Esquevin christian (33 risultati)
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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Da: Crooked House Books & Paper, CBA, ABAA, Portland, OR, U.S.A.Crooked House Books & Paper, CBA, ABAA
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EUR 36,22
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hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. Black boards under white Jennifer L. Witzke dust jacket. Owner's gift label to front endpaper else a fine copy. Extra postage required for international or expedited shipping.
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Da: Zed Books, New York, NY, U.S.A.Zed Books
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EUR 45,27
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 4to. 223 pp. Near Fine in Fine dust jacket. Slight shelfwear to extremities of boards.
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Da: Moe's Books, Berkeley, CA, U.S.A.Moe's Books
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EUR 45,27
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Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.
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- Prima edizione
Da: Champ & Mabel Collectibles, San Pedro, CA, U.S.A.Champ & Mabel Collectibles
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EUR 49,80
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Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. First Edition. [224p.] Remainder. Name blacked out on front endpaper, black mark on bottom page edges, jacket back lightly rubbed, TCM sticker on front jacket. Includes bibliographical notes. Motion picture costume designer Adrian designed costumes for the bi…ggest Metro-Goldwyn-Mayer women stars during the 1930s, including Greta Garbo, Norma Shearer, Jean Harlow, and Katharine Hepburn. In 1941, he started his own studio designing couture and ready-to-wear outfits for women, known for his meticulous detailing. Esquevin examines "the designer's work and its far-reading influence" on 20th century fashion. B&w photographs. (11-1/4"x9-1/4").
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 53,16
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Condizione: New.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxur…ious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen. AUTHOR: Christian Esquevin is a writer, collector, blogger, and researcher of Hollywood costume design history. His collection of classic film costume design sketches has been featured by the Fashion Institute of Design & Merchandising Museum in Los Angeles. He is the author of Adrian: Silver Screen to Custom Label. 74 b&w illustrations, 25 color illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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EUR 57,95
Spedizione gratuitaSpedito in U.S.A.Quantità: 2 disponibili
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 51,73
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 58,17
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Condizione: As New. Unread book in perfect condition.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 51,72
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Condizione: New.
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Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.Robinson Street Books, IOBA
Contatta il venditoreVenditore con 4 stelleMembro dell’associazione: IOBA
Condizione: Usato - Molto buono
EUR 61,12
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Hardcover. Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean pages and dust jacket. First edition.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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EUR 51,40
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Hardcover. Condizione: New.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 70,81
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Hardback. Condizione: New. Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns,…selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props.In _Designing Hollywood: Studio Wardrobe in the Golden Age_, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as _Phantom of the Opera_ (1925), _Dracula_ (1931), and _Bride of Frankenstein_ (1931); William Travilla, the talent behind Marilyn Monroe's dresses in _Gentleman Prefer Blondes_ (1953) and _The Seven Year Itch_ (1955); and Walter Plunkett, the Oscar-winning designer for film classics like _Gone with the Wind_ (1939) and _An American in Paris_ (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, _Designing Hollywood_ takes the reader on a journey from drawing board to silver screen.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 56,42
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Condizione: New. In.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 60,62
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Condizione: New. 2023. hardcover. . . . . .
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 57,83
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Condizione: As New. Unread book in perfect condition.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 61,86
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Hardback. Condizione: New. New copy - Usually dispatched within 3 working days.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 63,64
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Hardcover. Condizione: Brand New. 400 pages. 10.25x8.25x1.00 inches. In Stock.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 74,93
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Condizione: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.
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Da: GoldBooks, Denver, CO, U.S.A.GoldBooks
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EUR 81,25
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Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.
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Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
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EUR 90,54
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hardcover. Condizione: very good(+). very good(+). Foreword by Yeohlee. Many black-and-white photographs. 223pp., 4to, cloth, d.w.; minor shelfwear to lower edges. New York: The Monacelli Press, (2008). A very good (+) copy in a very good (+) dust wrapper.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 78,04
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Hardcover. Condizione: Brand New. 400 pages. 10.25x8.25x1.00 inches. In Stock.
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Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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Condizione: NEW.
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Da: BestAroundDeals, Grand Rapids, MI, U.S.A.BestAroundDeals
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Hardcover. Condizione: New.
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Da: moluna, Greven, Germaniamoluna
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EUR 58,57
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Gebunden. Condizione: New. Klappentext Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featu.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 56,25
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Buch. Condizione: Neu. Neuware - Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious g…owns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unraveling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen.
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Da: preigu, Osnabrück, Germaniapreigu
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EUR 65,80
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Buch. Condizione: Neu. Designing Hollywood | Studio Wardrobe in the Golden Age | Christian Esquevin | Buch | Gebunden | Englisch | 2023 | The University Press of Kentucky | EAN 9780813197913 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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EUR 65,18
EUR 76,12 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns,…selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props.In _Designing Hollywood: Studio Wardrobe in the Golden Age_, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as _Phantom of the Opera_ (1925), _Dracula_ (1931), and _Bride of Frankenstein_ (1931); William Travilla, the talent behind Marilyn Monroe's dresses in _Gentleman Prefer Blondes_ (1953) and _The Seven Year Itch_ (1955); and Walter Plunkett, the Oscar-winning designer for film classics like _Gone with the Wind_ (1939) and _An American in Paris_ (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, _Designing Hollywood_ takes the reader on a journey from drawing board to silver screen.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 109,54
EUR 32,52 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxur…ious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen. AUTHOR: Christian Esquevin is a writer, collector, blogger, and researcher of Hollywood costume design history. His collection of classic film costume design sketches has been featured by the Fashion Institute of Design & Merchandising Museum in Los Angeles. He is the author of Adrian: Silver Screen to Custom Label. 74 b&w illustrations, 25 color illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
