Gabriel berns (240 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First English edition, first printing. Original price of $6.95 printed on dust jacket front flap. Jacket now protected with paper backed polyester film. Book has previous owner's name on half title page.

HARDCOVER. (5.5 x 8.5 inches). Condizione: Near Fine. VG+ dj. x. + 326pp. Illustrated in b&w: photographs + occasional facsimiles. x. + 326 pages. Glossary of names & places. Blind stamped green cloth, gilt lettered brown cloth back. Tan endpapers. First English translation 1976. Jacket subtitle: "Autobiography of a Spanish Poet in Exile". English translation with an Introduction by Gabriel Berns. Near Fine/VG+ dj. A clean/tight/bright copy: no names, cover soil, or spine creasing. Jacket lightly scuffed, one small edge chip else complete/clean. Illus. With Photos (illustratore). …

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback or Softback. Condizione: New. Bloodstained Narratives: The Giallo Film in Italy and Abroad. Book.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean WoodardThe giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.…

Condizione: New.

Paperback. Condizione: New. An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2023. Reprint. paperback. . . . . .

Condizione: New. Idioma/Language: Español. La siguiente obra estudia la serie de televisión española "Historias para no Dormir," la cual se emitió por Televisión Española durante los años 1966-1968 con una tercera temporada en el año 1982. La tesis de la presente investigación indica que el marco fantástico de la serie y las diferentes historias permitió filtrar una crítica muy mordaz hacia la sociedad de la época en general y al franquismo en particular. Utilizando la ciencia ficción y el terror como alegorías, los diferentes capítulos de la serie negociaron con una sociedad, la de los sesenta, que vivía bajo la sombra de la dictadura, alienada en sus derechos hasta el punto de que se normalizaba el recorte de libertades individuales. Así, niños monstruosos son diseminadores de ideas amenazantes en La bodega y El muñeco, metaforizando la realidad de niños aprendiendo la doctrina franquista en las escuelas e iglesias. El mirar hacia otro lado antes que ayudar al vecino en problemas, típica actitud presente en gobiernos fascistas, está materializada dentro de lo fantástico en La cabina y El asfalto, mientras que la sociedad de consumo puede observarse, metaforizada, en El televisor. Por supuesto, no faltan las criticas concretas al fascismo como en La sonrisa, tamizada como una distopía. De hecho, el mismo creador de la serie, Narciso Ibáñez Serrador, dividía explícitamente los capítulos de la serie en "historias para no dormir" e "historias para pensar. " Sin embargo, la crítica social estaba presente n la mayoría de los episodios. Comprender cómo las ansiedades colectivas eran metaforizadas dentro de lo fantástico en los diversos capítulos de estas historias para pensar permitirá por un lado comprender como la cultura popular y de masas puede vehiculizar preocupaciones sociales y un acercamiento a otras maneras de comprender la historia española, ya que estas manifestaciones no hacen más que ilustrar el sentir y la vida cotidiana de muchos españoles bajo el Franquismo. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Condizione: New.

Rustica (tapa blanda). Condizione: New. Condizione sovraccoperta: Nuevo. 01. LIBRO.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata's The Ring (Ringu, 1998) or Takashi Miike's Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.…

Condizione: New.

Paperback or Softback. Condizione: New. Japanese Horror Culture: Critical Essays on Film, Literature, Anime, Video Games. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2023. Reprint. paperback. . . . . . Books ship from the US and Ireland.

Condizione: good. This is a withdrawn library or rental book. It is stamped or stickered.

Condizione: Nuevo. COLECCIÓN: FARO DE LA MEMORIA FARO DE LA MEMORIA - DIRECTORES DE CINE Y CINEASTAS | TELEVISION Y SOCIEDAD.