Dan leers (80 risultati)

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hard cover. Condizione: Very good. No jacket. Published on the occasion of the exhibition "William Henry Fox Talbot and the Promise of Photography" at Carnegie Museum of Art, Pittsburgh, November 18, 2017 to February 11, 2018. Cover is lightly rubbed. Binding is tight. Inside is clean, bright, and unmarked.…

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. A handsome primer on the work of William Henry Fox Talbot. This beautiful, small format publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art history, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot's 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first ever examples of images captured on paper. Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together approximately 30 photographs by Talbot that demonstrate his wide ranging interests, including nature, still life, portraiture, architecture and landscape. Approximately one quarter of the featured images have been unpublished since Talbot's time. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic making and innovation that continues to inspire people today. "Published on the occasion of the exhibition William Henry Fox Talbot and the Promise of Photography at Carnegie Museum of Art, Pittsburgh, November 18, 2017?February 11, 2018." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 360 pages; very good condition, except small hole punch to bottom center of rear cover; small crimp at top of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condizione: New. A handsome primer on the work of William Henry Fox Talbot. This beautiful, small format publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art history, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot's 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first ever examples of images captured on paper. Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together approximately 30 photographs by Talbot that demonstrate his wide ranging interests, including nature, still life, portraiture, architecture and landscape. Approximately one quarter of the featured images have been unpublished since Talbot's time. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic making and innovation that continues to inspire people today.…

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: New.

Paperback. Condizione: New. Contemporary artists reestablishing ecological awareness through the powerful instrument of photographyHow has humanity's relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of Widening the Lens: Photography, Ecology, and the Contemporary Landscape, a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape.Through a collection of essays, poetry and newly commissioned artwork, Widening the Lens aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes. The publication includes an introduction by Dan Leers, curator of photography, Carnegie Museum of Art; an essay by renowned curator, writer and activist Lucy R. Lippard; a new commission from poet Saretta Morgan; and an epilogue by award-winning environmental and science journalist Michelle Nijhuis.…

Condizione: New.

Hardback or Cased Book. Condizione: New. Black Photojournalism. Book.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine. First Edition. First edition. 4to. 255 pp. Near Fine. Subtle wear to boards.

Condizione: New.

Hardcover. Condizione: new. Hardcover. By 1944 Gordon Parks had established himself as a photographer who freely navigated the fields of press and commercial photography, with an unparalleled humanist perspective. That year, Roy Stryker-the former Farm Security Administration official now heading the public relations department for the Standard Oil Company (New Jersey)-commissioned Parks to travel to Pittsburgh Pennsylvania and document the Penola, Inc. Grease Plant.Parks spent two years chronicling the plant's industry-critical to Pittsburgh's history and character-by photographing its workers and their occupations. The resulting images, dramatically staged, lit and composed, showed the range of activities for Black and white workers, divided by roles, race and class. The photographs were used for marketing and made available to local and national newspapers, as well corporate magazines and newsletters. Yet they served as much more than a documentation of industry-enduring as an exploration of labor and its social and economic ramifications in World War II America.Featuring more than 100 photographs, many previously unpublished, this is the first book to focus exclusively on Parks' work for the Standard Oil Company, illuminating an important chapter in his oeuvre prior to his landmark career as a staff photographer for Life magazine.Co-published by The Gordon Parks Foundation and the Carnegie Museum of Art Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback. Condizione: new. Paperback. Contemporary artists reestablishing ecological awareness through the powerful instrument of photographyHow has humanitys relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of Widening the Lens: Photography, Ecology, and the Contemporary Landscape, a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape.Through a collection of essays, poetry and newly commissioned artwork, Widening the Lens aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes. The publication includes an introduction by Dan Leers, curator of photography, Carnegie Museum of Art; an essay by renowned curator, writer and activist Lucy R. Lippard; a new commission from poet Saretta Morgan; and an epilogue by award-winning environmental and science journalist Michelle Nijhuis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. A landmark survey of Black American photojournalism spanning 1945 to 1984, chronicling a critical period in the civil rights movements in the United StatesThis volume presents work by 57 Black photographers and contributions from scholars such as Joy Bivins, Tina M. Campt and Gerald Horne, chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, '60s and '70s. Drawn from archives and collections in the care of journalists, libraries, museums, newspapers, photographers and universities, the photographs in the catalog were circulated and reviewed in publishing offices across the country.Responding to a dearth of stories about Black lives told from the perspectives of Black people, Black publishers and their staff created groundbreaking editorial and photojournalistic methods and news networks. During a period of urgent social change and civil rights advocacy, newspapers and magazines, including the Afro American News, Atlanta Daily World, Pittsburgh Courier, Chicago Defender and Ebony, transformed how people were able to access seeing themselves and their communities. Their impact on the media landscape continues into the digital present.The catalog is published on the occasion of the exhibition of the same name at Carnegie Museum of Art. The exhibition and catalog are both designed by artist David Hartt, and organized and edited by Charlene Foggie-Barnett, Charles ""Teenie"" Harris, community archivist, and Dan Leers, curator of photography, in dialogue with an expanded network of archivists, curators, historians and scholars.Photographers include: Harry Adams, Anthony Barboza, Kwame Brathwaite, Don Hogan Charles, Adger Cowans, Guy Crowder, Roy DeCarava, Doris Derby, Bob Douglas, Louis Draper, Theodore Gaffney, Charles "Teenie" Harris, Chester Higgins, Kojo Kamau, Jeanne Moutoussamy-Ashe, Marilyn Nance, Gordon Parks, Ming Smith, Bruce Talamon, Deborah Willis-Ryan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.