Edelman aliza (25 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. Marylyn Dintenfass: Parallel Park 2011 hardcover with dustjacket Marylyn Dintenfass first gained widespread attention for her cutting-edge, sectional-based sculpture installations exhibited in the United States, Israel, Italy, and Japan. Exploring many approaches, she continues to address formative ideas about mobility and space, as seen in her most recent installation Parallel Park, a monumental site-specific sculpture stationed on all four sides of a parking structure in Fort Myers, Florida. The urban transformation is a reflection of the artist s vision, and the scale enlargements of a series of 23 images, each one 33 feet high by 23 feet wide is striking with its colorful gestural paintings incorporating circles and lines. BBS.…

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Oversized Hardcover. Condizione: Good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Hardbound in dust jacket. SIGNED & inscribed by Marilyn Dintenfass to previous owner on the half title page. 1st edition. Inscribed by Author(s).

Hardcover. Condizione: Used-Very Good. Cloth, d.j. 4to. Some shelf-wear. Profusely illus. Else bright, clean copy.

Hard Cover. First Edition, First printing. FINE IN FINE DUST JACKET.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Signed "Marylyn Dintenfass 2017" on title page. Clean and tight, pages are unmarked. Board and spines are straight, no dents or bumps. Dust jackets has shelf wear, small (.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to Sao Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauands tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New.

Hardback. Condizione: New. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauand's tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.…

Hardback. Condizione: New. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauand's tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.…

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 318 pages. 10.75x8.00x1.50 inches. In Stock.

Hardcover. Condizione: Brand New. 318 pages. 10.75x8.00x1.50 inches. In Stock.

hardcover_spiral. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover with very good dust-jacket. Clean and solid. Ships from a smoke-free home.

Hardback. Condizione: New. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauand's tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.…

Gebunden. Condizione: New. KlappentextA long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to .

Hardcover. Condizione: new. Hardcover. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to Sao Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauands tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Condizione: New. A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura memberBrazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year.This survey follows Lauand's tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.…

Hardcover. Condizione: New. The first survey of Pan-American geometric abstraction between the 1920s and 1950s, Constructive Spirit: Abstract Art in South and North America, 1920s-50s provides a fresh and innovative look at this dynamic and cosmopolitan period of Modernism in the Americas.In the first half of the twentieth century, South American and US artists infused the hard-edge lines and geometric shapes of abstract art with new perspectives. This richly illustrated book examines the connections, both conceptual and personal, among abstract artists from Argentina, Brazil, the United States, Uruguay, and Venezuela, suggesting parallels that cut across time, national borders, and a range of media. It begins with the arrival of Torres-Garcia in New York City in 1920, and culminates in the 1950s, as North and South American abstract artists converged in the international arena in such exhibition venues as the Bienal de Sao Paulo.Released in conjunction with the traveling exhibition organized by the Newark Museum, Constructive Spirit presents more than ninety rarely seen paintings, sculptures, prints, photographs, drawings, and films, from private and public collections across both continents. The sixty-eight featured artists include the renowned--Alexander Calder, Joaquin Torres-Garcia, Jesus Rafael Soto, and Arshile Gorky, for example--as well as those who deserve much wider recognition, such as Charmion von Wiegand, Geraldo de Barros, Alfredo Hlito, and many others.Essayists Karen A. Bearor, Tricia Laughlin Bloom, Aliza Edelman, Adele Nelson, Mary Kate O Hare, and Cecilia de Torres offer new insights as they investigate the ideas and influences that informed South and North American artists transformation of abstraction into a language of their own.Exhibition catalog edited by Mary Kate O Hare. 192 pages featuring the work of 68 artists, with more than 90 full-color illustrations. Size: 8.5 x 10 inches. Smyth-sewn casebound book with jacket.…