Delmez (95 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Condizione: New. Brand New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: As New. Condizione sovraccoperta: No Jacket (As Issued). First Edition. As New stil in shrinkwrap. Unused.

hardcover. Condizione: Very Good. Library withdrawn, no exterior markings, LIGHT COVER WEAR, INTERIOR IS VERY GOOD, STURDY & CLEAN, NEARLY LIKE NEW. A VERY COOL BOOK, EXCELLENT PHOTOS.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Good. La Procure, 1961. Text in French; cover unevenly age-toned, minor pen marking near front top edge, corners very lightly rubbed/bumped, spine ends lightly rubbed/bumped, .25" tear at bottom spine end, spine gently creased, title handwritten in pen on spine; edges ever-so-slightly soiled, very barely bumped; front interior hinge slightly separated from text block, frep very barely soiled at top corner; binding tight; cover, edges, and interior intact and clean except as noted. paperback. Good.…

Hardcover. Condizione: new. Hardcover. Although known primarily as a country music star, Marty Stuart has been taking photographs of the people and places surrounding him since he first went on tour with bluegrass performer Lester Flatt at age twelve. His inspirations to do this include his own mother, Hilda Stuart, whom he watched document their family's everyday life in Mississippi, bassist Milt Hinton's photographs of fellow jazz artists, and Edward Curtis's well-known images of Native Americans at the turn of the twentieth century. Stuart's work ranges from intimate and often candid behind-the-scenes depictions of legendary musicians, to images that capture the eccentricities of characters from the back roads of America, to dignified portraits of members of the impoverished Lakota tribe in South Dakota, a people he was introduced to through his former father-in-law, Johnny Cash. Whatever the subject, Stuart is able to sensitively tease out something unexpected or hidden beneath the surface through a skillful awareness of timing and composition as well as a unique relationship with many of the subjects based on years of friendship and trust.This book will present images from these three bodies of work: "Badlands," on his time with the Lakota; "The Masters," from his work with musicians like Bill Monroe, Johnny Cash, Ray Charles, Dolly Parton, George Jones, Kitty Wells, Willie Nelson, and Waylon Jennings; and "Blue Line Hot Shots." As Stuart explains, "The newly built Interstate Highway System was at one time represented on our maps by the color red, while the two-lane highways and back roads of the nation were represented in blue. The back roads are where you'll find some of the people that I admire, respect, and always keep an eye out for. . They are renegades As Roger Miller once said, 'These people flush to the beat of a different plumber.' "The photographs are framed by an introduction by Stuart and a context-setting essay by photography historian Susan Edwards, executive director of the First Center for the Visual Arts. The book and accompanying exhibition at the First Center demonstrate that Marty Stuart is a master storyteller not only through his songs but also through his revealing and compelling photographs. Photographs of American characters by a legendary country music storyteller Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Fine. Fine oversized hardcover in illustrated boards. No dust jacket, as issued. Overall a bright and attractive copy, as new. Color plates throughout. No signs or wear or aging. 264 pp.

Condizione: New. Brand New.

Presumed first edition (no direct statement provided). xiv, 115 pages. Hardcover: H 27.25cm x L 28.75cm. No dust jacket (presumably as issued). Boards lightly rubbed; slight bumping and a few dings at edges. Non-authorial Christmas ink gift inscription at center top of front free endpaper; interior pages are otherwise clean. Binding is firm. A very good+ copy. Please note that this large book has an approximate shipping weight of 3.25 pounds (1.47 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 9780826520173.…

Hardback. Condizione: New. Although known primarily as a country music star, Marty Stuart has been taking photographs of the people and places surrounding him since he first went on tour with bluegrass performer Lester Flatt at age twelve. His inspirations to do this include his own mother, Hilda Stuart, whom he watched document their family's everyday life in Mississippi, bassist Milt Hinton's photographs of fellow jazz artists, and Edward Curtis's well-known images of Native Americans at the turn of the twentieth century. Stuart's work ranges from intimate and often candid behind-the-scenes depictions of legendary musicians, to images that capture the eccentricities of characters from the back roads of America, to dignified portraits of members of the impoverished Lakota tribe in South Dakota, a people he was introduced to through his former father-in-law, Johnny Cash. Whatever the subject, Stuart is able to sensitively tease out something unexpected or hidden beneath the surface through a skillful awareness of timing and composition as well as a unique relationship with many of the subjects based on years of friendship and trust.This book will present images from these three bodies of work: "Badlands," on his time with the Lakota; "The Masters," from his work with musicians like Bill Monroe, Johnny Cash, Ray Charles, Dolly Parton, George Jones, Kitty Wells, Willie Nelson, and Waylon Jennings; and "Blue Line Hot Shots." As Stuart explains, "The newly built Interstate Highway System was at one time represented on our maps by the color red, while the two-lane highways and back roads of the nation were represented in blue. The back roads are where you'll find some of the people that I admire, respect, and always keep an eye out for. . They are renegades . As Roger Miller once said, 'These people flush to the beat of a different plumber.' "The photographs are framed by an introduction by Stuart and a context-setting essay by photography historian Susan Edwards, executive director of the First Center for the Visual Arts. The book and accompanying exhibition at the First Center demonstrate that Marty Stuart is a master storyteller not only through his songs but also through his revealing and compelling photographs.…

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: New. Brand New.

Couverture rigide. Condizione: Comme neuf. traverse collection , 2018. 1 volume cartonné(s) format In-12 comme neuf.

Hardback or Cased Book. Condizione: New. Multiplicity: Blackness in Contemporary American Collage. Book.

Condizione: New.

Illustrated Cloth. Condizione: Very Good. None. 160 pages. Illustrated. Size: 11 x 10.75. Left-Leaning Southern History.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. An engaging introduction to contemporary Black American collage brings together art by fifty artists that reflects the breadth and complexity of Black identity Building on a technique that has roots in European and American traditions, Black artists have turned to collage as a way to convey how the intersecting facets of their lives combine to make whole individuals. Artists have assembled pieces of paper, fabrics, and other, often salvaged, materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, With collage, I can create a more expansive and inclusive view of the Black cultural experience. More than 50 artists are represented in the books 140 color images, with some creating original artworks for this project. Featured artists include such well-known figures as Mark Bradford, Lauren Halsey, Kerry James Marshall, Wangechi Mutu, Howardena Pindell, Tschabalala Self, Lorna Simpson, Mickalene Thomas, and Kara Walker. In addition to scholarly essays, the publication contains short biographies of each artist written by Fisk University students. Distributed for the Frist Art Museum Exhibition Schedule Frist Art Museum, Nashville (September 15December 31, 2023) Museum of Fine Arts, Houston (February 18May 12, 2024) The Phillips Collection, Washington, DC (July 6September 22, 2024) An engaging introduction to contemporary Black American collage brings together art by fifty artists that reflects the breadth and complexity of Black identity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…