Fulmer george (14 risultati)
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Condizione: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.
Editore: Washington: 1844
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.Zubal-Books, Since 1961
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Condizione: Good. 25 pp, light extraction roughness at spine, age staining and spotting, self wrappers. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's cou…ntry.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Clearwater home show and real estate photo archive by George Fulmer, 1951 to 1952, recording the local sales culture that accompanied Florida's postwar growth: model ranch houses, property storefront advertising, appliance booths, lighting displays, paint counters, floor covering samples, table settings, and floral arrangements…prepared for buyers entering the Gulf Coast housing market. Florida's population rose remarkably from 1950 to 1960, and in Pinellas County it more than doubled, turning communities around Clearwater into a major residential market during the first postwar decade. The Servicemen's Readjustment Act of 1944 helped returning veterans obtain federally guaranteed home loans, while the end of wartime building restrictions released pent up demand for new single family houses. Fulmer's commercial assignments place that migration inside its retail setting, where the Florida house was sold not only as land and structure, but as a complete domestic environment of refrigerators, lighting, heating, flooring, paint, patios, tableware, plants, and display-ready interiors. Photo archive of 45 items, including 19 silver gelatin photographs, and 26 large scale negatives, ranging 3.5 x 5 inches to 4 x 5 inches. Many photographs have correlating negatives while some negatives contain unique images. Contained in 14 annotated studio job envelopes, Clearwater and Pinellas County, Florida, 1951 to 1952. The envelopes identify dated assignments for Francis Paint Store, Y B Refrigeration, Rehbaum Display, Floor Center, Daniels Electric, Kenson Supply, a Flower Show at the Clearwater Civic Center, and Charles R. Fischer's real estate office, with several descriptions reading "Home Show," "Home Show Booth," or "Home Show Board." Charles R. Fischer's brick storefront appears with a projecting sidewalk canopy, a hanging sign reading "Charles R. Fischer Real Estate Appraisals," window cards advertising property listings, and three men in matching dark shirts and white slacks positioned on the bench, sidewalk, and doorway. The home show interiors include Daniels Electric Co. at 204 S. Garden Street advertising fixtures, contract wiring, electric heating, and Wesix "Wiredheat"; Rehbaum's Kelvinator Maytag booth with refrigerators, washers, stoves, and a "House of Gifts" display; flooring and paint booths with sample boards, cans, placards, and counters; and an athletic scoreboard overhead in the exhibition hall. The residential scenes record one story ranch houses with low rooflines, attached garages, broad windows, concrete drives, sparse new lawns, palm trees, patio umbrellas, screened porches, and backyard service areas, while the flower and table setting assignments include folding screens, draped fabric, "Section B" and "Class 4" placards, potted tropical plants, formal place settings, glassware, and checkerboard flooring. Fulmer's photography acts as evidence of the direct connection between population movement and the consumer choices packaged around the new Florida household. Rather than recording only subdivision construction or real estate promotion, the archive links property listings to the merchants who sold the interior and exterior life of the house: electric wiring, heating, refrigerators, floor coverings, paint, table service, patio furniture, flowering plants, and staged show interiors. The named firms, dated envelopes, and matching commercial scenes supply what broad Sunbelt narratives often lack: local actors, addresses, sales displays, and finished houses from a county whose population more than doubled in the 1950s. Light handling wear, envelope toning, and tonal variation to prints and negatives; overall in good condition. The archive gives a collection a concrete Clearwater case study of Sunbelt migration becoming a retail marketplace for houses, appliances, furnishings, utilities, and domestic aspiration during the first postwar growth decade.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Postwar manufacturing expansion and Clearwater Florida's food industry photo archive by George Fulmer documenting the manufacturing, shipment, retail display, and commercial service of American food in 1953. Featured in this photo archive is Snow Crop's industrial frozen food operation, and a mid-century supermarket and cafeteri…a economy that reshaped the American diet after World War II. Snow Crop's founders sold the brand to Clinton Foods after the 1946 frozen food market collapse, and Clinton used the division to expand into groves, packing plants, and frozen food contracts as frozen foods moved from a luxury category toward mass market circulation in the late 1940s. The added Kwik Chek and Morrison's Cafeteria assignments place that industrial story inside Clearwater's consumer facing food landscape: retail histories identify Clearwater as the location of the first Kwik Chek store in 1952, while Morrison Cafeterias entered the 1950s as a Southern cafeteria company with 17 dining rooms and began expanding into institutional food