fiore jessamyn (18 risultati)

Hardcover. Condizione: Near Fine. Published on the occasion of the exhibition Gordon Matta-Clark: Anarchitect, at The Bronx Museum of the Arts, November 8, 2017 - April 8, 2018. With dust jacket, Near Fine condition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Exhibition catalog. Color and black and white photographs throughout. First printing. Corrigenda slip laid in. Fine in a fine dust jacket.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. (DJ and Text are clean, neat and tight). Book.

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. VG. Minimally marked ex-lib just a sticker on the spine and inside rear cover.

Hardcover. Black and b&w-photo illustrated DJ with white and grey lettering; orange cloth over boards with black lettering; xi, 169 pp.; richly illustrated. "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics." -- Dust Jacket. Good DJ with VG book (Light edge/shelfwear to DJ; book appears unread.).

Hardcover. Condizione: New in shrinkwrap. Cream and color-illustrated boards with black lettering. 179 pp. Color and illustrations. Published to accompany the exhibition held at David Zwirmer, New York, 2015.

Condizione: New.

Hardback. Condizione: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 184 pages. 10.50x8.00x0.75 inches. In Stock.

Hardback. Condizione: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).

Condizione: New.

Condizione: New. In.

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Undoing is just as much a democratic right as doing. ---Gordon Matta-Clark&Uumlber den AutorAntonio Sergio Bessa is director of curatorial and education programs at the Bronx Museum of the Arts. Jessamyn Fiore is a Ne.

Hardback. Condizione: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).

Hardback. Condizione: New. "Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.Published in association with The Bronx Museum of the ArtsExhibition Schedule:Bronx Museum of the Arts (11/08/17-04/08/18)Jeu de Paume, Paris (06/04/18-09/23/18)Kumu Kunstimuuseum, Tallinn, Estonia (03/01/19-08/04/19)Rose Art Museum, Waltham, MA (09/12/19-12/15/2019).