Daisy yan (50 risultati)
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Hardcover. Condizione: Very Good. Pursuit: The Balvenie Stories Collection This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after… thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
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paperback. Condizione: Very Good. Clean, unmarked copy.
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Condizione: Good. . Former Library book. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.
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paperback. Condizione: Fine.
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Paperback. Condizione: New. China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to t…ransnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it ""Chinese"" and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of ""Chineseness"" and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions.China's socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation-a minor art form for children-coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad.A fascinating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children's culture, and modern Chinese history.
Chinese Animation : Multiplicities in Motion
Du, Daisy Yan (EDT); Crespi, John A. (EDT); Wang, Yiman (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Chinese Animation : Multiplicities in Motion
Du, Daisy Yan (EDT); Crespi, John A. (EDT); Wang, Yiman (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Paperback. Condizione: New. Chinese Animation: Multiplicities in Motion is the first edited volume that explores the multiple histories, geographies, industries, technologies, media, and transmedialities of Chinese animation, from early animated special effects to socialist classics, from computer-generated-imagery (CGI) blockbu…sters to edgy independent films, and from stop-motion to virtual reality. Its fifteen chapters, grouped under the five themes of junctures, gender, identities, digitality, and practices, span a century of animation since the 1920s across mainland China, Hong Kong, Taiwan, Singapore, and the diasporic world. Derived from the 2021 Inaugural Conference of the Association for Chinese Animation Studies (ACAS), this volume as a whole defines Chinese animation studies as a new field of research emerging from the peripheries of modern Chinese literature and film studies on the one hand, and from the margins of Western and Japanese animation studies on the other. Incorporating diverse academic approaches and perspectives, this groundbreaking book is an indispensable guide for a rapidly growing community of scholars, students, animators, fans, and general readers interested in Chinese and world animation.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Chinese Animation: Multiplicities in Motion is the first edited volume that explores the multiple histories, geographies, industries, technologies, media, and transmedialities of Chinese animation, from early animated special effects to socialist classics, from computer-generated-imagery (C…GI) blockbusters to edgy independent films, and from stop-motion to virtual reality. Its fifteen chapters, grouped under the five themes of junctures, gender, identities, digitality, and practices, span a century of animation since the 1920s across mainland China, Hong Kong, Taiwan, Singapore, and the diasporic world. Derived from the 2021 Inaugural Conference of the Association for Chinese Animation Studies (ACAS), this volume as a whole defines Chinese animation studies as a new field of research emerging from the peripheries of modern Chinese literature and film studies on the one hand, and from the margins of Western and Japanese animation studies on the other. Incorporating diverse academic approaches and perspectives, this groundbreaking book is an indispensable guide for a rapidly growing community of scholars, students, animators, fans, and general readers interested in Chinese and world animation. Chinese Animation is the first edited book that explores the multiple histories, geographies, industries, technologies, media, and transmediality of Chinese animation. From silent short to CGI, it covers more than a century of animation across different languages, including Mandarin, Cantonese, and Taiwanese. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Animated Encounters Transnational Movements of Chinese Animation, 1940s1970s
Du, Daisy Yan/ Alexy, Allison (Editor)/ Lamarre, Thomas (Contributor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 276 pages. 9.00x6.00x1.00 inches. In Stock.
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Condizione: new.
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Condizione: New. 2025. paperback. . . . . .
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paperback. Condizione: New.
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Chinese Animation : Multiplicities in Motion
Du, Daisy Yan (EDT); Crespi, John A. (EDT); Wang, Yiman (EDT)
- Brossura
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Chinese Animation Multiplicities in Motion
Du, Daisy Yan (Editor)/ Crespi, John A. (Editor)/ Wang, Yiman (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 440 pages. 8.75x5.75x1.25 inches. In Stock.
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Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
Chinese Animation : Multiplicities in Motion
Du, Daisy Yan (EDT); Crespi, John A. (EDT); Wang, Yiman (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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- Prima edizione
Da: zenosbooks, San Francisco, CA, U.S.A.zenosbooks
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paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. Honolulu. 2019. February 2019. University of Hawaii Press. 1st American Edition. Very Good in Wrappers. 9780824877644. Asia Pop! 6 x 9. 33 b&w illustrations. 328 pages. paperback. keywords: Film Animation Art China History. DESCRIPTION - China's role in the…history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it Chinese and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of Chineseness and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions. China's socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation - a minor art form for children - coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad. A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children's culture, and modern Chinese history. inventory #44889.
Chinese Animation Multiplicities in Motion
Du, Daisy Yan (Editor)/ Crespi, John A. (Editor)/ Wang, Yiman (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 440 pages. 8.75x5.75x1.25 inches. In Stock.
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Condizione: NEW.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. Chinese Animation: Multiplicities in Motion is the first edited volume that explores the multiple histories, geographies, industries, technologies, media, and transmedialities of Chinese animation, from early animated special effects to socialist classics, from computer-generated-imagery (C…GI) blockbusters to edgy independent films, and from stop-motion to virtual reality. Its fifteen chapters, grouped under the five themes of junctures, gender, identities, digitality, and practices, span a century of animation since the 1920s across mainland China, Hong Kong, Taiwan, Singapore, and the diasporic world. Derived from the 2021 Inaugural Conference of the Association for Chinese Animation Studies (ACAS), this volume as a whole defines Chinese animation studies as a new field of research emerging from the peripheries of modern Chinese literature and film studies on the one hand, and from the margins of Western and Japanese animation studies on the other. Incorporating diverse academic approaches and perspectives, this groundbreaking book is an indispensable guide for a rapidly growing community of scholars, students, animators, fans, and general readers interested in Chinese and world animation. Chinese Animation is the first edited book that explores the multiple histories, geographies, industries, technologies, media, and transmediality of Chinese animation. From silent short to CGI, it covers more than a century of animation across different languages, including Mandarin, Cantonese, and Taiwanese. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
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EUR 39,72
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Paperback. Condizione: new. Paperback. Chinese Animation: Multiplicities in Motion is the first edited volume that explores the multiple histories, geographies, industries, technologies, media, and transmedialities of Chinese animation, from early animated special effects to socialist classics, from computer-generated-imagery (C…GI) blockbusters to edgy independent films, and from stop-motion to virtual reality. Its fifteen chapters, grouped under the five themes of junctures, gender, identities, digitality, and practices, span a century of animation since the 1920s across mainland China, Hong Kong, Taiwan, Singapore, and the diasporic world. Derived from the 2021 Inaugural Conference of the Association for Chinese Animation Studies (ACAS), this volume as a whole defines Chinese animation studies as a new field of research emerging from the peripheries of modern Chinese literature and film studies on the one hand, and from the margins of Western and Japanese animation studies on the other. Incorporating diverse academic approaches and perspectives, this groundbreaking book is an indispensable guide for a rapidly growing community of scholars, students, animators, fans, and general readers interested in Chinese and world animation. Chinese Animation is the first edited book that explores the multiple histories, geographies, industries, technologies, media, and transmediality of Chinese animation. From silent short to CGI, it covers more than a century of animation across different languages, including Mandarin, Cantonese, and Taiwanese. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