service by 1951 to 1953. This archive shows how the food economy expanded to support rapid population growth in the post war Sun Belt expansion era. This photographer's work is featured in Clearwater Historical Society's holding of tens of thousands of his negatives, cataloged and preserved as a record of the city's civic and commercial life. Photo archive of 70 items contained in 7 original studio envelopes, including 30 silver gelatin photographs and 40 large format negatives, comprised of some original and duplicate images between the negatives and photographs. Ranging from 3" x 4" to 4" x 5". Clearwater, Florida, 1953. George Fulmer's inscribed envelope notations include "Clinton Foods," "Evaporator Load," "Evaporator Part," and "Freight Loading," and dates including September 16, 1953, and October 1, 1953. "Kwik Chek," a notation appearing to read "P. & J. Dept.," "Morrison's Cafeteria," and "324 Park St.," with dates including September 16, 1953, and October 1, 1953. Industrial scenes move from plant exteriors with broad rooflines and service yards to shop floors holding polished metal ducting, cylindrical components, and a massive honeycomb ended evaporator vessel large enough to dwarf nearby workers. Road transport scenes carry the finished unit on a flatbed trailer beside a semi tractor, its side lettered "Another Clinton Evaporator Snow Crop." The new Kwik Chek views look down a high supermarket aisle filled with stacked boxed and canned goods, shelf price tags, aisle marker "13," cartons of All detergent, sale placards, and a produce wall labeled "GARDEN FRESH FRUITS AND VEGETABLES." The Morrison's Cafeteria interiors show an empty dining room arranged with square and round tables, bentwood chairs, checkered flooring, partitions, curtained windows, coat stands, suspended light fixtures, and mural panels across the upper walls of a large cafeteria hall. By the early 1950s, frozen food could circulate at national scale because processors, packagers, household freezer makers, and mechanically refrigerated carriers were beginning to meet the zero degree storage standards required for frozen products. Supermarket design was changing at the same time: refrigeration let shoppers buy more food per trip, Sylvan Goldman's grocery carts helped stores increase carrying capacity in 1937, and Orla Watson's telescoping cart, developed in 1946 and first used in 1947, conserved sales floor and storage space for self service retailers. Clearwater's own postwar growth gives the archive a local setting beyond the factory gate, with local historical sources identifying 1957 as the year the city was known as the fastest growing city in America. Light handling wear to prints and negatives; manuscript envelopes toned and creased; photographs generally clean and strong. Overall in very good condition. The archive now carries Clearwater's postwar food economy from plant floor and flatbed shipment to grocery aisle. Signed.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Clearwater, Florida real estate photo archive documenting the early postwar building boom on the Gulf Coast, when brokers, insurers, apartment operators, and developers sold a rapidly changing city through new office fronts, freshly finished rental courts, and sharply modern commercial facades. George Fulmer worked in the middle… of that expansion, producing assignment photographs for the businesses and properties that turned population growth into visible street level change. The strongest material here fixes Clearwater at the point where land promotion, rental housing, and mid century design converged: curved corner offices lettered for real estate and insurance, palm lined apartment blocks arranged around trimmed courtyards, and low modern buildings meant to signal newness, efficiency, and Florida ease. Rather than treating real estate as an abstraction, the archive shows exactly how property was marketed in these years, through named firms, finished exteriors, and staged views ready for display, advertising, or client use. Photo archive of 45 items including 24 large format negatives, many unique, and others duplicate of 11 silver gelatin photos, measuring 4" x 5", archive contained in 11 photo studio & some annotated envelopes, Clearwater, Florida, c. 1950 to 1955. Named commissions anchor the file throughout, including Al Hungerford Realty, Alexander & Gauslin Real Estate Sales Rentals Insurance at 511 Park St., Bob Morrison Realtor, and Southwind Apartments. Bob Morrison's office appears as a clean low commercial building with bold lettering across the facade; Alexander & Gauslin occupies a streamlined corner block beside The Owl Diner, its window and signs announcing sales, rentals, and insurance; Al Hungerford Realty stands in a compact modern office with a tiled vertical sign tower and a curved entrance bay marked "Insurance." Southwind appears in repeated exterior views as a two story apartment court with flat rooflines, metal balcony rails, landscaped beds, and residents seated outdoors beneath palms and a striped umbrella, while another low residential property sits under large shade trees and Spanish moss, suggesting the quieter rental and lodging side of the same market. The sleeves preserve the working identity of the commissions in Fulmer's filing system, with handwritten entries including "Hungerford," "Bob Morrison Real Estate Office," "Southwind Apt," and "Alexander & Gauslin Realtor." Supporting material from a local Home Show remains tied to the same sales environment, with