demand thomas (264 risultati)

Hardcover. Condizione: Brand New. 156 pages. 6.50x9.75x0.75 inches. In Stock.

Paperback. Condizione: NEW. 1st. [79] pages, illustrations (some colour); 30 cm. Text in English and Dutch. Catalogue of an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations, including De Appel, Amsterdam, September 15 to November 11, 2001. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** One of the leading photographers of the last few years, the German photographer Demand produces large-scale photographs of generic rooms and offices. Size: 4to. Collectible.

Wraps. Condizione: As New. Thomas Cyrill Demand (born 1964) is a German sculptor and photographer. He currently lives and works in Berlin and Los Angeles, and teaches at the University of Fine Arts, Hamburg. Demand is known for making photographs of three-dimensional models that look like real images of rooms and other spaces, often sites loaded with social and political meanings. He thus describes himself not as a photographer, but as a conceptual artist for whom photography is an intrinsic part of his creative process.".

Softcover; 48 pages, in English and Dutch, very good condition except some light rubbing wear to white covers; no internal marks. Foreign shipping may be extra.

Condizione: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

paperback. Condizione: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2001. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.

Soft Cover. Condizione: Fine. This is a fine softcover copy as new still unopened in the publisher's shrinkwrap. Essay by Lars Lerup. This catalog was prepared to accompany an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations. 12" high X 10" wide. This book will be securely packed and shipped with tracking.

Hardcover. Condizione: Very Good. VG+ hardcover. Near new but for a little light wear at top of spine.

Paperback. Condizione: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

First edition. Hardcover. Text in English and German. Illustrated throughout with color images. An about fair copy with wear to the spine ends, some soiling and fading to the rear board. No dust jacket as issued.

Hardcover. Condizione: Near Fine. 1st Edition. Near Fine hardcover in illustrated black boards. Overall a bright and attractive copy. The text is clean and free of markings. Color plates throughout. 125 pp.

104 pp.; 20.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 25, 2006 - January 28, 2007. Contributions by Dieter Dath, Christian Demand, Joachim Valentin, Udo Kittelmann. "he Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically 'off' large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent project: a series of five photographs that respond to the 'degenerate' mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse. In Demand's interpretation, the horrifying incident is not Biblical instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project." -- publisher's statement. Very Good, 4 x 20.5 cm. band of discoloration to verso cover, otherwise fine.

Oversize hardcover MISSING dustjacket, 128 pages, in English and German, very good condition, light rubbing to dj; boards slightly bumped at edges; pages lightly yellowed at edges; no internal marks. Shipping may be extra for this oversize book.

Hardcover exhibition catalog without dustjacket as issued, 86 pages; in English, Portuguese and German; as new condition; clean and crisp; no internal marks.

Hardcover with dustjacket, 114 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First edition. Hardcover. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Text in French with contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes numerous color images of which several are gatefolds. A very near fine copy in a very near fine dust jacket.

paperback. Condizione: VERY GOOD. Pages are clean, unmarked, and tight; very light shelf and corner wear on cover.

Paperback. Condizione: Fine. Blind Spot Issue Eight includes a Q & A with Vik Muniz and Thomas Demand and a text piece by Jonathan Franzen and works by John Baldessari,John Dugdale, Chuck Close, Rineke Dijkstra, Sally Mann, Wolfgang Tillmans and Philip-Lorca Dicorcia. Unpaginated, color and black and white reproductions. Paper with stiff cover. Fine Condition.

Hardcover without dustjacket as issued, 256 pages, in English with Italian at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 116 pages; in English and German; as new condition;clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover; 116 pages, in English and German; new condition; still sealed. Foreign shipping may be extra.

First edition. Softcover. Photography/art magazine. Features portfolios of images by Wang Oinsong, Rodney Graham, Rebecca Belmore, Robert Polidori (from his Zones of Exclusion body of work), Carlos and Jason Sanchez, Thomas Demand, Hugo Glendinning and Tim Etchels, and Chris Curreri. A clean near fine copy in wrappers.

Hardcover without dustjacket as issued; unpaginated, in English and German, good condition, rubbing to covers with large streak to rear cover; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Sehr gut. 86 Seiten. Texte in Deutsch, Englisch und Portugiesisch.

Paperback. Condizione: new. Paperback. Presenting unique and in-depth collaborations and editions with leading international artists, Parkett is one of the leading publications on contemporary art. Parkett No. 62 features Tacita Dean, Thomas Demand and John Wesley, three artists from different generations and backgrounds who deal with themes of representation and reception, artificiality and naturalness, fact and fiction, history and perception, and the stylized and the factual in painting, photography and film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Fine. 160 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover; 56 pages, in English and Italian, very good condition; clean and crisp; no internal marks.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition (French). Hardcover. Paper-covered boards, with photographically illustrated dust jacket. Includes texts (in French) by Francesco Bonami, Régis Durand and François Quintin, and an exhibition history and bibliography. 112 pp. with 29 four-color plates (with four 2-page gatefolds). 11-1/4 x 9 inches. Published on the occasion of the 2000 exhibition Thomas Demand at the Fondation Cartier pour l'art contemporain, Paris. New in publisher's shrink-wrap. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Behind Thomas Demand's impressive images, fragments of a hyper-realistic and familiar world, appears the singular echo of an 'other reality ,' from the archives, historic, political photos or more generally from media.".

Paperback. Condizione: Brand New. 300 pages. 10.25x8.25x0.75 inches. In Stock.

First edition. Softcover. This issue features the images of among other John Baldessari, Chuck Close, Thomas Demand, Rineke Dijkstra, Philip-Lorca Dicorcia, Jonathan Franzen, Sally Mann, Vik Muniz, and Wolfgang Tilmans. A clean very near fine copy in photo illustrated wrappers. A fresh copy.