dudley pete (11 risultati)

Condizione: Good. 4th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 4th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 4th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. uk1st.ediiton.1st.printing,.near fien hardback in near fien dustwrapper. 92.Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Soft cover. Condizione: As New. No Jacket. 4th Edition. As new; appears unused.

Soft cover. Condizione: Fine. Roberto Appiani; Michael Bainbridge; Modris Baum; Dan Behnke; Joe Budd; Thomas Calligaro; Jeff Scovill; William B. Simmons; Joachim Zang; Gary Zito; Berthold Ottens; Ed Raines; Stefan Weiss; Herwig Pelckmans; George F. Kunz; Gilla Simon; John Smolski (illustratore). Used, minor damage to upper right corner, does not inhibit quality of the pages. Great condition otherwise. Book is filled with information on the subject of Garnet and the related minerals that it is found with in relation to its locality. Stunningly beautiful photographs of Garnet in its crystalline forms and garnets prized for their unique formations and famous attributions through history.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Paperback. Condizione: Very Good. The cover has a little wear. The page edges are lightly tanned and foxed, as are the first and last few pages. 242 pages Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews "The Genuine Dud"' was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'. 8pp, 4to. On leaves of blue and yellow paper. The typescript appears to correspond to the published version, other than a few minor stylistic changes and the correction of a few errors, such as 'Maudlen' to 'Magdalen'. TWO: Carbon typescript of second part of interview, titled 'More Music and Moore Part Two of the Les Tomkins interview with "The Genuine Dud"'. 8pp, 4to. With ink notes indicating that one short passage should be moved, and the correction of a typing error. THREE: Carbon of typed letter from 'Les' to 'Victor', i.e. Victor Graham, the magazine's editor. 1p, 12mo. In what is a covering note to Item One Tomkins writes: 'This is about half of it. The remainder is equally good. He talks about working with the bands of Vic Lewis and Johnny Dankworth, the hostility he encountered, his development as an accompanist; speaks of Tony Coe as "the perfect hornman for our Trio"; Peterson's accompaniments; his experience in the States; his high regard for Pete and Chris, detailing their qualities; the fun he had at the Establishment, and how he misses it; his plans for using jazz more extensively in films; Beyond the Fringe; humour in music; putting jazz across to a wider public; shyness of musicians; the ego of Miles Davis; his dislike of the atmosphere of listening to jazz; his desire to work with a big band of his own.' He ends by asking when the second half should be used. FOUR: Carbon typescript, titled 'ROUND & ABOUT'. 2pp, 4to. Mostly taken up with a gig review, beginning: 'Sonny Rollins, unavoidably detained, missed the first two days of his engagement. On the Monday, this resulted in a welcome one-night stand being played by the Dudley Moore Trio.' Comparing the gig with a previous engagement at Ronnie Scott's, the review comments on Moore's 'microphone prescence today' ('hilarity caused by the funny voices he is expected to adopt between tunes'), and his 'accomplished' and 'irresistibly groovy' piano playing. Moore 'brought off a "first" at the club - with his falsetto singing of an old English madrigal'. Two other reports: the first one a short item on Sonny Rollins' music for the film 'Alfie'; the second on Tubby Hayes being 'well in evidence on the London scene again', with details of his 'new quartet'. The material comes from an archive of typescripts by Tomkins of his Crescendo contributions, including interviews with Louis Armstrong, Sonny Rollins, Bud Freeman, Stan Tracey, Erroll Garner, Stan Kenton, Quincy Jones, Joe Turner, Tubby Hayes, Stan Getz.