donian jennalee (35 risultati)

Hardcover. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. An excellent copy, gently worn; Secure packaging for safe delivery.

hardcover. Condizione: Fine.

Condizione: New. In.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor's role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor's potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor's ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

Condizione: New.

Hardback. Condizione: New. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor's role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor's potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor's ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

Hardcover. Condizione: Brand New. 143 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. Condizione: Brand New. 272 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condizione: New. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor's role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor's potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor's ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

Condizione: New.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book puts forward a revolutionary and comprehensive theoretical approach to understanding laughter and the humor we use to inspire it. This new perspective applies an evolutionary and biological lens through which we can fully appreciate these complex, universal human behaviors. It distinguishes itself from all classical and contemporary theories by revealing laughter s singular message, rather than simply its causes and effects, and makes clear why perceptions of vulnerability and status are ever-present in our conscious and subconscious thoughts. The theory underscores our innate desire to cooperate, our respect for those who compete fairly, and our disdain for those who do not. And it sheds light on the social dynamics governing human interactions, both positive and negative, by recognizing laughter not as a reflexive reaction to a certain class of stimuli, but as a vital form of nonverbal communication not only for us, but for our great ape cousins as well.

Hardback. Condizione: New. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humor's role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humor's potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humor's ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. This book explores stand-up comedy as a relevant sociological phenomenon from a contemporary perspective, as both a symptom of neoliberal capitalism and the locus specificus of socio-political critique in the era of Empire. It draws a feasible connection between the conspicuous rise in the art forms popularity over the past number of years and the dehumanizing and fracturing processes of the current dispensation that are increasingly becoming the defining experience of life in the contemporary era, and to which, understood in terms of the traditional humor theory of relief (of which Sigmund Freud is key), comedy serves as an obvious palliative. More than this, Taking Comedy Seriously: Stand-Ups Dissident Potential in Mass Culture, in the Context of the Neoliberal Domain of 'Empire' questions the possibility of a contemporary aesthetics of humor, given that much of the art form is disseminated and controlled by the mass media, and as such complicit in its work. In particular, it argues that the ideological situation of global capitalism poses an obvious predicament for the possibility of a socio-politically efficacious stand-up comedy in that ironic and skeptical distance is already characteristic of postmodern cynicism, incorporated into the social fabric itself, effectively rendering the comedic technique of satire (synonymous with so-called political comedy) altogether appropriated, or at least compromised, and subsequently impotent. From where then does a site of resistance emerge? Through an analysis of a range of contemporary televisual, digital and literary examples from the comedic routines of American comedian and talk-show host Ellen DeGeneres, South African satirist Pieter-Dirk Uys, and South African born (and now American comedic talk-show sensation) Trevor Noah, this book argues that a contemporary political comedy is reliant on a structuring aesthetic logic built around dissent, disruption and difference. This book contextualizes contemporary stand-up comedy within the wider socio-political terrain of neoliberal capitalism, contributing to a more complex and developed understanding of the relation of jokes and humor to the unconscious mind in its relation to ideology and discourse. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humors role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humors potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humors ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice. Highlights how humor serves as a powerful tool for resistance, dialogue, and self-reflection in Africa This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. This interdisciplinary collection by Jennalee Donian and Andrea Hurst brings together insights from various humanities disciplines to examine humors role in navigating complex political, cultural, and personal landscapes.Humor as Social Critique: Widening the African Perspective explores how humor functions as a powerful tool for social critique in the African context. Part I delves into humor's relationship with political critique, analyzing how comedians, writers, and artists use humor to resist oppressive power structures and foster dialogue. Part II examines humors potential for socio-cultural critique, exploring how it reflects and shapes cultural norms, identities, and power dynamics. Part III investigates the role of humor in self-critique, highlighting its therapeutic potential and ability to promote humility and self-awareness. By centering African perspectives while engaging with global voices, Humor as Social Critique challenges the notion that humor is a uniquely localized phenomenon. Instead, it celebrates humors ability to transcend geographical and cultural boundaries, enriching the tapestry of human experience. This book offers valuable insights for scholars and readers interested in the intersections of humor, culture, and social justice. Highlights how humor serves as a powerful tool for resistance, dialogue, and self-reflection in Africa This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. This book explores stand-up comedy as a relevant sociological phenomenon from a contemporary perspective, as both a symptom of neoliberal capitalism and the locus specificus of socio-political critique in the era of Empire. It draws a feasible connection between the conspicuous rise in the art forms popularity over the past number of years and the dehumanizing and fracturing processes of the current dispensation that are increasingly becoming the defining experience of life in the contemporary era, and to which, understood in terms of the traditional humor theory of relief (of which Sigmund Freud is key), comedy serves as an obvious palliative. More than this, Taking Comedy Seriously: Stand-Ups Dissident Potential in Mass Culture, in the Context of the Neoliberal Domain of 'Empire' questions the possibility of a contemporary aesthetics of humor, given that much of the art form is disseminated and controlled by the mass media, and as such complicit in its work. In particular, it argues that the ideological situation of global capitalism poses an obvious predicament for the possibility of a socio-politically efficacious stand-up comedy in that ironic and skeptical distance is already characteristic of postmodern cynicism, incorporated into the social fabric itself, effectively rendering the comedic technique of satire (synonymous with so-called political comedy) altogether appropriated, or at least compromised, and subsequently impotent. From where then does a site of resistance emerge? Through an analysis of a range of contemporary televisual, digital and literary examples from the comedic routines of American comedian and talk-show host Ellen DeGeneres, South African satirist Pieter-Dirk Uys, and South African born (and now American comedic talk-show sensation) Trevor Noah, this book argues that a contemporary political comedy is reliant on a structuring aesthetic logic built around dissent, disruption and difference. This book contextualizes contemporary stand-up comedy within the wider socio-political terrain of neoliberal capitalism, contributing to a more complex and developed understanding of the relation of jokes and humor to the unconscious mind in its relation to ideology and discourse. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Print on Demand.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book contextualizes contemporary stand-up comedy within the wider socio-political terrain of neoliberal capitalism, contributing to a more complex and developed understanding of the relation of jokes and humor to the unconscious mind in its relation to.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book puts forward a revolutionary and comprehensive theoretical approach to understanding laughter and the humor we use to inspire it. This new perspective applies an evolutionary and biological lens through which we can fully appreciate these complex, universal human behaviors. It distinguishes itself from all classical and contemporary theories by revealing laughter s singular message, rather than simply its causes and effects, and makes clear why perceptions of vulnerability and status are ever-present in our conscious and subconscious thoughts. The theory underscores our innate desire to cooperate, our respect for those who compete fairly, and our disdain for those who do not. And it sheds light on the social dynamics governing human interactions, both positive and negative, by recognizing laughter not as a reflexive reaction to a certain class of stimuli, but as a vital form of nonverbal communication not only for us, but for our great ape cousins as well. 308 pp. Englisch.

Condizione: New. PRINT ON DEMAND.