davidson gail (78 risultati)

Condizione: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

Condizione: Very Good. hardcover 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Good. Condizione sovraccoperta: Includes dust jacket. Dust jacket shows minor shelf wear and light scuffing. Pages are tanning, text and pictures are intact and unmarred. Good reading copy.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good. Used - Very Good.

hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condizione: Used - Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Small remainder mark bottom page foredge, seal of former owner bottom of ffep ; Very slight shelfwear to hardboards with sharp tips, very clean, no other markings, tight, straight and solid, dustcover with only slight shelfwear-- cannot be send expedited or internationally; 9.25 X 0.875 X 11.25 inches; 192 pages.

Hardcover. Condizione: As New. 1st Edition. New book with dust jacket. Small tear and shelfwear to jacket -- book is pristine!

Hardcover. Condizione: Used - Very Good. The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. Very nice clean, tight copy free of any marks.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. First Edition. 128 pp., bw ill., 4to. : Bright copy, no ownership markings, top fore-edge corner bumped. : Well packaged, ships with tracking.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover w/DJ. Condizione: Very Good+/Very Good+. Color Illustrations (illustratore). First Edition. New York, NY: Cooper Hewitt, Smithsonian Design Museum. Very Good+/Very Good+. (2008). First Edition. Hardcover w/DJ. 4to., 160 pp., shelfwear .

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. Cloth, xii, 180 pages, illustrations (some colour); 29 cm. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19 to October 29, 2006. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. Richly illustrated with colour plates. *** "Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape is published in conjunction with a major exhibition mounted by the Smithsonian's Cooper-Hewitt, National Design Museum that will showcase, for the first time in over two decades, the museum's extraordinary collection of American art, including the largest holdings of works by Homer and Church in the world. Five original essays will accompany the two hundred illustrations to show how these artists' depictions helped create a notion of America as a land of purity and beauty, harmony, and opportunity. / Barbara Bloemink is Cooper-Hewitt's Curatorial Director; Gail Davidson is Head of Cooper-Hewitt's Drawings, Prints, and Graphic Design; Floramae McCarron-Cates is Associate Curator of Drawings, Prints, and Graphc Design." - Publisher. *** Foreword, by Paul Warwick Thompson; Introduction, by Barbara Bloemink; Landscape Icons, Tourism, and Land Development in the Northeast, by Gail S. Davidson; The Best Possible View, by Floramae McCarron-Cates; The Pastoral Ideal: Winslow Homer's Bucolic America, by Sarah Burns; America Inside Out: The View from the Parlor, by Karal Ann Marling; Historical and Cultural Timeline; Sources; Selected References; Plate List. Size: 4to. Collectible.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 180 pages; Description: xii, 180 p. : ill. (some col.) ; 29 cm. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. Includes bibliographical references (p. 157-163) and index. Subjects: Church, Frederic Edwin (1826-1900) --Homer, Winslow (1836-1910) --Moran, Thomas (1837-1926) --Cooper-Hewitt Museum --Tourism and art --United States --Exhibitions. Summary: The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century. 3 Kg.

Hardcover. Glossy yellow boards; color-pictorial dust jacket with cream lettering. xii, 180 pp. with color and other images throughout. Published for the exhibition at Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, May 19-October 29, 2006. "Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape is published in conjunction with a major exhibition mounted by the Smithsonian's Cooper-Hewitt, National Design Museum that will showcase, for the first time in over two decades, the museum's extraordinary collection of American art, including the largest holdings of works by Homer and Church in the world. Five original essays will accompany the two hundred illustrations to show how these artists' depictions helped create a notion of America as a land of purity and beauty, harmony, and opportunity."--Jacket. Contents as follows: Foreword /; Paul Warwick Thompson --; Introduction /; Barbara Bloemink --; Landscape icons, tourism, and land development in the Northeast /; Gail S. Davidson --; The; best possible view : pictorial representation in the American West /; Floramae McCarron-Cates --; The; pastoral ideal : Winslow Homer's bucolic America /; Sarah Burns --; America inside out : the view from the parlor /; Karal Ann Marling --; Selected timeline /; Athena Preston. VG+/VG+. Dust jacket may show minimal edge wear.

Softcover. Condizione: Very Good. First Edition. Very Good gray paperback lightly bumped at the head of the spine. Pages 97-192, unmarked. Jerome Mazzaro, Gail McMurray Gibson, David Bevington, Albert Wertheim, Harriet C. Frazier. ; Y1Y; 8vo 8" - 9" tall.

Paperback. Condizione: Brand New. Reck, Gail (illustratore). 53 pages. 9.00x6.00x0.13 inches. In Stock.

Soft Cover. Condizione: Good. No date found. 24 page stapled exhibition catalogue. Five illustrations plus pictorial cover. The booklet is clean and tight. Cover shows very slight wear.

Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. First Edition. First Edition, First Printing. Not price-clipped ($50.00 price intact). Published by Smithsonian, 2006. Quarto. White boards stamped in black and green. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. 180 pages. ISBN: 0821257862. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Paperback. Condizione: New. Archipelago is one of the most important and influential literary magazines of the lasttwenty years. Running to twelve editions, it was edited by Andrew McNeillie, with theassistance later of James McDonald Lockhart, and began as an attempt to reimagine therelationships between the islands of Ireland and Britain. Archipelago has brought togetherestablished and emerging artists in creative conversations that have transformed the studyof islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from theAran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through someof the best in contemporary writing about place and people.This collection gathers poetry, prose and visual art in clusters grouped around the Irishand British archipelago, with contributions from an array of significant artists. It includesnewly commissioned work as well as an interview between Andrew McNeillie andRobert Macfarlane on the development of Archipelago across the years.

hardcover. Condizione: fine. Illustrated with color images throughout. 160 pages. Thin 4to, brown cloth, d.w. New York: Cooper Hewitt, Smithsonian Design Museum, (2008). A fine copy in a near fine dust wrapper with just a touch of sunning to head.

Hardcover. Condizione: Used - Very Good. With its unique focus on visual language, Ellen Lupton's How Posters Work is more than another poster book. Rather than provide a history of the genre or a compilation of collectibles, the book is organized around active design principles. Concepts such as 'Simplify,' 'Focus the eye,' 'Exploit the diagonal,' 'Reverse expectations' and 'Say two things at once' are illustrated with a diverse range of posters, from avant-garde classics and rarely seen international works to contemporary pieces by today's leading graphic designers. Illustrated with over 150 works from the collection of Cooper Hewitt, Smithsonian Design Museum, How Posters Work provides a stunning education in seeing and making, demonstrating how some of the world's most creative designers have mobilized principles of layout, composition, psychology and rhetoric to produce powerful acts of visual communication.Ellen Lupton (born 1963) is an acclaimed writer, curator and graphic designer. She is Director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, where she also serves as Director of the Center for Design Thinking. As Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum since 1992, she has produced numerous exhibitions and books, including Mechanical Brides: Women and Machines from Home to Office (1993), Mixing Messages: Graphic Design and Contemporary Culture (1996), Letters from the Avant-Garde (1996), Skin: Surface, Substance + Design (2002) and--most recently--Beautiful Users: Designing for People (2014). Lupton is a 2007 recipient of the AIGA Gold Medal, one of the highest honors given to a graphic designer or design educator in the US. Book is signed by previous owner. Very nice clean, tight copy free of any marks.