Eleanor hughes (152 risultati)

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Condizione sovraccoperta: 47100387. 1789229193. 9/12/2026 4:06:33 PM.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. First edition & printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Softcover. Owner name; no other markings. Profusely illustrated with color and black and white photographs. Fast shipping from NYC.

Paperback. Condizione: Very Good +.

hardcover. Condizione: Very Good. General shelf wear to cover/spine. Pages are clean. Good reading copy. Minor damage to cover/spine/binding.

Condizione: Very Good. Condizione sovraccoperta: 48171378. 1792051045. 10/15/2026 7:57:25 AM.

Paperback. Condizione: Near Very Good. 1st Edition. First Penguin Puffin edition first printing paperback, 208 pp, illustrated. Pages a bit tanned otherwise Very Good condition Original owner's inscription on inside cover. Shirley Hughes (cover) (illustratore).

Hardcover. Condizione: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Condizione: Used - Very Good. VG paperback. 1st ed. With colour illustrations A tidy copy in tight binding. Hamlyn All-Colour Paperbacks series. Used - Very Good. VG paperback.

Soft cover. Condizione: Good. Good condition soft cover, some wear to cover and spine, spotting to some pages, otherwise in a good readable condition.

Hardback. Condizione: Very Good. Betty Cooke has been called variously 'an icon within the tradition of modernist jewellery', and 'a seminal figure in American Modernist studio jewellery'. Her pieces have been shown nationally and internationally and are included in a number of museum collections, including the Museum of Modern Art (MOMA) and Museum of Arts & Design (MAD) in New York. She is regarded as an important role model for other artists and craftspeople. Her jewellery style is influenced by Bauhaus and modernism, very simple and pure, both geometric and minimalist; although given her early aspirations to become a sculptor, it is not be surprising that she thinks of her jewelry as "sculpture in motion". Her pieces have been sold through museums such as the Museum of Modern Art and the Hirshhorn Museum and contemporary designers such as Keegs in Seattle. Cooke has designed jewelry for Kirk Stieff and for Geoffrey Beene's shows in New York and Milan. Fred Lazarus, former director of Maryland Institute College of Art (MICA), where Cooke trained and taught for many years, has said of Cooke's work, 'There is an enduring timelessness about her work, and today, as she did 50 years ago, she continues to create work that is extraordinary in its clean, spare architectural line and stunning simplicity.' The volume features 160 pieces by Cooke, a fully-illustrated checklist, illustrated essay, "Reflections" by leading patrons and collectors of Cooke's jewellery, illustrated time-line, a selected bibliography, and exhibition history & list of collections containing pieces by Betty Cooke. AUTHOR: Jeannine Falino is the curator, of Betty Cooke, The Circle and the Line, September 26, 2020-January 3, 2021 at The Walters Art Museum. 190 colour illustrations. …

Condizione: New.

Hardback. Condizione: Very Good. Betty Cooke has been called variously 'an icon within the tradition of modernist jewellery', and 'a seminal figure in American Modernist studio jewellery'. Her pieces have been shown nationally and internationally and are included in a number of museum collections, including the Museum of Modern Art (MOMA) and Museum of Arts & Design (MAD) in New York. She is regarded as an important role model for other artists and craftspeople. Her jewellery style is influenced by Bauhaus and modernism, very simple and pure, both geometric and minimalist; although given her early aspirations to become a sculptor, it is not be surprising that she thinks of her jewelry as "sculpture in motion". Her pieces have been sold through museums such as the Museum of Modern Art and the Hirshhorn Museum and contemporary designers such as Keegs in Seattle. Cooke has designed jewelry for Kirk Stieff and for Geoffrey Beene's shows in New York and Milan. Fred Lazarus, former director of Maryland Institute College of Art (MICA), where Cooke trained and taught for many years, has said of Cooke's work, 'There is an enduring timelessness about her work, and today, as she did 50 years ago, she continues to create work that is extraordinary in its clean, spare architectural line and stunning simplicity.' The volume features 160 pieces by Cooke, a fully-illustrated checklist, illustrated essay, "Reflections" by leading patrons and collectors of Cooke's jewellery, illustrated time-line, a selected bibliography, and exhibition history & list of collections containing pieces by Betty Cooke. AUTHOR: Jeannine Falino is the curator, of Betty Cooke, The Circle and the Line, September 26, 2020-January 3, 2021 at The Walters Art Museum. 190 colour illustrations. …

Paperback. Condizione: Good. No Jacket. Good condition paperback pictorial laminated cover, no DJ. 159 pages good and clean with clear print. Mono and colour illustrations throughout. No foxing, no previous names.

Laminated Paper. Condizione: FINE ( AS NEW). No Jacket. This is the FIRST EDITION. Part of the Hamlyn all-colour paperbacks series, Eleanor , (at the time of writing) was the silver department's expert at Sotheby & Co, so well qualified to write on this subject.160pp.inc index, e-mail for further details Size: 12mo - over 6¾" - 7¾" Thin. Illustrated by Peter Henville (illustratore). Not Signed.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. Cloth copy, dust jacket. New copy shrink-wrapped in plastic. Yale Center for British Art.

Condizione: Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Brand New. 284 pages. 9.00x6.00x0.71 inches. In Stock. Hobbs, Eleanor (illustratore).

Paperback. Condizione: Good. First Hamlyn all- colour paperback edition.

Hardcover. Condizione: New. Hardcover volume, measuring approximately 10" x 12", is, together with dust jacket, new, still in shrinkwrap. "This publication accompanies the exhibition "Modernism and Memory: Rhoda Pritzker and the Art of Collecting," organized by the Yale Center for British Art, New Haven, and on view May 11 to August 21, 2016".…

Hardcover. Condizione: New. Condizione sovraccoperta: New. New oversize hardcover in new dust jacket. Text is clean and free of marks or underlining. 4to. (9.8 x 1.1 x 11.7 inches) Includes art prints, photos, and index. 224 pp. Fast shipping in a secure box mailer with tracking. This book is a glorious celebration of Rhoda Pritzker's collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker's method of collecting so singularnamely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured. Distributed for the Yale Center for British Art.…

Condizione: New.

Soft. Condizione: Good+. Good+. Light foxing to extremeties. Mild page brownenedng internally, otherwise clean and tight.159pp. Lavishly illustrated with colour photos. (illustratore).

Condizione: As New. Like New condition. Very Good dust jacket. With CD! A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.