neighborhoods, streets and parking lots, and public buildings such as the Los Angeles County Museum of Art.The common bond of place, for Whiting, gives coherence to the varied experiments in the visual and performance arts that altered the cultural terrain during this pivotal time. The Los Angeles art scene in the 1960s inspired a new generation of architectural writing about the metropolis and its debased sister city, Las Vegas. Over the course of the decade, the conception of the city pioneered by artists in Los Angeles spread beyond the city of angels to characterize cultural life in the United States.

Paperback. Condizione: new. Paperback. Andy Warhol said about his road trip to Los Angeles in 1963: "The farther West we drove, the more Pop everything looked on the highways." In this original and engaging book, Cecile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. She finds that the artists who made California their home in the 1960s did not abandon their paint brushes for tennis rackets and surfboards, but rather created in their works a new and different sense of space, the urban experience, and popular culture.Whiting shows how artists such as Vija Celmins, Llyn Foulkes, David Hockney, Dennis Hopper, Allan Kaprow, Claes Oldenburg, Ed Ruscha, and Judy Chicago helped to shape the identity of Los Angeles as an emerging art center, while avoiding in their representation of the city the cliches of both its boosters and its detractors. Delving deep into the southern California aesthetic sensibility, Pop L.A. recounts how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, dilapidated houses in aging neighborhoods, streets and parking lots, and public buildings such as the Los Angeles County Museum of Art. The common bond of place, for Whiting, gives coherence to the varied experiments in the visual and performance arts that altered the cultural terrain during this pivotal time. The Los Angeles art scene in the 1960s inspired a new generation of architectural writing about the metropolis and its debased sister city, Las Vegas. Over the course of the decade, the conception of the city pioneered by artists in Los Angeles spread beyond the city of angels to characterize cultural life in the United States. Examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. This book shows how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, and dilapidated houses in aging neighborhoods. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: New.

Condizione: New.

Paperback. Condizione: New.

Condizione: New. Examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles. This book shows how the artists transformed the image of the city in works that focused on the ocean and landscape, suburban life, and dilapidated houses in aging neighborhoods. Num Pages: 272 pages, 20 color illustrations, 77 b/w photographs. BIC Classification: 1KBBWF; ACXJ1. Category: (P) Professional & Vocational. Dimension: 254 x 178 x 17. Weight in Grams: 499. . 2008. First. Paperback. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: New. - First comprehensive monograph on the artist in over 30 years works, making it the definitive book on the artist's full career.- Features previously unpublished works and new scholarship- Published to accompany a major retrospective exhibition at the Museum of Contemporary Art in San Diego, 1 October 2022-26 February 2023This fully illustrated catalogue is the first comprehensive monograph on Alexis Smith in 30 years and presents the full range of the artist's dynamic artistic output, from her intimate artist books and collages to large wall paintings and installations. Providing new insights into Smith's work, this volume connects the themes that have persisted throughout the artist's career, from her exploration of identity and self-invention to her preoccupation with stereotypes and clichàs in film and literature. This publication will introduce Smith's expansive body of work to a new generation of viewers. Situated alongside movements of conceptual and pop art and shaped by the feminist movements of the 1970s, Smith's singular career expands our understanding of American art and provokes us to think critically on the culture we share. Published to accompany a major retrospective exhibition at the Museum of Contemporary Art in San Diego, 1 October 2022-26 February 2023 'The first retrospective of the California artist in over twenty-five years. Situated alongside movements of Conceptual and Pop art and shaped by the Feminist movements of the 1970s, Smith's extensive work in collage provokes critical thought about the reality of contemporary American culture. Just as the artist herself is famously known to have taken on the moniker of actress Alexis Smith, The American Way presents stories of self-realization and self-transformation, systems central to the creation of the American ideal, and highlights the themes that have persisted throughout the artist's body of work, including her interests in gender, identity, and class'--.

Hardback. Condizione: New. This fully illustrated catalogue is the first comprehensive monograph on Alexis Smith in 30 years and presents the full range of the artist's dynamic output, from her intimate artist books and collages to large wall paintings and installations. Providing new insights into Smith's work, this volume connects the themes that have persisted throughout the artist's career, from her exploration of identity and self-invention to her preoccupation with stereotypes and clichés in film and literature. This publication will introduce Smith's expansive body of work to a new generation of viewers. Situated alongside movements of conceptual and pop art and shaped by the feminist movements of the 1970s, Smith's singular career expands our understanding of American art and provokes us to think critically on the culture we share.Published to accompany a major retrospective exhibition at the Museum of Contemporary Art in San Diego, 1 October 2022-26 February 2023.

Hardcover. Condizione: Brand New. 228 pages. 10.50x8.50x1.00 inches. In Stock.