ellsworth robert hatfield (70 risultati)

paperback. Condizione: Good. Honolulu Academy of Arts, [Honolulu], [Published Date: 1982]. Softcover, 100 pp : black and white illustrations ; 27 cm. Catalog published in connection with the exhibition held from January 16 to February 14, 198 at the Honolulu Academy of Arts. In good+ condition with light bumping and creasing to edges of covers and light overall scuffing with a bit of the color scuffed off along edges. Binding tight. Pages clean and unmarked. Errata sheet pasted onto front free end paper. Features classic Chinese hardwood furniture, much of it Ming and Qing dynasty in style, drawn from private collections in Hawaii. Contents include: Foreword by James W. Foster; Preface and Acknowledgements by Robert Hatfield Ellsworth; Chinese Furniture: An Overview by Robert Hatfield Ellsworth; Dr. Gustave Ecke and Chinese Furniture in Hawaii by Howard A. Link; Connoisseurship of Chinese Furniture as Seen in Hawaiian Collections by Robert Hatfield Ellsworth; Catalogue by Robert Hatfield Ellsworth; Glossary of Technical Terms by Robert Hatfield Ellsworth and Howard A. Link; Bibliography.

Soft cover. Condizione: Very Good. 2nd Edition. 4to, card covers, 100pp., 91 illustrations. A reprint of the 1982 Honolulu Academy of Arts original. VG+: clean, bright, sound, quite presentable.

Soft cover. Condizione: As New. 1st Edition. This is a fine, as new, Special Issue, black spine. 135 pages . MEDIA SHIPPING, extra for airmail or international shipping.

Condizione: Good. B&W Photos (illustratore). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Matte glue wraps with cover illustration of Ellsworth and his dog; 135 pp.; richly illustrated. Edited by Julia Meech and Jane Oliver, guest editor Anita Christy. In addition to the lengthy, illustrated autobiography of Ellsworth, there is an elngthy tribute entitled "Alice Boney: Silhouette" written by Anita Christy. A fabulous, insightful issue. Good+ (Wraps are lightly edge and shelfworn; interior is clean; binding is solid.).

Hardcover. Quarto, 108 pages. In Very Good minus condition with a Very Good minus dust jacket. Spine black with gray lettering. Dust jacket protected with a mylar covering. Mild general shelf wear and scuffing to dust jacket. Rubbing to edges and corners of boards. Textblock clean. Shelved in Furniture. 1395230. Shelved Dupont Bookstore.

Hardcover. Condizione: Near Fine. Illustrated (illustratore). 1st Edition. The usual sunning to the slipcase otherwise a lovely copy of an impressive publication which will require Extra Postage due to suze and weight.

Soft cover. Condizione: Good. No Jacket. English text; Paperback; 23 x 27.5 cm; 0.423 Kg; 100 pages with black-and-white illustrations.; Used book with signs of wear on the exterior. The interior is in good condition apart from sticker glued to the top rear of the front cover (with price and reference).; Catalogue from the exhibition shown at the Honolulu Academy of Arts January 16 to February 14, 1982, focused on Chinese furniture pieces drawn entirely from collections in Hawaii, including 91 pieces from the Yuan, Ming and Ch'ing periods.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. This is a fine, as new, hardcover 108 page first edition in a fine, as new DJ, green spine.

Hardcover. Condizione: Good. NOTE: Volume 1 only, consisting of 100 pieces with photographs and explanatory text in English and Chinese. Book only; no slipcase. Warm light brown cloth hardcover. Moderate bump to lower forecorner, gentle bump to upper forecorner, else mild wear. Pages unmarked.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very good. Dust jacket sunned along edges.

1st ed. thus softback with stiff wrappers Nice copy large octavo 100pp., b/w pls., bibliog., Copiously illustrated with examples of hardwood furniture. Neat ownership signature o/w nice copy.

Paperback. Condizione: Good. Condizione sovraccoperta: no dj. Chinese Hardwood Furniture in Hawaiian Collections. Book.

hardcover. Condizione: Like New. Looks unread with just a touch of shelf wear, hardcover in jacket. A42 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Quarto, 262 pages. In Good condition. Bound in burnt orange cloth boards with mildly worn black lettering to spine. General shelf wear. Light stain, small dent, and small tear to cloth on spine. Bumping to corners of boards. Damp stain to bottom corner of front board. Staining to edges of textblock. Blind stamp and inscription to title page; Inscription reads ".from Bob," possibly Robert Hatfield Ellsworth's signature. Shelved in Furniture. 1404156. Shelved Dupont Bookstore.

Hardcover. Condizione: Very Good. Book and slipcase in very good condition. Colour photographs.

