edited william michael rossetti (73 risultati)

Hardcover. Condizione: Fair (Book Condition). Thomas Secombe (illustratore). Undated (circa 1890). A beautiful copy with colour embossed illustration to front cover and gold gilt edges. However front hinge is completely detached. Foot and crown of spine are significantly frayed/chipped with a sizable missing chip to top of spine. Owner's bookplate to front paste down. Text clean. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Hardcover. Condizione: Fair (Book Condition). Thomas Secombe (illustratore). Undated (circa 1890). A beautiful copy with colour embossed illustration to front cover and gold gilt edges. However front hinge is completely detached. Foot and crown of spine are significantly frayed/chipped with a sizable missing chip to top of spine. Owner's bookplate to front paste down. Text clean. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Flexible Leather. Condizione: Good. No Jacket. Later Edition. In original brown flexible/textured leather with gilt titling, all edges gilt, corners rounded, 8vo, 460pp. (Wear and rubbing to leather at corners, tips and spine, spine leather worn with creasing, block lightly shaken, name and address in ink to half-title page). A good reading copy of a vintage edition. Size: 8vo - over 7 3/4" - 9 3/4" Tall. Book.

Paperback or Softback. Condizione: New. Adonais. Book.

Hardcover. Condizione: Fair. Condizione sovraccoperta: No Dustjacket. Seccombe, Thomas (Illustrator) (illustratore). 595 pages.No dustjacket. WORN - binding at pages 371-416 is strained/pulled. Dark blue hardback binding ornately decorated/impressed in gilt-colour/black to front and spine, plain impressed decoration to rear, heavy wear to spine-ends and boards' corners. All page-edges bright gilt-colour. Blotching to title-pages and frontispiece, ink name/address to frontis rear dated 1909, but book is Victorian, although undated. Pages clean and sound. An attractive old volume.

Hardcover. Condizione: Fair. 231 p., clean and but with marginalis and name and book plate of former owner at Mt. Holyoke College, October 21, 1905. Crack between pp. civ and cv of prefaactory memoir, but volume is square and no pages are detached from text block. Frontis. engraving of William Black with signature and tissue guard; red boards with bright gilt lettering on spine hav slightly bumped corners and some rubbing at crown and foot of spine.

Hardcover. Condizione: Good ++. Condizione sovraccoperta: No Dustjacket. Reprint. 620 pages. No dustjacket. Dark red background hardback binding with decorative gilt-colour and black with impressed intricate decoration to front board, similar to spine which is browned - with moderate wear to boards' corners and spine-ends. No date but looks late Victorian date. All page edges gilt. Last few pages of catalogue are coming loose o/w pages clean and tidy.

Hardcover. Condizione: Good ++. Condizione sovraccoperta: No Dustjacket. Illustrated By Thomas Seccombe (illustratore). The Grosvenor Poets Series. 620 pages. B&W full-page plates. No dustjacket. No date but looks late 19th century. Clean but age-dulled pale green hardback binding, spine a little darkened. Some wear with light fraying to spine-ends and boards' corners. Gilt-coloured decoration and lettering to spine and front board (three flowers to bottom left corner and interlace at top of front board). All page-edges gilt. Light spotting and browning to early and late pages o/w pages very clean.

Hard Back/Hard Cover. Condizione: Good ++/Very Good. Condizione sovraccoperta: No Dustjacket. Illustrated By Thomas Seccombe (illustratore). 460 pages. B&W full-page plates. No dustjacket. No date but looks late 19th century. Clean and bright red hardback binding, spine a little darkened, Some wear with light fraying to spine-ends and boards' corners. Gilt-coloured decoration and lettering to spine and front board (three flowers to bottom left corner and interlace at top of front board). All page-edges gilt. Light spotting to early and late pages o/w pages very clean.

Hardcover. Condizione: Poor. Poor condition. Covers loose, front cover no longer intact. Binding loose, pages age toned.

