Ethan mordden (Oltre 1600 risultati)

Paperback. Condizione: Good.

Hardback. Condizione: Good. This history of the Broadway musical looks at an era that brought us not only the gritty reality of A Chorus Line and the bittersweet works of Stephen Sondheim, but also the nostalgic crowd pleasers No, No, Nanette and Annie. It was a time when Broadway both looked to its past, but also to its future and allowed reality to enter.…

Condizione: Good. Good condition ex-library book with usual library markings and stickers.

Hardback. Condizione: Fair. When Florenz Ziegfeld started in theatre, it was flea circus and sideshow rolled into one. When he left, the glamorous world of 'show-biz' had been created. From the muscle man "Sandow", to the songbird "Anna Held", Ziegfeld learned that a big star filled seats and he hired them all for his "Follies" - Marilyn Miller, Will Rogers, Bert Williams, Eddie Cantor and Fanny Brice among them. A man of voracious sexual appetites, Ziegfeld's ardour created the Ziegfeld Girl. Head-dressed and bejewelled, they wore little more than a smile when gliding down the steps of the most eye-popping evenings theatregoers had ever seen. His power, though, went beyond the Follies as he produced a number of landmark shows, including Kern and Hammerstein's seminal "Showboat." In "Ziegfeld", Mordden recreates the lost world of the "Follies", a place filled with a glamour that no longer exists, masterminded by one of the most inventive and exacting men ever to fill a Broadway stage: Florenz Ziegfeld.…

paperback. Condizione: Very Good.

Hardback. Condizione: Good. 'Music and girls are the soul of musical comedy,' one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic loves songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein hadn't existed, Broadway would have had to invent them; and Oklahoma! and Carousel came along just in time to announce the New Formula for Writing Musicals: Don't have a formula. Instead, start with strong characters and atmosphere: Oklahoma!'s murderous romantic triangle set against a frontier society that has to learn what democracy is in order to deserve it; or Carousel's dysfunctional family seen in the context of class and gender war. With the vitality and occasionally outrageous humour that Ethan Mordden's readers take for granted, the author ranges through the decade's classics--Pal Joey, Lady in the Dark, On the Town, Annie Get Your Gun, Finian's Rainbow, Brigadoon, Kiss Me, Kate, South Pacific. He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as 'burlesque with a playbill' yet closing as the longest-run musical in Broadway history; Lute Song, in which Mary Martin and Nancy Reagan were Chinese; and the first 'concept' musicals, Allegro and Love Life. Amid the fun, something revolutionary occurs. The 1920s created the musical and the 1930s gave it politics. In the 1940s, it found its soul.…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Paperback. Condizione: Good.

Paperback. Condizione: Fair.

Paperback. Condizione: Very Good.

Hardback. Condizione: Very Good. In On Sondheim, renowned author Ethan Mordden takes the reader on a tour of Stephen Sondheim's work, arguing for the importance and appeal of the composer-lyricist in American theater and, even more, in American culture. Over the course of eighteen shows, Mordden demonstrates that Sondheim is a classical composer who happens to write musicals. Sondheim has intellectualized the musical by tackling serious content usually reserved for the spoken stage: nonconformism (in Anyone Can Whistle, 1964), history (in Pacific Overtures, 1976), and cannibalism as a metaphor for class warfare (Sweeney Todd, 1979). Yet his work combines complex music and intellectual plots with a masterly skill for the fabric of theatre. His shows are all intensely theatrical, produced with flair and brilliance, whether in the lush operetta of A Little Night Music (1973) or the quixotic fairy-tale magic of Into the Woods (1987). Mordden provides fresh insights and analyses of every Sondheim show, from his first hit (West Side Story, 1957) to his most recent title (Road Show, 2008). Each musical has a dedicated chapter, including articles on Sondheim's life and his major influences, and comprehensive bibliographical and discographical essays place the Sondheim literature and recordings in perspective. Writing with his usual blend of the scholarly and the popular - with a wicked sense of humor - Ethan Mordden reveals why Stephen Sondheim has become Broadway's most significant voice in the last fifty years.…

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Very Good. A collection of tales, both funny and informative, all connected with the subject of operas, opera-going and composers of opera.

Paperback. Condizione: Good. A collection of tales, both funny and informative, all connected with the subject of operas, opera-going and composers of opera.

Paperback. Condizione: Fair. A collection of tales, both funny and informative, all connected with the subject of operas, opera-going and composers of opera.

paperback. Condizione: Very Good.

Paperback. Condizione: Fair.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardback. Condizione: Fair.

Hardback. Condizione: Good.

Hardback. Condizione: Good. After six volumes on the musical's history, decade by decade from the 1920s through the 1970s, Ethan Mordden takes an entirely fresh look at the musical.

Hardcover. Condizione: Good.

hardcover. Condizione: Fair.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Good condition.