eric c h bruyn (19 risultati)

Paperback. Condizione: new. Paperback. Theorists, historians, and artists address the precarious futurity of the notion of the future itself.Theorists, historians, and artists address the precarious futurity of the notion of the future.Not long ago, a melancholic left and a manic neoliberalism seemed to arrive at an awkward consensus- the foreclosure of futurity. Whereas the former mourned the failure of its utopian project, the latter celebrated the triumph of a global marketplace. The radical hope of realizing a singularly different, more equitable future displaced by a belief that the future had already come to pass, limiting post-historical society to an uneventful life of endless accumulation. Today, amidst an abundance of neofuturisms, posthumanisms, futurologies, speculative philosophies and accelerationist scenarios, there is as well an expanding awareness of a looming planetary catastrophe driven by the extractionist logic of capitalism. Despite this return to the future, the temporal horizon of our present moment is perhaps more aptly characterized by the "shrinking future" of just-in-time production, risk management, high-frequency trading, and the futures market.In Futurity Report, theorists, historians, and artists address the precarious futurity of the notion of the future itself.ContributorsMcKenzie Wark, China Mieville, Kerstin Stakemeier, Diedrich Diederichsen, Natascha Sadr Haghighian, Marina Vishmidt, Johannes Paul Raether, Felicity D. Scott, Silvia Maglioni, Graeme Thomson, Doreen Mende, Pedro Neves Marques, Achille Mbembe, Kodwo Eshun, Haytham El-Wardany, T. J. Demos, Ana Teixeira Pinto Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione sovraccoperta: dj. First Edition. First edition. Hardcover. 254 pages. The first monograph on MacArthur Genius Grant winner McElheny. Features contributions by Martin Beck, Jorge Luis Borges, Eric C.H. de Bruyn, Jennifer Gross, Glen Helfand, Dave Hickey, Branden W. Joseph, Adolf Loos, Helen Molesworth, Louise Neri, Molly Nesbit, Spyros Papapetros, Scott Rothkopf, Joshua Siegel, David H. Weinberg, and Donelle Woolford. Includes numerous illustrations A fine copy in a fine dust jacket. An as new copy and still in the publisher's shrinkwrap.

Paperback. Condizione: New.

Condizione: New. pp. 280.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New. pp. 280.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. Paperback.Width: 16 cm. Height: 22cm. 280 pages. English text.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Signed by McElheny to front free endpaper. Light wear to extremities of dust jacket, 1.5" tear to rear panel. Binding somewhat bumped, altogether clean, well-bound, and internally unmarked, excepting signature. Signed by Author(s).

Hardcover. Condizione: Wie neu. New book. Remains sealed in plastic. Privately owned. Language: English.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Theorists, historians, and artists address the precarious futurity of the notion of the future itself.Theorists, historians, and artists address the precarious futurity of the notion of the future.Not long ago, a melancholic left and a manic neoliberalism seemed to arrive at an awkward consensus- the foreclosure of futurity. Whereas the former mourned the failure of its utopian project, the latter celebrated the triumph of a global marketplace. The radical hope of realizing a singularly different, more equitable future displaced by a belief that the future had already come to pass, limiting post-historical society to an uneventful life of endless accumulation. Today, amidst an abundance of neofuturisms, posthumanisms, futurologies, speculative philosophies and accelerationist scenarios, there is as well an expanding awareness of a looming planetary catastrophe driven by the extractionist logic of capitalism. Despite this return to the future, the temporal horizon of our present moment is perhaps more aptly characterized by the "shrinking future" of just-in-time production, risk management, high-frequency trading, and the futures market.In Futurity Report, theorists, historians, and artists address the precarious futurity of the notion of the future itself.ContributorsMcKenzie Wark, China Mieville, Kerstin Stakemeier, Diedrich Diederichsen, Natascha Sadr Haghighian, Marina Vishmidt, Johannes Paul Raether, Felicity D. Scott, Silvia Maglioni, Graeme Thomson, Doreen Mende, Pedro Neves Marques, Achille Mbembe, Kodwo Eshun, Haytham El-Wardany, T. J. Demos, Ana Teixeira Pinto Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Softcover, 280 pagina's, 23.5 x 15.5 cm. Illustrated. ENG text . ISBN 9789462704312. Marcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years before creating his first sculptural objects and installations, Broodthaers made his debut as a filmmaker in 1957 with La Clef de l?horloge, embarking on a prolific cinema practice that yielded more than fifty films shot on 35mm and 16mm. Cinema, both as a medium and principle, was crucial to his artistry. Broodthaers's writings and visual oeuvre are permeated with allusions to film, its history, and its technology. Covering both well-known titles such as Le Corbeau et le renard (1967), La Pluie (1969), and Une Seconde d? ternit (1970) as well as many lesser-known Broodthaers films, the essays in this book discuss his films as inseparable from his entire oeuvre while situating them in the larger history of experimental film. In addition, the book scrutinizes his experiments with cinepoetry and expanded cinema, as well as his interest in early cinema and his fascination with signs and inscriptions. Marcel Broodthaers and Film brings together essays by Andrew Chesher, Eric C. H. de Bruyn, Xavier Garc a Bard n, Charlotte Friling, Steven Jacobs, Bruce Jenkins, Deborah Schultz, Christophe Wall-Romana, and Raf Wollaert. Steven Jacobs is an art historian specializing in the relations between art and film. He teaches at Ghent University and the University of Antwerp. Raf Wollaert completed a PhD on the subject of Marcel Broodthaers?s cinema at the University of Antwerp in 2024. 0 g.