Eugene ostashevsky (191 risultati)

Condizione: Very Good.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. Main.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Condizione: As New. Unread copy in mint condition.

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. paperback.

Condizione: New. Brand New.

Condizione: New.

Paperback. Condizione: New.

Condizione: New.

Condizione: New. Brand New.

Paperback or Softback. Condizione: New. Victory Over the Sun. Book.

paperback. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condizione: new. Paperback. An original collection from one of the most active poets in contemporary literature.An original collection from one of the most active poets in contemporary literature.Winner of the 2019 International Poetry Prize from the City of M nsterThe Pirate Who Does Not Know the Value of Pi is a poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to communicate with people indigenous to the island, had there been any. Characterized by multilingual punning, humor puerile and set-theoretical, philosophical irony and narrative handicaps, Eugene Ostashevsky's new large-scale project draws on sources as various as early modern texts about pirates and animal intelligence, old-school hip-hop, and game theory to pursue the themes of emigration, incomprehension, untranslatability, and the otherness of others. A poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to make themselves understood by people indigenous to the island, had there been any. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. The Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non-nativeness. The book includes four cycles of fourteen unrhymed, unmetered, logically Petrarchan sonnets. The first cycle asks about the relationship between interpretation and emotion: whether 'we feel the feelings that we call ours'. The second, mainly composed of 'daughter sonnets', describes bringing up children in a foreign language. The third, 'Die Schreibblockade', German for writer's block, talks about foreign-language processing of inherited historical trauma. The fourth cycle is about translation. A libretto commissioned by Italian composer Lucia Ronchetti follows, about Ravel's interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand.Gwyneth Lewis writes, 'Eugene Ostashevsky is a multilingual language explorer. His The Feeling Sonnets are an exhilarating and witty enquiry into the designs that language has on us as intellectual, domestic and historical beings. This is poetry as punning philosophy, both entertaining and deeply serious. This book is a tour de force, turning languages' spotlights onto speech itself. Yet again, Carcanet is publishing important poetry.'Born in Leningrad, Ostashevsky grew up in Brooklyn. He is now based in Berlin and New York. In his last full book of poetry, The Pirate Who Does Not Know the Value of Pi, published by NYRB Poets, discusses migration, translation, and second-language writing as practiced by pirates and parrots. His previous book, The Life and Opinions of DJ Spinoza, published by Ugly Duckling Presse in Brooklyn, examines the defects of natural and artificial languages.…

Condizione: New.

Paperback. Condizione: new. Paperback. Slyly funny, inventive, and virtuosic, this new collection from a Russian-American master challenges poetic convention and explores themes of alienhood, translation, and human emotion.In Eugene Ostashevskys The Feeling Sonnetshis fourth collection of poems words, idioms, sentences, and poetic conventions are dislodged and defamiliarized in order to convey the experience of living in a land, and a language, apart. The book consists of four cycles of fourteen unrhymed, unmetered sonnets. The first cycle asks about the relationship between interpretation and emotion, whether we feel the feelings that we call ours. The second cycle, mainly composed of daughter sonnets, describes bringing up children in a foreign country and a foreign language. The third cycle, called Die Schreibblockade, German for writers block, talks about foreign-language processing of inherited historical trauma, in this case the siege of Leningrad from 1941 to 1944. The fourth cycle is about translation. The sonnets are followed by a short libretto, commissioned by the Italian composer Lucia Ronchetti, about Ravels interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condizione: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.