merchants' booths, crowds, and display spaces for household goods and services aimed at the buyers, renters, and homeowners moving into the expanding city. Other home show images depict the culture of events- mixing consumer cuture and rapid expansion with public displays of a theatrical nature including live music and performance, and auction styled sales. Across Florida's west coast, the years after World War II brought surging in migration, rising land values, and an aggressive local market in homes, apartments, offices, and investment property, especially in towns that could sell both sunshine and modern convenience. Clearwater's brokers and builders were part of that larger remaking of the state, and this archive holds onto the ordinary but highly perishable evidence of the boom: the offices where property changed hands, the apartment courts offered to newcomers, and the polished exteriors used to advertise stability and growth. Light wear, minor surface handling, and expected age toning to prints and negatives, with some sleeves creased, rubbed, or soiled from studio use; overall in very good condition. A focused documentary record of how Clearwater's real estate economy looked, branded itself, and entered the local visual record during the first great postwar surge.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Clearwater Beach tourism photo archive photographed by George Fulmer, documenting midcentury Gulf Coast visitor commerce through motel courts, apartment lodgings, seasonal rate signs, furnished rental interiors, restaurant frontage, retail display, and weekend entertainment in 1953 and 1955. Fulmer's assignments record Clearwate…r during the postwar automobile travel boom, when Florida beach towns competed for motorists through inexpensive overnight lodging, visible roadside pricing, furnished efficiency rooms, seafood restaurants, and short-stay leisure promotion. The archive preserves the commercial visual language used to attract travelers to Florida's Gulf Coast at the height of early Sunbelt expansion, before high-rise redevelopment transformed much of Clearwater Beach. The named studio envelopes and coordinated commercial assignments give the group unusual specificity, tying Clearwater's resort economy to identifiable businesses, dated jobs, and seasonal advertising practices by notable city photographer George Fulmer. Photo archive of 40 items including 19 silver gelatin prints with 21 accompanying original and duplicate large format negatives, ranging from 3 x 4 to 4 x 5 inches, Clearwater Beach and Clearwater, Florida, 1953-1955. The archive is comprised of some original and some duplicate images between the negatives and photographs. Nine original George Fulmer studio envelopes identify assignments including "Pelican Restaurant," "City Beach Pump House," "Signs Beach Apts.," "Wallace Apts. Beach," "Our Bay Restaurant," "Weekend in Clearwater," "Hickey," and "Broadmore Motel," with the Broadmore envelope dated January 14, 1955. A low motel court opens onto a central lawn and walkway occupied by seated adults and children; a man and woman stand beside a parked car under a sign reading "WALLACE APTS. / VACANCY / OVERNIGHT"; interiors contain sofas, lamps, dining sets, venetian blinds, and compact kitchen areas prepared for seasonal renters. Exterior signs advertise "20 ROOMS $4.00 DOUBLE Apr. 1 to Dec. 1," "15 UNITS $5.00 DOUBLE APRIL 15 NOV. 15," and "SUMMER RATES $5.00 PER COUPLE FROM APRIL 15 TO NOV. 15." Bay Restaurant frontage carries lettering for "SEA FOOD," "PACKAGE GOODS," "STEAKS CHOPS," and "CHICKEN," while performers stand at microphones in the "Weekend in Clearwater" assignment, with a pianist visible behind one stage setup. A Hickey-Freeman Customized Clothes storefront adds a downtown retail component to the commercial landscape documented here. By the early 1950s, Clearwater's economy depended heavily on seasonal tourism tied to automobile travel and winter migration into Florida. Motels, apartment lodgings, restaurants, package stores, entertainment venues, and retail storefronts competed for travelers arriving along expanding Gulf Coast highway routes, often advertising directly through roadside signage visible from passing cars. Fulmer's archive is strongest where it preserves those everyday commercial mechanics in named businesses rather than generalized resort imagery. Light curling, corner wear, and handling marks to prints and negatives; studio envelopes toned and worn with manuscript annotations. Overall good condition. A tightly focused record of Clearwater Beach tourism at the scale of the motel room, roadside vacancy sign, restaurant entrance, retail storefront, and weekend entertainment stage.