Hardcover. Presumed First Edition. Quarto, 299 pages. In Very Good condition and housed in publisher's Very Good white cloth slip case with pictorial labels to sides. Bound in publisher's brown cloth boards with gilt lettering to spine. Minor shelf wear. Textblock clean. Shelved on the Front Table. 1407307. Shelved Dupont Bookstore.

Condizione: very good. Honolulu Academy of Arts, 1982. Paperback. 100 pp. 91 b/w illustrations. 28 cm. Condition : very good copy. Keywords : ANTIQUES,

Hardcover. Slipcase covered with off-white paper and color pictorial paper; brown cloth boards with gilt titling and decoration; Color pictorial endpapers; 299 pp.; Over 200 figures, mostly bw but some color. An in-depth guide to hardwood furniture of the Ming and early Ch'ing dynasties in China; Extensive text; Nicely illustrated; Oversized. VG/VG (in excellent, as new condition with minor shelf wear to slip cover).

Hardcover. Condizione: Good. No Jacket. 1st Edition. English text.; Hardcover (cloth without slipcase. Pictorial boards on the slipcase.).; 27.5 x 36 cm.; 3.1 kg; 304 pages with black and white and a few colour illustrations.; Used with signs of wear on the slipcase, that has a stain on the top and tears on the bottom. The hardcover cloth show signs of wear on the interior, namely some signs of a few pages have been bent in the past. Good condition overall. "At long last the West is looking with interest and appreciation at Chinese furniture. In the past this furniture was sought out by a few pioneer collectors who lived in China during the first part of the 20th century. Fortunately many curators of the Oriental arts of American museums were well aware of the great beauty of this furniture. With knowledge and foresight they presented representative collections to the public. As a result many fine examples exist in the Nelson Gallery in Kansas City, the Philadelphia Museum of Art, the Honolulu Academy of Arts and the Cleveland Museum. The time is now ripe for more than a visual presentation of this important field of the Chinese decorative arts. It must be treated in the same fashion that specialists in European decorative arts have approached its Western counterparts. For this reason I have given detailed descriptions of intricate forms of joinery - so radically different from the European forms. It is the most minute of these details that places Chinese furniture in distinct and proper periods. Many conclusions are based on the change of seat styles during the Ming period. Naturally all extant examples dating from the Ming and Ch'ing periods were not produced on one locale. Therefore it will hereafter be as imporant to establish the are from which a piece came as to establish its date. Obtaining knowledge of the subtly different forms of joinery and seat construction was possible only with pieces completely under my control. Much of the pertinent information could be obtained only though the complete dismantling of many of the pieces illustrated. In many instances samples had to be taken of wood and other materials on order to arrive at the conclusions presented here. This will explain why so many pieces that I discuss are my property. It is to be hoped that in the future research and scientific excavations will further expand our knowledge of the history of Chinese furniture." introduction by Robert Hatfield Ellsworth, New Fairfield, January 1970.

Hardcover. Condizione: Fine. Second edition. Brown cloth, ornately stamped in gilt on upper board, gilt-stamped lettering on spine; cloth slipcase with full-color photo-illustration of a Ming-dynasty silk brocade mounted to sides; folio; pp. [303], illustrated in full-color and b/w. Book is fine, in very lightly scuffed slipcase. An excellent copy of this important resource, with appendices, annotated bibliography, and index.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Purple paper over boards, lettered in silver; in pictorial jacket. Full page color photographs of the pieces throughout with facing text. Select bibliography. ; 4to 11" - 13" tall; 107 pages.

Hardcover. Condizione: Fine. 4to. Three volumes in slipcase. The first two volumes reproduce 550 paintings and 325 calligraphies and the third volume contains commentaries and artists biographies. Comes with original tote bag from Paragon Galleries who helped published this book. . We specialize in fine books in collectible condition. Orders are professionaly packaged and shipped promptly. . P1.

Hardcover. Condizione: Fine. 1st Edition. First Edition of the complete three volume set in the decorative slipcase of this expansive study of Chinese painting and calligraphy in the 19th century and 20th century. Volume one features the text -- general historical and interpretative narrative along with notes about the illustrations in the other two volumes. Volume Two features paintings and volume three Calligraphy. Each volume has a 10 -1/2" by 14" format while the slipcase/box is 11-1/2" by 15". 1,047 pages total in three volumes, lavishly illustrated. No sign of previous use. Due to the size and weight of this set, available only for shipping with the U.S. via Media Mail.

Hardcover. Condizione: Near Fine. 2nd Edition. Book.

