Editore: Centre Georges Pompidou, 1977
ISBN 10: 2858500487 ISBN 13: 9782858500482
Da: LIBRAIRIE GIL-ARTGIL SARL, RODEZ, Francia
Centre Georges Pompidou, 1977. In-4 carré broché. Texte de Marcel Arland et 62 reproductions en suivant, en noir et en couleurs. Passages soulignés dans le texte sinon Bon état Livres.
Da: Librairie Mahieu, Jouarre, Francia
Paris, Centre Georges Pompidou, Musée national d'art moderne, 1977, un volume grand format 26 x 33 cm, broché, non paginé, illustré des reproductions de 62 oeuvres peintes ou dessinées, en noir et en en couleurs, pleine page. Préface de Marcel Arland. Grosse trace de pliure angulaire au 2eme plat, sinon bon état.
Editore: N.R.F., Editions Gallimard, Paris, 1927
Da: Librairie-Galerie Emmanuel Hutin, Paris, Francia
Membro dell'associazione: ILAB
Prima edizione
Broché. Condizione: Bon. Marc Chagall (illustratore). Ed. originale. avec en frontispice un portrait de l'auteur par Marc Chagall. Un des 550 exemplaires numérotés sur vergé de Navarre.
Editore: Centre G. Pompidou/Musée national d'art moderne, Paris 1977., 1977
Da: OH 7e CIEL, Lausanne, Svizzera
Broché 33 x 27, couverture illustrée en majeure partie en bleu (céleste) avec un grand trou rouge (d'enfer). 62 reproductions en noir et en couleur. A l'occasion du 90ème. > En cas de problème de commande, veuillez nous contacter par notre page d'accueil / If you have any problems with your order please contact us via our homepage <.
Da: Librairie Victor Sevilla, Paris, Francia
Prima edizione Copia autografata
Editions de la Nouvelle Revue Française / Collection " Une uvre, un portrait " 1927. In-12 broché de 80 pages au format 13 x 18,5 cm. Couverture avec titre imprimé. Dos carré. Plats et intérieur frais. Exemplaire en grande partie non coupé. Portrait de Marcel Arland par Marc Chagall, situé en frontispice. Un des 120 exemplaires hors commerce, du tirage de tête, numérotés sur vélin simili cuve ( n° XVI ). Rare édition originale en superbe état général. Précieux exemplaire enrichie d'une cordiale dédicace, autographe, signée, de Marcel Arland.
Editore: Maeght Éditeur, Paris, 1964
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Prima edizione
Softcover. Condizione: Very good + to fine condition. First edition. Folio. 14 [2], [8,2]pp. as issued. Original lithographic wrappers, front in color, back in b/w. Striking issue of "Derrière le Miroir" published in June 1964 on the occasion of an exhibition of thirty-eight ink drawings, watercolors and washes by Marc Chagall at Galerie Maeght in Paris. This work is splendidly illustrated throughout with two original color lithographs (front cover and one double-page), one original lithograph in black, seven vignettes in b/w, and twenty-three offset reproductions in b/w. Contains list of artwork exhibited. Missing "Chroniques" supplement. Text in French. Minor wear along edges of wraps and pages slightly age-toned. 'Derrière le Miroir' accompanied each exposition at the Galerie Maeght in Paris France. The first issue appeared in 1946, The last #253 of the collection in 1982. DLM is born out of the passion of Aime and Marguerite Maeght. The first issues were intended by Aime Maeght to be spread among a large public, with original lithographs. 10,000 Copies were printed and distributed through kiosks. This failed completely and the remaining copies were sold by weight to finance the printing of issue 4, which was printed at only 1500 copies and was the catalog for the George Braque exhibition at the Galerie. Jacques Kober and Rene Char wrote the texts. This concept was continued in later issues combining great writers with great artists. In 1947, Adrien Maeght, joined the firm of his parents and assisted his father in the layout and execution. The artists created original lithographs to illustrate DLM. Mourlot did the lithographic printing and the text was printed by Union in issues 4-115. From 116-148, DLM was shot in the studios of Aime Maeght. Since 1960 an edition 'deluxe' was issued, on Arches paper, limited to 150 copies.
