galpin amy (68 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Condizione: new.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 411 pages, colour illustrations; 32 cm. Issued in connection with three distinct, related shows, November 10, 2012 through February 10, 2013, at the Timken Museum of Art, San Diego Museum of Art, and Museum of Contemporary Art San Diego. Near fine. Firm binding, clean inside copy. Tips lightly bumped. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** CONTENTS: From spectacle to environment: Albert Bierstadt to Andy Warhol, by Patrick McCaughey; Aggregate nation: the evolution of American art in three San Diego museums, by Robert L. Pincus; American art, museum exhibitions, and national identity: problems and promises, by Frances K. Pohl; Interview with Brian Ulrich; The forest of the old masters: the chiaroscuro of American places, by Alexander Nemerov; The new world discovers Italy, by James Grebl; Gallery: forms, figures, and frontiers; Interview with Lorna Simpson; Beholding modern American art, by Michael Hatt; Robert Henri's San Diego, by Derrick R. Cartwright; Interview with Deborah Butterfield; Mapping as practice, or finding the subject in American art circa 1970, by Patricia Kelly; An American art for San Diego: rethinking cultural boundaries in Southern California, by Amy Galpin; