ebert schifferer (360 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. Issues & Debates.

Paperback. Condizione: Very Good. VG+. Tiny tear to front cover otherwise excellent, unread, like new condition. Interior is clean. No writing or markings of any kind. Ships securely in a box.

Condizione: New. Brand New.

Oversized Hardcover. Condizione: Good.

Wrappers. Condizione: Near Fine. 196 pages. Minimal shelfwear rubbing. Uncreased spine, clean and unmarked interior. 56 black and white illustrations. Edited by Charles W. Haxthausen. Afterword. Book.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: New.

Paperback. Condizione: New. This is a brief history of and investigation into the collecting of sacred art. When works of art created for religious purposes outlive their original function, they often take on new meanings as they move from sacred spaces to secular collections. Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, the fourteen essays presented here analyze the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'. Collecting represents the primary mechanism by which a sacred work of art survives when it is alienated from its original context. In the field of art history, the consequences of such collecting - its tendency to reframe an object, metaphorically and physically - have only begun to be investigated. "Sacred Possessions" charts the contours of a fertile terrain for further inquiry.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

225 S. : Ill. ; 28 cm . Orig.-Leinen mit OU. Die Buchhandelsausgabe des Katalogs der Ausstellung in der Schirn Kunsthalle Frankfurt. - (gut erhalten).

Condizione: New. Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, this title analyzes the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'. Editor(s): Ebert-Schifferer, Sybille. Num Pages: 288 pages, 86 b&w illustrations. BIC Classification: 1DST; 3J; ACN; ACQ; ACV; AGR. Category: (G) General (US: Trade). Dimension: 254 x 178 x 19. Weight in Grams: 766. . 2011. Paperback. . . . .

Paperback. Condizione: Brand New. German language. 6.97x4.53x0.43 inches. In Stock.

Condizione: new.

388 S. Mit zahlr. Abb. 4°, Orig.-Karton. Rücken mit dezenten Knickfalten, Besitzervermerk am Einband innen, ausradierte, noch schwach wahrnehmbare Notiz in Grafit am Titelblatt, insgesamt sehr ordentlicher Zustand. 2000 gr.

Condizione: New. pp. 256 86 Illus.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: Brand New. 288 pages. 9.84x7.01x0.71 inches. In Stock.

Paperback. Condizione: new. Paperback. When works of art created for religious purposes outlive their original function, they often take on new meanings as they move from sacred spaces to secular collections. Religious art embodies a complicated amalgam of the aesthetic and the numinous, and the fourteen essays in this volume explore how the admixture changesoftenradicallywith changes of function, setting, audience, and the passage of time.Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, these essays analyze the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; bring to light a lost holy tower from fifteenth-century Bavaria; and offer new insights into the meaning of sacred and profane.Collecting represents the primary mechanism by which a sacred work of art survives when it is alienated from its original context. In the field of art history, the consequences of such collectingits tendency to reframe an object, metaphorically and physicallyhave only begun to be investigated. Sacred Possessions charts the contours of a fertile terrain for further inquiry. Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, this title analyzes the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, this title analyzes the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'. Editor(s): Ebert-Schifferer, Sybille. Num Pages: 288 pages, 86 b&w illustrations. BIC Classification: 1DST; 3J; ACN; ACQ; ACV; AGR. Category: (G) General (US: Trade). Dimension: 254 x 178 x 19. Weight in Grams: 766. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Couverture souple. Condizione: Comme neuf. Darmstadt, 1993. Paperback, ca. 215 Abbildungen, ca. 100 Farbabbildungen, 275 Seiten.

Condizione: Good. Cloth, dust jacket, richly illustrate din colour; German text.; Slightly foxed on top cut.

Condizione: Good. 2nd Edition. Later binding: professionally bound in cloth with original cover and spine.

gr8° Broschur 226 Seiten kleinere Gebrauchsspuren an Einband und Block Block sauber und fest ISBN: 3777455905 Deutsch 300g.

Condizione: As New. Fondation Paribas (Fonds Mercator Paribas on behalf of Musees et Monuments de France); city not noted, 1996. Softcover. Text in English. A Near Fine, tight binding, interior and extremities tidy, book appears unread, some handling/scuff marks to covers, a nice, clean and unmarked copy in Oversize French Wraps. 4to[quarto or approx. 9.5 x 12 inches], 128pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen. Katalog zur Ausstellung in der Schirn Kunsthalle Frankfurt vom 18. Juni bis 20. August 1989. Frankfurt: Schirn, 1989. farb. illustr. OBrosch. 271 Seiten mit zahlr. Textabb. u. Fotos sowie 155 meist ganzs u. farb. Abb. - 28,5 x 24,5. * Einband minimal berieben; innen sehr gut erhalten !

Hardcover. A black hardcover book with the title gilted on the front cover and along the spine. There is a dust jacket with color-illustrated covers. The spine is black with printed white lettering. There is a mylar cover. The front and back free and pasted end pages are illustrated. "Trompe l'oeil, French for 'fool or deceive the eye,' is a genre dating back to antiquity that has fascinated both painters and viewers from the Renaissance to the present day. Both witty and serious, it describes paintings that imitate natural appearances so convincingly that viewers momentarily mistake the objects depicted for the real thing. The moment of deception, however, is brief. Uncertainty over what is real and what is illusion is soon replaced by amusement at having been tricked and admiration for the artist's ingenuity and skill. Deceptions and Illusions explores the art of trompe l'oeil in more than 100 European and American paintings ranging in date from the fifteenth through the twentieth centuries by such practitioners as Samuel van Hoogstraten, William M. Harnett, John Haberle, Jasper Johns and Roy Lichtenstein. Organised thematically, the volume begins with works of art inspired by ancient prototypes and with paintings by early Renaissance artists whose close observation of nature was a prerequisite for eye-deceiving illusionism. It then presents the principal subjects of trompe l'oeil artists, beginning with images of letters, prints, dollar bills, and other essentially flat objects that appear to rest on the picture surface, and then moves to three-dimensional illusions in which objects appear to project or recede from the picture plane, blurring the boundary between real and fictitious space. Finally, the volume illustrates the legacy of the art of trompe l'oeil for twentieth-century artists." VG: An exlibrary book. There are stamps on the half title page and the penultimate page of the book. There is a stamp on the top text block. There is a sticker on the back pasted end page. The book is in excellent condition, with clean pages and tight binding. Looks like it has rarely, if ever, been taken from the shelf.