Hardcover. Condizione: Good. UIndated on red cloth with decortaive gilt spine cover.

Hard Back/Hard Cover. Condizione: Good ++/Very Good. Condizione sovraccoperta: No Dustjacket. Illustrated By Thomas Seccombe (illustratore). The Grosvenor Poets Series. 698 pages. B&W full-page plates. No dustjacket. No date but looks late 19th century. Clean but age-dulled pale green-grey hardback binding, spine a little darkened. Some wear with light fraying to spine-ends and boards' corners. Gilt-coloured decoration and lettering to spine and front board (three flowers to bottom left corner and interlace at top of front board). All page-edges gilt. Light spotting and browning to early and late pages o/w pages very clean.

Hardcover. Condizione: Very Good. No Jacket. Hardcover with green cloth covers with decoration and gilt. Wear at edges and along spine and tips. No date stated on copyright page. 7.5x5.5 with 600 pp and many pages of ads.

Hardcover. Condizione: Reading Copy. gold page ends, front cover and spine fallen off, pages firm and clean - 620 pages, with full page engravings.

Hardcover. Condizione: Good. Firmly bound, gray card boards, gray cloth spine. Small dust spotting on cover. No jacket.

Hardcover. Condizione: Good ++/Very Good. Condizione sovraccoperta: No Dustjacket. Illustrated By Henry Dell (illustratore). 568 pages. Approximately 20-25 B&W full-page illustrations and B&W illustrations within text. No dustjacket. No date but looks late 19th century. Clean olive-green hardback binding, spine a little darkened. Some wear with light fraying to spine-ends and boards' corners. Gilt-coloured decoration and lettering to spine and front board (three flowers to bottom left corner and interlace at top of front board). All page-edges gilt. Light spotting to early and late pages o/w pages clean.

Cloth. Condizione: Very Good. No date, circa 1895. A Very Good book. 8vo., 406 pp., bound in publishers decorated brown cloth. Overall fading and soiling to cloth; tips and edges rubbed. Paper lightly tanned. Text appears unmarked.

Hard Back/Hard Cover. Condizione: Good ++/Very Good. Condizione sovraccoperta: No Dustjacket. Illustrated By Thomas Seccombe (illustratore). The Grosvenor Poets Series. 595 pages. B&W full-page plates. No dustjacket. No date but looks late 19th century. Clean but age-dulled pale green-grey hardback binding, spine a little darkened. Some wear with light fraying to spine-ends and boards' corners. Gilt-coloured decoration and lettering to spine and front board (three flowers to bottom left corner and interlace at top of front board). All page-edges gilt. Light spotting and browning to early and late pages o/w pages very clean.

Hardcover. Condizione: Good. Aldine edition, later printing. 12mo., cxxxiii, 231pp. Edited by William Michael Rossetti. Frontispiece portrait. Two-tone red cloth, gilt-stamped spine title. Spine darkened with ends chipped, a good to about very good copy.

Soft cover. Condizione: Good. No Jacket. Some wear to covers and spine, mainly edges and corners, corners a little bumped and worn, top and bottom of spine a little bumped and worn, spine a little faded, internally in good condition, pages crisp and clear but yellowing, some foxing on edges / fore edge, inscription to a previous owner on rear of frontis. 512pp.

Hardcover. Condizione: Very Good. No Jacket. Thomas Secombe (illustratore). undated circa 1882, blue leatherette boards, gilt titles spine, blind embossed illustration, gilt tooling to inner edge of boards, minor rubbing to spine ends and corners, gilt edged pages, frontispiece with tissue guard, xvi + 698pp + numerous illustrations, red line boarder on each page, pages clean and VG condition.

Hardcover. Condizione: Fair. Gustave Dore and Alfred Thompson (illustratore). Undated edition, probably mid 19th century. Loosely bound, decorated blue cloth boards. Gilt closed page edges. Strongly faded spine, scuffing and small fading on covers.

