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Indefinite Visions : Cinema and the Attractions of Uncertainty
Beugnet, Martine (EDT); Cameron, Allan (EDT); Fetveit, Arild (EDT)
Lingua: Inglese
Editore: Edinburgh University Press 2017
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Indefinite Visions : Cinema and the Attractions of Uncertainty
Beugnet, Martine (EDT); Cameron, Allan (EDT); Fetveit, Arild (EDT)
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Editore: Edinburgh University Press 2017
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Lingua: Inglese
Editore: Edinburgh University Press, GB 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Paperback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can reco…rd better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Editore: Edinburgh University Press, Edinburgh 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Paperback. Condizione: new. Paperback. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the came…ra can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base. With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Condizione: New. pp. 256.
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Altre immaginiLingua: Inglese
Editore: Edinburgh University Press, GB 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Paperback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can reco…rd better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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paperback. Condizione: New.
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Indefinite Visions: Cinema and the Attractions of Uncertainty (Edinburgh Studies in Film) (Edinburgh Studies in Film and Intermediality)
Martine Beugnet,Arild Fetveit,Allan Cameron,Martine Beugnet,Allan Cameron,Arild Fetveit
Lingua: Inglese
Editore: Edinburgh University Press - 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Condizione: New. Pursuing a range of approaches (from aesthetics to phenomenology to production studies), the authors in this volume actively explore moving images in states of decay, distortion, indistinctness and fragmentation, while drawing upon key theoretical themes including affect, embodiment, visual signification and leg…ibility. Editor(s): Beugnet, Martine; Cameron, Allan; Fetveit, Arild. Series: Edinburgh Studies in Film. Num Pages: 256 pages, 30 black and white illustrations. BIC Classification: APFA; APFB; APFN. Category: (G) General (US: Trade). Dimension: 234 x 156. . . 2017. 1st Edition. Paperback. . . . .
Indefinite Visions : Cinema and the Attractions of Uncertainty
Beugnet, Martine (EDT); Cameron, Allan (EDT); Fetveit, Arild (EDT)
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Indefinite Visions : Cinema and the Attractions of Uncertainty
Beugnet, Martine (EDT); Cameron, Allan (EDT); Fetveit, Arild (EDT)
Lingua: Inglese
Editore: Edinburgh University Press 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Lingua: Inglese
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Condizione: New. Pursuing a range of approaches (from aesthetics to phenomenology to production studies), the authors in this volume actively explore moving images in states of decay, distortion, indistinctness and fragmentation, while drawing upon key theoretical themes including affect, embodiment, visual signification and leg…ibility. Editor(s): Beugnet, Martine; Cameron, Allan; Fetveit, Arild. Series: Edinburgh Studies in Film. Num Pages: 256 pages, 30 black and white illustrations. BIC Classification: APFA; APFB; APFN. Category: (G) General (US: Trade). Dimension: 234 x 156. . . 2017. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Edinburgh University Press 2017
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Lingua: Inglese
Editore: Edinburgh Univ Pr 2017
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Paperback. Condizione: Brand New. 363 pages. 9.00x6.00x1.00 inches. In Stock.
Lingua: Inglese
Editore: Edinburgh University Press 2017
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Condizione: New. With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image s material base.Über den Auto.
Lingua: Inglese
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Paperback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can reco…rd better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh University Press, Edinburgh 2017
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Paperback. Condizione: new. Paperback. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the came…ra can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base. With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Edinburgh University Press Jul 2017 2017
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Taschenbuch. Condizione: Neu. Neuware - Edinburgh Studies in Film and Intermediality Series edited by Martine Beugnet and Kriss Ravetto Indefinite Visions: Cinema and the Attractions of Uncertainty Edited by Martine Beugnet, Allan Cameron and Arild Fetveit Audiovisual culture often privileges the instantly identifiable: the reco…gnizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet order and clarity do not come 'naturally' to the moving image. Light, motion, definition, compression: the conditions of recording, storing and screening can subject audiovisual media to countless variations, pulling them towards the indefinite and illegible. Filmmakers and artists often seek out and work with the resulting uncertainty, from the warping of space to the melding of senses, from glare to shadow and blur to glitch. This collection concerns itself with the aesthetics, concepts and politics of indefinite and obscured moving images, examining what is at stake in their foregrounding of materiality and mediation, evanescence and flux. Pursuing a range of approaches (spanning history, theory and close analysis), the authors in this volume investigate techniques, effects and themes that emerge from the wilful excavation of the moving image's formal and material base. Martine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron is Senior Lecturer in Media, Film and Television at the University of Auckland. Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen.
Lingua: Inglese
Editore: Edinburgh University Press, GB 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Paperback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can reco…rd better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh University Press 2017
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Taschenbuch. Condizione: Neu. Indefinite Visions | Cinema and the Attractions of Uncertainty | Allan Cameron (u. a.) | Taschenbuch | Edinburgh Studies in Film and Intermediality | Download | Englisch | 2017 | Edinburgh University Press | EAN 9781474407144 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad…Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: Edinburgh University Press, GB 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Hardback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can recor…d better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh University Press, GB 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Hardback. Condizione: New. Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can recor…d better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Lingua: Inglese
Editore: Edinburgh Univ Pr 2017
Serie: Edinburgh Studies in Film and Intermediality, Libro 7 di 16. Libro 7 di 16 - Edinburgh Studies in Film and Intermediality
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Hardcover. Condizione: Brand New. 363 pages. 9.25x6.25x0.75 inches. In Stock.
