Coomaraswamy ananda (Oltre 2600 risultati)

Condizione: acceptable. Book is in acceptable condition and shows signs of wear. Book may also include underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.…

Paperback. Condizione: Very Good. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language. …

Paperback. Condizione: Good. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.…

Paperback. Condizione: Fair. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.…

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Good. Ananda Coomaraswamy, late curator of Indian art at the Boston Museum of Fine Arts, was unexcelled in his knowledge of the arts of the Orient, and unmatched in his understanding of Indian culture, language, religion, and philosophy. In this excellent reprint of a rare volume of essays, he reveals the essence of the Indian experience, rooted in a constant intuition of the unity and harmony of all life. Everything has its place, every being its function and all play a part in the divine concert led by Natarājā (Śiva), Lord of Dancers.In a series of 14 stimulating and provocative essays, Coomaraswamy unfolds the vast metaphysic of India: the magnificent revelation of its art; its conception of the universe; social organization; attitudes toward feminism; problems of family; romantic love, and marriage. His sweeping commentary considers the intellectual fraternity of mankind; the venerable past as it survives side by side with emerging modern India; and the individual, autonomy, and repudiation of the will to govern.Enhancing the text are 27 black-and-white photographs -- mostly of masterpieces of painting and sculpture from the second century B.C. to the eighteenth century, and including the glorious Cosmic Dance of N taraja. This handsome volume offers rich insight into the art, philosophy, and culture of a fascinating forty-centuries-old civilization.…

Paperback. Condizione: Very Good. Revised. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condizione: Very Good. Gathered together in a single volume, here are the most important stories of Indian mythology, taken mainly from the epic poems the>Mahabharata and the>Ramayana, with additional tales from the purana and vedas from assorted narratives of Krishna, Buddha, and Shiva. The stories range from the initial stages of mythos to the final, mature state. Includes 32 illustrations by Abanindro Nath Tagore and others. …

Paperback. Condizione: Good. Gathered together in a single volume, here are the most important stories of Indian mythology, taken mainly from the epic poems the>Mahabharata and the>Ramayana, with additional tales from the purana and vedas from assorted narratives of Krishna, Buddha, and Shiva. The stories range from the initial stages of mythos to the final, mature state. Includes 32 illustrations by Abanindro Nath Tagore and others.…

Paperback. Condizione: Fair. Gathered together in a single volume, here are the most important stories of Indian mythology, taken mainly from the epic poems the>Mahabharata and the>Ramayana, with additional tales from the purana and vedas from assorted narratives of Krishna, Buddha, and Shiva. The stories range from the initial stages of mythos to the final, mature state. Includes 32 illustrations by Abanindro Nath Tagore and others.…

Paperback. Condizione: Fair. F First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Fair. Book is in Used-Acceptable condition. Used items may not include supplementary materials such as CDs or access codes. Pages and cover may have wear, tears, and stickers. Pages are may contain notes and highlighting.

paperback. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good.

Paperback. Condizione: Fair. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.…

Paperback. Condizione: Very Good. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language. …

Paperback. Condizione: Good. The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilization; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organization and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a job; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? So writes Ananda K. Coomaraswamy historian of traditional metaphysics and art, and social critic in Christian and Oriental Philosophy of Art. The nine essays in this book are among Coomaraswamy s most accessible and rewarding. They address such subjects as the true function of aesthetics in art, the importance of symbolism, and the importance to artists of the intellectual and philosophical backgrounds of their culture. They demonstrate also that abstract and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy that pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. The late A. K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined the roles of art historian, philosopher, orientalist, linguist, and expositor. His knowledge of the arts and handcrafts of the Orient was unsurpassed, and his numerous monographs on Oriental art either established, or revolutionized, entire fields. Coomaraswamy was one of the foremost Orientalists of his time, with an almost unmatched understanding of traditional culture. He mastered the philosophic and religious terrain of the entire premodern world, East and West; and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects of a common language.…

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.