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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1950s Clearwater, Florida photographed by George L. Fulmer, documenting real estate expansion and early housing and rental marketing, showing how ranch houses, apartment courts, furnished efficiencies, and street addressed properties were presented during the postwar Sunbelt expansion of Pinellas County. After World War II, Flor…ida's housing market was pushed by returning veterans, retirees, northern migrants, automobile commuting, and seasonal tourism, while federal mortgage programs and private development made small houses, garden apartments, and furnished rentals central to the state's growth. Fulmer's commercial assignments connect that boom to named local properties: each job envelope ties the house or rental unit to a studio number, client or property name, address, and in several cases a 1951 date. The archive reveals how Clearwater real estate moved through a practical commercial process, with repeated exterior records, interior room studies, duplicate proofs, and labeled job packets created for owners, brokers, and rental promotion. Photo archive of 47 items including 25 silver gelatin photographs and 22 large scale negatives. Many photographs have correlating negatives while some negatives contain unique images. Contained in 6 original photo studio envelopes. Photographs measure approximately 3 x 5 inches and negatives 4 x 5 inches, Clearwater, Florida, circa 1951. Exteriors include one story ranch houses with low hip and gable roofs, picture windows, shutters, carports, mowed lawns, curbside plantings, palm trees, shell or gravel yards, television antennas, and street frontage arranged for automobile approach. Apartment material includes a roadside sign reading "Bright Water Apts" with "Vacancy," a two story rental building set behind trees, and a long low apartment row with a fenced yard and children's play equipment. Interiors include living rooms staged with patterned sofas, lounge chairs, framed floral and figural prints, table lamps, venetian blinds, wall rugs, and coffee tables; bedrooms with paired beds, dressers, and striped coverlets; small dining alcoves set with tables and chairs; and compact kitchens built around metal cabinets, white sinks, refrigerators, cooktops, wall ovens, and built in storage. Fulmer photographs the houses, apartments, furnishings, appliances, and rental readiness as the product. Studio envelopes preserve job numbers and partly legible entries including Bright Water Apts, Nokomis 1021, 235 Bayshore Dr., 315 Venetian St., 420 Brightwater, Mary Ann Apts Beach, and dated jobs from July, August, September, and October 1951. These photographs were taken in the decade when Clearwater shifted from a compact Gulf Coast resort city toward a year round Sunbelt housing market shaped by suburban lots, furnished rentals, small apartment complexes, and real estate photography meant to make properties legible to buyers and tenants before arrival. The interior shots record what was being sold inside the walls from tropical curtains, tile floors, small dining rooms, compact kitchenettes, wall ovens, living rooms sized for seasonal use, and domestic decoration calibrated for a middle class Florida market. The address level job records support comparison with city directories, tax records, property files, architectural surveys, and later redevelopment histories, making the archive usable for reconstructing specific Clearwater buildings rather than only identifying broad mid century style. Negatives show handling wear, and envelopes show toning and some small tears. Overall in very good condition.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Clearwater, Florida's rapid Sunbelt expansion shown through event and special assignment photography by George Fulmer. Post-war cultural shifts and community investment is shown in shots of baseball under lights, racetrack presentations, oil fouling the beach, retail product displays, and private feature photographs. George L. F…ulmer Sr. served in the U.S. Navy during World War II as a Pacific aerial photographer, and his wife Dolly worked with him in Fulmer Photo Service. The Clearwater Historical Society now stores tens of thousands of numbered negatives from his estate, placing these studio packets within a broader civic record of local families, businesses, beaches, sports, and public events. Photo archive of 43 items including 21 silver gelatin photographs and 22 large format negatives measuring 5 x 4 inch, with prints averaging 5 x 3.5 inches, Clearwater and the Tampa Bay area, May 1951 and circa 1950s. Many prints have correlating negatives while some negatives contain unique images. Contained in six original studio envelopes which identify "Bombers Hunter," dated May 1951; "oil on beach"; "Tampa vs St Pete"; "Stone Malcolm N. 1374 Pinbrick Dr."; and an Eckerd Drug Co. packet with a Paul Harris note requesting pictures of glasses with reflections to show their fronts. Many negatives original snapshots while most duplicate the gelatin photographs. Baseball scenes include uniformed men at a fenced night field, a Bombers runner rounding a base under floodlights, a player pointing toward the infield, teammates walking off near spectators, and men steadying a figure beside fencing where one uniform back reads "Sporting Good." Racetrack views show a jockey in silks receiving a presentation object from a well dressed woman and a bow tied man, standing with a pale horse at the rail, and riding near a tote board, finish markers, and a large American flag. The beach oil assignment records dark mats and streaks at the surf line, a woman scraping or sampling material from wet sand, a bridge or pier over shallow water, and a black globular mass tangled with seaweed and beach debris. Specialty work includes aviator sunglasses on draped fabric with circular lens reflections; an older couple seated before shelves of cut glass, bowls, decanters, and small trophies at the Malcolm N. Stone address; a decorative bouquet print; and an "An Hieroglyphic Epistle" panel. The baseball work is especially notable as wartime and immediate postwar Americans treated the game as public morale and community life. Fulmer brings that national appetite down to Tampa Bay local play: Tampa versus St. Pete, a Bombers assignment dated May 1951, uniforms, floodlights, crowd fencing, and players moving through the dust of a Florida ballfield. Another shows "Captain Deck[s] +Boat" and depicts five men docking a row boat, and another image of a likely grandfather and grandaughter posing as the man wears a souvenir style tee-shirt reading "New Port Richey Florida." Postwar Sunbelt expansion provided Fulmer with the clientele, events, leisure culture, and commercial traffic giving him his range of work. Florida's wartime buildout of bases, roads, and airports left a transportation network ready for postwar residents and visitors; migration then pushed the state beyond older economic anchors of tourism, citrus, cattle, and phosphate. The population of Pinnelas County more than doubled between 1940 and 1960; road improvements started in the late 40s continued into the 1950s; the Chamber of Commerce promoted "Sparkling Clearwater and its Sparkling Beaches"; and tourists began arriving in summer as well as winter. The oil packet adds the environmental underside of beach development, since tar balls are weathered oil mixed with debris and new deposits can indicate a spill requiring hand removal or beach cleaning machinery. Studio envelopes show creasing and handling wear; prints show light curling, scattered surface wear, and minor edge wear; negatives show handling wear, corner notches, and slight discoloration. Overall in good to very good condition. Fulmer's authorship, early 1950s sports content, and commercial beach assignments preserve how local sport, tourism, retail promotion, industrial impact, and private commemoration was documented in Clearwater.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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George Fulmer photographs of Clearwater residents, businesses, club spaces, and service interiors recording how the residential economy of postwar Clearwater, Florida functioned during early Sunbelt expansion in the 1950s. Fulmer, a WWII U.S. Navy enlisted photographer and Clearwater city photographer for more than six decades,…worked from a studio beside the courthouse and produced a continuous visual record of the city's built environment, commercial life, and civic spaces; this group preserves that local documentary practice in a concentrated run of early postwar assignments tied to dining rooms, lounges, staged programs, domestic instruction, storefront promotion, and everyday services. The material shows the interlocking spaces that supported residential growth in Pinellas County: hospitality rooms, utility demonstrations, cleaners and tailoring shops, club events, leisure scenes, and communal interiors built for a city expanding through retirement migration, consumer services, and year-round settlement. Photo archive of 75 items, including 36 silver gelatin photographs and 39 large format duplicate and original negatives, ranging from 3 x 4 inches to 5 x 4 inches, all contained in 12 original studio envelopes with some annotations by George Fulmer. Clearwater, Florida and nearby Pinellas County, circa 1951-1953. The most vivid images center on stage performance and organized social programming: women posed onstage around a table with boxed goods and a large lamp, presenting household furnishings in a display that links entertainment to domestic consumption; girls lined across a stage in dresses for a group performance; a young female solo performer standing at microphone or center stage; a mixed adult group assembled under stage lighting in what appears to be a presentation or awards moment; and a trio of female performers in matching dance poses. These theatrical scenes are matched by audience and setting views that show older men dining together in booths and at tables, large lounge interiors arranged for conversation and gathering, office and reception spaces, a broad institutional kitchen, a man on a ladder opening a ceiling hatch in a decorated hall, a child holding a large fish outdoors, and exterior views of a corner cleaners and tailoring shop with painted signage reading "EST. 1909 CLEANERS" and "TAILORING." Original studio envelopes retain Fulmer job numbers, dates, and handwritten identifications including "Hart Cleaners," "BPW Club," "Weekend in Clearwater," "Court Crest Room," "Bank, Central Pinellas, Largo," and "Pinellas Utility Co. Cooking School," placing the images within the working files of a commercial city photographer covering Clearwater's residential, service, and promotional life. In the years after World War II, Florida's Gulf Coast cities grew through in-migration, small-business development, utility expansion, hospitality design, and new forms of residential settlement aimed at permanent and seasonal residents alike. Fulmer's photographs place Clearwater within that broader transformation at street level through the rooms, services, labor, and public-facing businesses that made postwar residential growth workable as daily life rather than as abstract development. Some negatives with light damage; photographs very good, negatives largely good overall. A coherent single-photographer group of original studio material from George Fulmer's Clearwater practice, with negatives, prints, and job-envelope evidence intact.