Hardcover. Condizione: As New. 1st Edition. ELLSWORTH, Robert Hatfield. LATER CHINESE PAINTING AND CALLIGRAPHY: 1800-1950, 3 VOLUMES. New York, 1986. 10.5 x 15", 3 vols, xvi; xviii; xxiii, 399; 369; 281 pp., 875 color plates, 118 text-figures, text in English with Chinese captions, index, cloth, all edges gilt in gold, brown decorative clamshell style box with tipped in color plates. The culmination of more than three decades of study and collecting, the three-volume Later Chinese Painting and Calligraphy: 1800-1950 is one of the most important, sumptuous publications of Asian Art. Taking a period that has been ignored and undervalued by scholars, curators, and collectors, Robert Ellsworth has produced a work that not only forces us to re-examine all previous assessments of that tumultuous era in Chinese art, but promises to launch a new wave of interest in, and appreciation for, its unique achievements. Through more than 850 superb examples from his own collection, the author shows how exposure to Western art led, in painting, to an extraordinary new diversity and vitality, and how archeological discoveries in China fueled a dazzling renaissance in calligraphy. Two of the three volumes reproduce 550 paintings and 325 calligraphies, representing the work of every major artist of the period in full color. The extensive commentaries in the third volume include biographies of each artist. Every calligraphy, inscription, and seal is transliterated into precise English. The breadth and depth of fresh scholarship, the quality of the art, and the luxurious production combine to make Later Chinese Painting and Calligraphy: 1800-1950 one of the monumental achievements in art book publishing in our century: an essential source book for anyone interested in Asian art, and an object of permanent beauty and value.

Hardcover. Condizione: Near Fine. First edition. 399; 369; 281pp. Folio [36cm]. 3 volumes, each bound in a different hue of cloth. Gilt lettering on each spine, and a title label (in Mandarin Chinese) on each front board. Gilt edges, which are sporadically, lightly scratched. All in a clothbound clamshell, which is decorated with an illustrated label and gilt stamped title (in English) on the front and another title label (in Mandarin) and gilt stamped subtitle (in English) on the spine. There is a small patch of subtle darkening to the cloth on the front of the clamshell. Due to the weight of this item, extra shipping charges may apply. A lovely set for the coffee table or the reference library. Featuring the works of more than 300 painters and calligraphers. Volume I is entirely composed of essays and descriptive text, while Volume II contains full-color reproductions of the afore described paintings. Volume III is focused on calligraphy, also featuring full-color reproductions.

Hardcover. Condizione: As New. No Jacket. A clean copy in excellent condition, appears unread. Secure packaging for safe delivery.

Hardcover. Condizione: Good. No Jacket. 1st Edition. English and Chinese text.; Hardcover (cloth in slipcase).; 26 x 30 cm ; 3.8 Kg.; 2 VOLUMES IN SPLICASE from the Chinese Furniture collection from Mimi and Raymond Hung.; Volume I with one hundred pieces. 262 pages with colour illustrations. Catalogue by Robert Hatfield Ellsworth, Nicholas Grindley and Anita Christy, Privately Published, New York, 1996. Volume II with one hundred and three pieces, 208 pages with colour illustrations. Catalogue by Robert Hatfield Ellsworth. Privately Published, New York, 2005.; Used with signs of wear on the slipcase, which show wear signs on the spine, front and back cover, and on the bottom and top. Interior in very good condition with minor signs of wear.; "When we began to collect in 1985, we were told that there were very few books available on Chinese furniture that would help us understand and select authentic pieces. We learned that the most important work had been written by Mr. Robert Ellsworth of New York, who had formed his collection from the late 1950s though the early 1970s. His book Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties was published in 1971. In 1982 he organized and exhibition of Chinese hardwood furrniture in Hawaiian collections for the Honolulo Academy of Arts and wrote the accompanying catalogue; he had also written occasional articles on Chinese furniture. We immediately acquired his publications and began reading them and admiring the pieces. We were delighted to find that despite the many social and dynastic changes in China's history, some of the Chinese arts were being preserved by an American collector and dealer. Our collection consists of over one hundred pieces, most of which are included in this catalogue. We find our Chinese furniture to be both functional and beautiful. Because we live with our collection in a very tactile way - our children sleep in the beds, we eat our meals on a large painting table, we sit in the chairs and ch'uangs - we have developed an intimate familiarity with the proportions of Ming and early Ch'ing furniture, with what feels and looks right and what does not. The first piece we bought, a long huang hua-li table (no. 66) is still with us; other pieces have come and gone over the years. With the help of many educated friends and dealers, we have refined our connoisseurship so that we are now more easily able to distinguish the good from the bad." excerpt from the Volume I preface by Mimi and Raymond Hung 1996.; "Many of the smaller, but no less important pieces in this volume are a tribute to Mimi and the knowledge she has accumulated over fifteenth years. Mimi is ardently committed to this field and has worked very hard to put together the group of scholar's objects and personal furnishings. Her expertise and connoisseurship has grown steadily. Both Mimi and Raymond have accomplished the building of a collection which is probably unique and, at the same time, take great pleasure in living with their treasures whether in their homes of offices." excerpt from the Volume II preface by Robert Hatfield Ellsworth, 2015.