Paris, Au sans pareil, 1926. 16x21,5 cm. Récit orné de 5 gravures hors texte de MARC CHAGALL. Papier non ébarbé. Broché. Couverture bleue rempliée. Couverture légèrement décolorée au soleil vers le dos et au dos, sinon ouvrage en très très bonnes conditions. TRES RARE. Un des 765 exemplaires sur Lafuma de Voiron (n° 732).
Editore: Paris : Au Sans Pareil, 1926
Da: Lirolay, Wilmington, DE, U.S.A.
Prima edizione
Condizione: Fine. Marc Chagall (1889-1974) (illustratore). First Edition. ~ Illustré de 5 eaux-fortes originales de Chagall, dont le frontispice et 4 hors-texte, tirées à Paris par le maitre taille-doucier L. Fort ~ Édition originale. Exemplaire No. 797, un des 765 numérotés de 196 à 960 sur Lafuma de Voiron, après 195 sur différent papiers ~ Demi maroquin à grands coins, dos à 5 nerfs très saillants, dos avec titre et date dorés, filets dorés sur les plats, tête doré, autres tranches non rognées, conservant les 2 couvertures de brochure et le dos. Reliure signée ZENDEL. Joseph Zendel, un relieur d'origine polonaise vivant à Jezovy, dans la région de Plzen en République Tchèque, a immigré au début des années 1920 à Paris où il a ouvert avec succès un atelier de reliure dans l'avenue Jean-Jaurès ~ 3f+95p+4f ~ 22x17x2cm. ~ Papier des couvertures de brochure bruni aux marges, d'ailleurs superbe exemplaire. Belle reliure ~ LANGUAGE: Français / Additional images available/// We accept PayPal & EU bank transfer in EUROS //.
Editore: Paris, A Sans Pareil, 1926,, Paris, 1926
Da: Libreria Antiquaria Pregliasco, Torino, Italia
Condizione: molto buono. in-8, pp. (4), 95, (3), 5 tavole f.t. (di cui una in antiporta) e seconda suite di 5 tavole in fine, tutte protette da velina. Il testo del racconto fu stampato dal maestro stampatore R. Coulouma, d'Argenteuil, sotto la direzione di H. Barthélemy, mentre le incisioni di Chagall sono state stampate da L. Fort a Parigi. Dal colophon: Esemplare numero 82 della tiratura stampata sur vergé de Hollande, avec una suite des gravures. Bellissimo esemplare in brossura editoriale a stampa, protetta da camicia e cofanetto, appositamente realizzati, con una suite aggiuntiva in fine non dichiarata al colophon. . Book.
Editore: Paris Au Sans Pareil 1926, 1926
Da: Aquila Books(Cameron Treleaven) ABAC, Calgary, AB, Canada
95[5]pp. Octavo. Bound in the original wrappers with a stiff blue wrap around jacket with dark blue lettering on the front and spine. One of 60 limited copies printed on Vergé de Hollande-- numbered 56 to 115-- with an extra suite of the 5 etchings by Marc Chagall in the latter portion of the book; this copy is #110. Deckling to all text block edges. Illustrated with five full page etchings by Chagall throughout the text with duplicate copies of the plates bound at the end; all the etchings have the original tissue guards. The blue jacket has faded quite a bit and is more of a buff colour and has some water stains on the back panel and to the spine in spots. Some transfer from the inner folds of the jacket is apparent on the ffep, although it is quite faint. Internally clean and an attractive copy overall. Limited to a printing of 960 copies in total, with 60 of those on Vergé de Hollande, of which this copy is one. In 1923 Marc Chagall moved to Paris and received several commissions for visual narratives, including this story by Marcel Arland. The text is comprised of a short story told in reverse, beginning with the death of a young girl's illegitimate baby and ending with the first night she and her lover spend together. The girl is vilified by her neighbors and Chagall's first image shows her being taken away by the police as a crowd yells and shames her. Another plate shows the girl giving birth alone in her backyard among the chickens and empty crates. Due to the popularity of Chagall's prints, many copies of this book were split apart and the etchings were sold individually. This is a complete and clean copy.