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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Clearwater, Florida, photographed by George Fulmer, recording the civic culture that followed World War II into the Sunbelt: Memorial Day commemoration, Moose convention pageantry, Women of the Moose ceremony, and downtown streets filled with bands, veterans, queen courts, floats, flags, and spectators. Fulmer's own career sharp…ens that connection, since he served as a U.S. Navy photographer taking aerial photographs in the Pacific before operating Fulmer Photo Service with Dolly Fulmer in Clearwater; the Clearwater Historical Society now stores tens of thousands of negatives from his estate. Florida's postwar boom grew directly from wartime military training, road building, airfield construction, returning veterans, and visitors drawn back to the state after mobilization; in Clearwater, that wartime inheritance remained visible through Memorial Day remembrance and fraternal public life. The Moose scenes carry a strong women's history component without making the order itself women only: Women of the Moose began in 1913 as a unit of Moose International, while Mooseheart was founded in 1913 for children in need and Moosehaven has served Moose members in Orange Park since 1922. The most pointed public messages, "Mooseheart, Home for Our Widows and Children" and "Moosehaven, Home for Our Old Folks," place women, children, aging members, and family protection at the center of postwar civic display. Photo archive of 49 items, including 29 large format negatives approximately 5" x 4",11 silver gelatin photographs contained in two original photo studio envelopes, Clearwater, Florida, circa 1950s. Many photographs have correlating negatives while some negatives contain unique images. The Archive documents Downtown parade routes pass McCrory's, Fussell's Drug Store, Jay W. Cavellier Optician, Purelube, Sinclair, Gulf, and other storefronts, with spectators lining sidewalks beside parked midcentury automobiles. Women occupy much of the ceremonial foreground: a crowned older woman sits in satin gown and cape before large floral arrangements; young attendants and adult women pose beneath bunting and a star flag; and a Miami Chapter Women of the Moose float carries seated women around a small shrine-like structure. Moose floats advertise "Mooseheart, Home for Our Widows and Children," "Moosehaven, Home for Our Old Folks," "Little Lodge with a Big Heart," and "On Way to Moosehaven, Orange Park, Fla." Additional convention scenes include men in Moose caps and light suits shaking hands before a mural, a speaker addressing seated officers from a stage microphone, and a large indoor audience gathered in a decorated hall. Memorial Day scenes extend the same civic setting through veterans, color guards, marching bands, baton twirlers, children carrying American flags, drum corps, honor guards, and majorettes moving down palm lined streets. Postwar Clearwater gave these ceremonies a particularly charged setting. Local hotels including the Belleview Biltmore, Fort Harrison Hotel, and Gray Moss Inn had been leased to the Army Air Force during World War II; the city's population rose by 54% from 1940 to 1950; wartime road improvements carried over into civilian travel; and returning veterans helped fuel new housing and suburban growth. By the mid 1950s, the Chamber of Commerce was promoting "Sparkling Clearwater and its Sparkling Beaches," tourists were arriving in summer as well as winter, construction topped $1 million, and Clearwater was described as one of the nation's fastest growing cities. Fulmer's Moose and Memorial Day assignments catch that transition at street level, where women's fraternal service, veterans' remembrance, charitable display, retail spectatorship, and Sunbelt boosterism shared the same public route. Light curling, scattered surface wear, minor creasing, and edge wear to prints; negatives show handling wear, corner notches, and ordinary sleeve marks. Overall good to very good condition. Fulmer's authorship and the pairing of Women of the Moose pageantry with Memorial Day remembrance make the group a pointed record of how postwar Clearwater turned war memory, family welfare, and downtown growth into public ceremony.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
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American postwar economic growth and tourism throughout Clearwater Florida, photographed by local photographer George Fulmer, showing how the Sunbelt expansion operated through roadside motels, downtown retail, waterfront leisure, automobile traffic, and service businesses during the rapid growth of the 1950s. The photographs ce…nter on the commercial circulation that made Clearwater function as a visitor city, spanning rate signage pitched to seasonal travelers, motel courts arranged for car access, beach parking filled with mid-century automobiles, storefront streets where shoppers and pedestrians occupy the sidewalk, and crowded dock scenes tied to marine recreation. Clearwater had developed as a resort community by the 1890s, and local historical sources note that by 1957 it was known as the fastest growing city in America, making this group a concentrated record of the urban and commercial expansion that turned Pinellas County's Gulf Coast into a major tourism economy. Photo archive of 72 items including 38 silver gelatin photographs and 34 negatives, ranging from 3" x 4" to 4" x 5", contained in 10 photo studio envelopes. Most negatives are duplicates of the print photographs while some are unique images. Clearwater, Florida, c. 1950s. Repeated and variant views show commercial properties and tourist infrastructure from multiple angles, including motels with bold seasonal signage reading "SUMMER RATES $5.00 PER COUPLE FROM APRIL 15 TO NOV. 15," "20 ROOMS $4.00 DOUBLE Apr. 1st-Dec. 1," and "REASONABLE RATES 4 UNITS $5.00 DOUBLE APRIS-JUN." Several prints and negatives picture motel exteriors, room interiors with twin beds and lamps, a modernist multi-story lodging property with projecting sign and glass-fronted office, and a low roadside restaurant or motel building beneath a large fish sign. Other images move into the wider tourist economy: downtown street scenes with McCrory's and Maas Brothers Television signage, a storefront reading "Clearwater's American Casuals," a Parsons Paint Co. facade, a Brookside Service Travel Gas station advertising regular gasoline at 26 cents, and waterfront scenes with rows of parked cars, palm-lined drives, crowded piers, and a dock packed with men, women, and children waiting or disembarking. The negatives preserve the same emphasis on repeated commercial views, indicating studio production for advertising, promotional, or business use; the group also retains photo studio envelopes inscribed by George Fulmer. These photographs place Clearwater within the broader postwar reordering of Florida's Gulf Coast, where automobile ownership, road travel, beach recreation, and commercial real estate development produced the built environment commonly identified with Sunbelt growth. Fulmer's images are strongest where they show the interdependence of businesses rather than isolated structures: lodging needed seasonal pricing and motor access, downtown retail depended on pedestrian density and curbside traffic, waterfront tourism required parking and dock circulation, and roadside services converted through-travel into local spending. Visible edge wear, light curling, and routine handling marks to some prints and negatives; studio envelopes present. Overall good condition. A substantial visual record of how Clearwater's postwar visitor economy operated on the ground, with concrete evidence of the businesses, prices, streets, interiors, and waterfront traffic that made tourism an urban system rather than a backdrop. Signed.
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Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 671,36
EUR 8,69 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Clearwater, Florida photo archive by George Fulmer documenting a Gulf Coast city in the early postwar Sunbelt boom: downtown storefronts, automobile traffic, tourism businesses, beauty shops, laundromats, pharmacies, loan offices, civic buildings, youth music programs, local entertainments, and everyday commercial life. George F…ulmer, identified here through the studio sleeves and the Clearwater job file context, worked as a commercial and civic photographer in a period when Pinellas County grew quickly with new residents, new retail construction, and an increasingly car centered downtown. Photo archive of 70 items including 34 silver gelatin photographs with 36 corresponding and unique large format negatives contained in 15 studio sleeves with some annotations, ranging from 3" x 5" to 4" x 5", Clearwater, Florida, circa early 1950s. Storefronts and signs identify Billie Moran Hair Stylist, Spotlite Cleaners Launderette, Family Loan Co. Loans, Lane's Pharmacy, Harris Drive In Pharmacy, and a downtown block with the Capitol Theatre marquee and McCrory's along a traffic-filled street. Other scenes include audio equipment demonstrations, musicians performing before seated audiences, children handling rabbits, a youth band rehearsal, commercial laundry workers, golfers near a clubhouse, and staged presentation or prize events. Original sleeves strengthen the local identification, with handwritten client names, addresses, dates, and job numbers including "Portal Office U.S. Post Office," "P.G.A. Clinic," "Family Loan Office," "Lane Pharm," "Harris Pharmacy," and "Helpy Selfy Laundry." More scenes place people inside the social and commercial interiors of the city: a woman stands beside a microphone while another plays piano; accordion players and guitarists perform before a seated audience in a hall draped with streamers; children and an adult handle rabbits in what appears to be a club or youth program setting; a school band director leans into a room packed with young musicians and music stands; workers stand at wash stations in a commercial laundry; golfers pose and shake hands near a clubhouse; a woman and man stand on a small platform before a seated crowd during what appears to be a staged presentation or prize event. These scenes belong to the years when Florida's west coast cities were advertising modern storefronts, widening their commercial appeal, and absorbing the population growth that followed World War II, air conditioning, road building, and the state's aggressive promotion of itself as a place to live, shop, vacation, and retire. For institutional collections, the group supplies named evidence of how a single city looked and conducted business during the first great Sunbelt surge: not only landmark buildings and downtown traffic, but service counters, display windows, local entertainment, children's programs, and the ordinary businesses that usually vanish first from the record. Light wear, minor surface handling, and expected age toning to prints and negatives, with some sleeves worn from studio use; overall in very good condition. A strong regional archive of Clearwater's commercial and civic life, still anchored to the working paperwork that identifies who hired Fulmer and what parts of the city he was asked to record.
