Dorontchenkov ilia (31 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. 347pp. Red ink stamp on bottom edge, else near new, fresh unused condition, covers bright, text clean & binding tight.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Very Good. 1st Edition. Octavo, xv, 347 pages, illustrated. A Very Good copy.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. 0520253728 pgs:364. University of California Press, bright clean copy, name on endpaper no other markings, Professional booksellers since 1981.

Softcover. Condizione: Good. Paperback, some illustrations (including photographs) in b/w, 8vo.

Hardcover. Condizione: Very Good. No Dust Jacket. First Printing. Translated by Charles Rougle.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. This book presents Russian and Soviet views of Western art during this critical period of cultural transformation. Editor(s): Dorontchenkov, Ilia; Gourianova, Nina. Translator(s): Rougle, Charles. Series: Documents of Twentieth-Century Art. Num Pages: 368 pages, 42 b/w photos scattered. BIC Classification: 1DVU; 1DVUA; ACX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 254 x 178 x 25. Weight in Grams: 508. . 2009. Paperback. . . . .…

Paperback. Condizione: New. From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.…

Paperback. Condizione: Good. No jacket. University of California Press, 2009. Paperback, 8vo, xv,347pp, illust. Slightly bumped. A fair copy. 9780520253728/0.8us . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Condizione: New. From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. This book presents Russian and Soviet views of Western art during this critical period of cultural transformation. Editor(s): Dorontchenkov, Ilia; Gourianova, Nina. Translator(s): Rougle, Charles. Series: Documents of Twentieth-Century Art. Num Pages: 368 pages, 42 b/w photos scattered. BIC Classification: 1DVU; 1DVUA; ACX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 254 x 178 x 25. Weight in Grams: 508. . 2009. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Soft cover. Condizione: Fine. Fine copy in wrappers.

Imperial octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 368.

Condizione: New. pp. 368.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: Brand New. 400 pages. 10.50x7.25x1.00 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.…

Condizione: New. From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. This book presents Russian and Soviet views of Western art du.

Paperback. Condizione: New. From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.…

Paperback. Condizione: Brand New. 400 pages. 10.50x7.25x1.00 inches. In Stock. This item is printed on demand.