cox merlin (29 risultati)

8vo Softcover. Condizione: Acceptable. 1st Printing. 264p. Bright pages are heavily underlined and highlighted. Wraps are glossy with bumped corners and a tear on outer bottom joint. Binding is intact, hinges are secure. Bookstore stamp and previous owner's name penned on FEP. Still, a good reading copy.

Soft cover. Condizione: Near Fine. 1st Edition. Florida. 1st edition. Book issued in a white soft cover. No dust jacket, as issued. 208 pages with photographs. Florida history! Selling quality books for 40 years.

Soft cover. Condizione: Fine. 1st Edition. Florida. 1st edition. Book issued in wraps. No dust jacket, as issued. 208 pages. Inscribed by Merlin G. Cox on the front flyleaf. Selling quality books for 40 years. Inscribed by Author(s).

Hardcover. Condizione: Fine. 1st Edition. Florida. 1st printing. A beautiful copy! Book has brown cloth boards with blue stamped titles. 201 pages + index. No dust jacket. Selling quality books for 35 years.

Soft cover. Condizione: Near Fine. 1st Edition. Florida. 8vo. Book issued in wraps with green titles. 208 pages with photographs, maps. No dust jacket, as issued. Tight, clean copy! Signed by Merlin G. Cox on the flyleaf. Selling quality books for 35 years. Signed by Author(s).

Hardcover. Condizione sovraccoperta: No Dust Jacket. First Edition. Beige cover with blue lettering; No marks; or writing, clean tight binding; Very Good or writing, clean tight binding;

Signed and inscribed by the author. Octavo, softbound (stiff white wrappers), 208 pp. Fine. Florida, Floridiana, Florida History, Americana, U.S.-iana, United States History, American History. islic.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

8Vo Softcover. Condizione: Good. Signed. 208pp. Signed by Cox on title page. Text is unmarked on bright pages. Wraps are glossy with a gently bumped bottom corner and lightly creased front hinge. Binding is tight and square, spine is unbroken. Foxing present along text-block.

Hardcover. Condizione: Fine. Condizione sovraccoperta: None. Hardcover without dust-jacket, as issued, 320 pages, 152 color & 50 b/w images. As new condition. Gorgeous.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

8Vo Hardcover. Condizione: Good. 264pp. Tan boards, brown lettering on spine and front board. Text is clean on unmarked, uncreased pages. Hinges are secure, textblock is square with pointed corners. Moderate overall shelf/timewear, boardwear, foxing on textblock edges and first/last signatures.

Hardcover. Condizione: new. Hardcover. Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliographyWhat is "Magic Art"? In 1953, Andre Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself.First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library.Andre Breton (1896-1966) was one of the founders and most controversial exponents of Surrealism, defining the movement in his first Surrealist Manifesto as "pure psychic automatism." Fleeing from Europe during World War II, Breton traveled throughout North America staging Surrealist exhibitions and lending his voice to several political movements. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliography What is "Magic Art"? In 1953, André Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself. First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library. André Breton (1896-1966) was one of the founders and most controversial exponents of Surrealism, defining the movement in his first Surrealist Manifesto as "pure psychic automatism." Fleeing from Europe during World War II, Breton traveled throughout North America staging Surrealist exhibitions and lending his voice to several political movements.

Condizione: As New. Unread book in perfect condition.

Oversized Hardcover. Condizione: New.

Condizione: New.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: VG. Condizione sovraccoperta: No Dust Jacket. Hardback first edition bound in blue-lettered tan cloth covers that remain clean, bright; endpapers and contents clean, bright, white. No DJ. 208 pages; illustrations; index. Not a library discard. ;

limited edition, 8°, 194 S. mit 63 Farb- und 13 s/w-Abbildungen, Text: englisch, schwarzer original Seidentafteinband mit glänzend-schwarzer Rückenbeschriftung und dem illustr. original Schutzumschlag, sehr schönes, sauberes Exemplar ohne nennenswerte Mängel, noch in der schützen Klarsichthülle (diese aber nicht auf unserer Abbildung) Introduction (Judith Noble, Dominic Shepherd and Jesse Bransford) / Ingestion and Descent: The Chthonic Realms of Leonora Carrington (Susan L. Aberth) / The Dark Mark: Tattoo as Ritual of Transformation (Natan Alexander) / The Empress, 2015 (Lindsey Bull) / Self-Obliteration through Self-Love (David Burrows) / The Sitters (Tom Butler) / Etruscan Monochromes (Gean Moreno) / Transformation of the Everyday Material Magic in Jan vankmajer's Art and Films (Kristoffer Noheden) / Le Bal: Bewitching the Classical Body (Katerina Pantelides) / Abject Bodies and Places of Enchantment (Deanna Petherbridge) / Embodying the Androgyne: Psychoanalysis and Alchemical Desire in Max Ernst's Men Shall Know Nothing of This - 1923 (Daniel Zamani) Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

Hardcover. Condizione: Brand New. 350 pages. 12.00x9.75x1.25 inches. In Stock.

Hardcover. Condizione: new. Hardcover. Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliographyWhat is "Magic Art"? In 1953, Andre Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself.First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library.Andre Breton (1896-1966) was one of the founders and most controversial exponents of Surrealism, defining the movement in his first Surrealist Manifesto as "pure psychic automatism." Fleeing from Europe during World War II, Breton traveled throughout North America staging Surrealist exhibitions and lending his voice to several political movements. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hard cover. Condizione: Good. No jacket. Black Silk edition. Belly band is lightly tanned one side. Cover cloth is lightly sunned, not affecting legibility. Spine is bumped and cracked, but binding is secure. Inside is clean and unmarked.

Buch. Condizione: Neu. Neuware - Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliography.

Hardcover. Condizione: new. Hardcover. Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliographyWhat is "Magic Art"? In 1953, Andre Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself.First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library.Andre Breton (1896-1966) was one of the founders and most controversial exponents of Surrealism, defining the movement in his first Surrealist Manifesto as "pure psychic automatism." Fleeing from Europe during World War II, Breton traveled throughout North America staging Surrealist exhibitions and lending his voice to several political movements. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

What is 'Magic Art'? In 1953, André Breton, founder of the surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place surrealism as a successor to a magical sensibility that began with art itself. First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library. This deluxe edition is limited to 88 hand-numbered copies signed by André Breton's daughter, Aube Elléouët Breton. It contains a supplementary volume of additional texts: 32 modern responses from artists, scholars, poets, and esotericists providing contemporary insights into Breton's 1955 Enquiry on 'magic art'; reviews of L'Art magique when it first appeared in 1957; an interview with Breton concerning the work; and an essay from surrealist scholar Will Atkin that explores the relevancy of Breton's project today. Bound in full morocco by the acclaimed artisan bindery, Ludlow Bookbinding, this deluxe takes inspiration from the surrealist bookbinder, Paul Bonet. His custom binding of Breton's Second manifeste du Surréalisme (commissioned in 1934) draws upon the recurring surrealist preoccupation of the hand, presented as a photograph, and augmented with gilt tooling and morocco onlays. It was purchased for the Bibliothèque nationale in 2019. Due to the sheer weight (4,3kg!) of this tome, extra postage needs to be added.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 194pp. Clean, tight copy in mylar-protected dust jacket. Book.