Altre immagini- Foto
Da: Max Rambod Inc, Woodland Hills, CA, U.S.A.Max Rambod Inc
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 760,87
EUR 8,69 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Red Cross service photographs by notable Clearwater photographer George Fulmer recording volunteer nursing instruction, clinic intake, fundraising, and civic ceremony in Clearwater, Florida, 1951-1952, with primary source images of the care and volunteer infrastructure that accompanied postwar Sunbelt growth. Fulmer, a Clearwate…r native, served as a U.S. Navy photographer during World War II and later operated Fulmer Photo Service in the city for decades. Clearwater's midcentury growth fused tourism, real estate development, wartime carryover, and rapid community expansion on Florida's Gulf Coast is shown throughout Fulmer's work, and this collection depicts some of the local service institutions and their part in daily life as the Sunbelt underwent this rapid change. Photo archive of 81 items including 40 silver gelatin prints and 41 large format photo negatives, each approximately 3 x 5 inches, comprised of some unique and some duplicate images, Clearwater, Florida, 1951-1952. The photographs center on Red Cross women in uniform, nurses, civic officials, and local participants gathered in training rooms, meeting halls, offices, porches, clinic interiors, and outdoor demonstration spaces. Several photographs show rows of women seated or standing behind tables stacked with Red Cross portfolios marked by large crosses; others record first aid instruction with a body positioned on the floor before seated observers, a nurse holding a small child near a display table, and a formal group around a handshake presentation in front of American flags and Red Cross signage. Additional scenes show a child seated beneath a wall-hung cross during class activity, women sorting dolls, clothing, and relief goods at worktables, a nurse or intake worker writing beneath a visible "Blue Cross Subscribers" sign, a physician or examiner inspecting a man's throat before shelves of medical supplies, and home-visit style interiors where a seated woman presents a doll while speaking with another woman on a couch. Group portraits of Red Cross women at banquet tables and posed staff views extend the archive from public instruction into the social organization of volunteer service. The surviving negative sleeves carry manuscript dates in 1951 and 1952 and repeated identifications including "Red Cross," "Red Cross class," and nurse-related subjects, preserving original working captions and sequence evidence from Fulmer's studio handling. Photo studio envelope captions date and locate many of the images, as well as some handwritten notes which identify individuals. The American Red Cross nursing and home-nursing programs had long linked professional care with trained civilian volunteers, and in the postwar United States that model remained central to local health education and emergency readiness. These photos document both a national volunteer infrastructure mobilizing for the Korean conflict, and a small Gulf Coast city in the early phase of the demographic and commercial transformation that would reshape the lower South across the second half of the twentieth century. Clearwater's municipal planning records trace steep population growth after 1950 and the outward movement of commerce and residential life during precisely the years Fulmer was working; his photographs place women's voluntary labor, public health instruction, civic fundraising, and institutional ceremony alongside the development of the sunbelt. George Fulmer's sustained authorship gives the group cohesion as a single-photographer documentary body, while the surviving job envelopes, dated negatives, and alternate frames offer the kind of working-process evidence. Some prints duplicate or nearly duplicate other views, two negatives in poor condition; prints generally clean and very well preserved, with many negatives preserving unique images. Overall very good condition.