Decorative Hardcover. Condizione: Very Good. With Frontis (illustratore). Very good+/no dust jacket--as issued. Decorative green boards and spine with gold lettering and designs. Gold gild on head of page ends. Moderate fraying to corners and foot. Moderate toning to pages. Circa 1890s. Very nice copy.

Hardcover. Condizione: Good. Thomas Seccombe (illustratore). Undated edition, but prize label inside is dated 1891. Firmly bound, gilt decorated, embossed red cloth boards, gilt closed page edges.

SECCOMBE, THOMAS (illustratore). Not dated. Relatively scarce book containing numerous works of Thomas Moore. Pages all clean and tightly bound, only light foxing to first and last few pages. Marbled endpapers. Leather to spine and corners, ornate gilt decoration to spine. Missing covering to boards on external side. More images available on request. Very impressive condition overall. 8vo. 595 pages in total. Contains: Prefatory Notice Lalla Rookh The Two-Penny Postbag Corruption and intolerance Juvenile Poems Epistles, Odes, etc. Irish Melodies A Melologue Upon National Music Sacred Songs Songs from M.P, or the Blue-Stocking Trifles Odes pf Anacreon Epigrams of the Anthologia Remarks on Anacreon The Fudge Family in Paris Fables for the holy Alliance Rhymes on the Road The love of Angels.

Hardcover. Condizione: Good. cr 8vo, orig red cloth, bit of fading/damp marking to cloth on bottom right hand cornr and at back board but not too bad and has not gone through, binding good and tight and gilt to spine clear, frontis and contents vg clean and sound , a good plus sound copy. Book.

Hardcover (Original Cloth). Condizione: Very Good Condition. First Edition. Green publisher's cloth, light wear at edges. First Rossetti edition of Longfellow. Scattered minor foxing. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 045645.

Flexible Binding. Condizione: Very Good. Condizione sovraccoperta: No Dustjacket. 595 pages. Dark maroon flexible binding - small ink mark and a few other marks but overall very clean. Light wear spine-ends & boards' corners. Page-edges gilt to all side - contents very clean. Size: 7 1/2" Tall.

Hardcover. Condizione: Good. No Jacket. Tight clean copy. Maroon covers with black decoration to front and gilt decoration and lettering to spine. Shows signs of shelf wear including scuffing and bumping to edges. Internally previous owner's signature to ffep, otherwise clean and tightly bound. Wrapped in tissue, bubble wrap and inserted into jiffy bag. Posted daily from UK, first class within UK and airmail world-wide.

Hardcover. Condizione: Very Good. Thomas Seccombe (illustratore). First Thus. This copy is in very good condition bound in tan cloth covered bevel edged boards with bright gilt titling to the spine and ornate gilt embossed decoration and borders to the upper board and blind borders and decoration to the lower board. There are gilt page edges all round. This copy is bright, white and square. A dust wrapper is not called for. There is a school prize inscription to the obverse of the half title. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. Felicia Dorothea Hemans (25 September 1793 - 16 May 1835) was an English poet (who identified as Welsh by adoption). Two of her opening lines, "The boy stood on the burning deck" and "The stately homes of England", have acquired classic status. Hemans' first poems, dedicated to the Prince of Wales, were published in Liverpool in 1808, when she was fourteen, arousing the interest of poet Percy Bysshe Shelley, who briefly corresponded with her. She quickly followed them up with "England and Spain" (1808) and "The Domestic Affections" (1812). Hemans' major collections, including The Forest Sanctuary (1825), Records of Woman and Songs of the Affections (1830) were popular, especially with female readers. Her last books, sacred and profane, were Scenes and Hymns of Life and National Lyrics, and Songs for Music. She was by now a well-known literary figure, highly regarded by contemporaries such as Wordsworth, and with a popular following in the United States and the United Kingdom. Ref A4 3.