Ercolino stefano (122 risultati)

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Paperback. Condizione: new. Paperback. Experimental Criticism offers a series of close critical engagements with Franco Moretti, one of the worlds most innovative literary thinkers. Moretti is the author of among other works Signs Taken for Wonders, Modern Epic and Graphs, Maps, Trees. He is perhaps best known for his computational distant reading of vast numbers of literary texts at the Stanford Literary Lab. In this book Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of Morettis protean, experimental approach to literary criticism. Topics range from evolutionary theory and the sociology of literary forms to world literature and the Digital Humanities. A concluding part is dedicated to one of Morettis most prized research objects: the novel. Experimental Criticism recovers Morettis origins on the Italian Trotskyist Left and is enriched by essays from Moretti himself on Lukacss Theory of the Novel and the tension between close and distant reading. Why study literature?, Moretti asks. For the pleasure of reducing complex things to their simple elements. To bring them back to earth. A fascinating guide to Franco Moretti's literary criticism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback or Softback. Condizione: New. Experimental Criticism: Franco Moretti and Literature. Book.

Paperback. Condizione: New. Experimental Criticism offers a series of close critical engagements with one of the world's most innovative literary thinkers. Franco Moretti, author of such major works as Signs Taken for Wonders, The Way of the World, Modern Epic, Atlas of the European Novel and The Bourgeois, may be best known for his 'distant reading' of vast numbers of literary texts at the Stanford Literary Lab. Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of his work as a springboard for rethinking the fundamentals of literary studies.Topics include literary theory and method, problems of scale and canonisation, the evolution of literary forms, abstract modelling and the digital humanities, comparative versus world literature, Marxism and literary history, and tragedy and the novel. There are essays from Moretti himself on Lukács and the tensions between close and distant reading, plus a 'provisional epilogue' in which he reflects on his intellectual itinerary and the challenges posed by contributors to this volume. 'Why study literature?' he asks. For the pleasure of reducing complex things to their simple elements; to bring them back to earth.This key retrospective amounts to a critical manifesto for an experimental literary materialism, one unafraid to test radical new hypotheses.…

Paperback. Condizione: New. Experimental Criticism offers a series of close critical engagements with one of the world's most innovative literary thinkers. Franco Moretti, author of such major works as Signs Taken for Wonders, The Way of the World, Modern Epic, Atlas of the European Novel and The Bourgeois, may be best known for his 'distant reading' of vast numbers of literary texts at the Stanford Literary Lab. Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of his work as a springboard for rethinking the fundamentals of literary studies.Topics include literary theory and method, problems of scale and canonisation, the evolution of literary forms, abstract modelling and the digital humanities, comparative versus world literature, Marxism and literary history, and tragedy and the novel. There are essays from Moretti himself on Lukács and the tensions between close and distant reading, plus a 'provisional epilogue' in which he reflects on his intellectual itinerary and the challenges posed by contributors to this volume. 'Why study literature?' he asks. For the pleasure of reducing complex things to their simple elements; to bring them back to earth.This key retrospective amounts to a critical manifesto for an experimental literary materialism, one unafraid to test radical new hypotheses.…

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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New.

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Condizione: New. 2026. paperback. . . . . .

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Paperback. Condizione: Brand New. 272 pages. 6.00x9.20x8.26 inches. In Stock.

Paperback. Condizione: Very Good. The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century. The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravity's Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bolaño, and 2005 dopo Cristo by the Babette Factory. Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.…

paperback. Condizione: New.

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Paperback. Condizione: Brand New. 272 pages. 6.00x9.20x8.26 inches. In Stock.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

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Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -Experimental Criticism provides a series of close critical engagements with Franco Moretti. One of the world's most innovative literary thinkers, Moretti may be best known for his 'distant reading' of vast numbers of literary texts at the Stanford Literary Lab. Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of his work as a springboard for rethinking the fundamentals of literary theory. Topics include world literature and the Digital Humanities, literary morphology and evolutionary theory, the sociology of literature, and Marxism and literary history. A concluding section is dedicated to the novel, one of Moretti's most prized research objects. Experimental Criticism reconstructs Moretti's intellectual journey, from origins on the Italian Trotskyist Left to the project for a historical atlas of literature and later computational turn. The collection includes essays from Moretti himself on Lukács's Theory of the Novel and the methodological tension between close and distant reading. 'Why study literature ', he asks. For the pleasure of reducing complex things to their simple elements; to bring them back to earth.'A sheer intelligence animates the pages of Moretti's work.'New York Times'A great iconoclast of literary criticism.'Guardian'Few are as hell-bent [as Moretti] on rethinking the way we talk about literature.'Times Literary Supplement 128 pp. Englisch. …

Taschenbuch. Condizione: Neu. Neuware -Experimental Criticism provides a series of close critical engagements with Franco Moretti. One of the world's most innovative literary thinkers, Moretti may be best known for his 'distant reading' of vast numbers of literary texts at the Stanford Literary Lab. Francesco de Cristofaro and Stefano Ercolino lead a lively exploration of his work as a springboard for rethinking the fundamentals of literary theory. Topics include world literature and the Digital Humanities, literary morphology and evolutionary theory, the sociology of literature, and Marxism and literary history. A concluding section is dedicated to the novel, one of Moretti's most prized research objects. Experimental Criticism reconstructs Moretti's intellectual journey, from origins on the Italian Trotskyist Left to the project for a historical atlas of literature and later computational turn. The collection includes essays from Moretti himself on Lukács's Theory of the Novel and the methodological tension between close and distant reading. 'Why study literature ', he asks. For the pleasure of reducing complex things to their simple elements; to bring them back to earth.'A sheer intelligence animates the pages of Moretti's work.'New York Times'A great iconoclast of literary criticism.'Guardian'Few are as hell-bent [as Moretti] on rethinking the way we talk about literature.'Times Literary Supplement 128 pp. Englisch. …

Paperback. Condizione: New. The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century. The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravity's Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bolaño, and 2005 dopo Cristo by the Babette Factory. Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.…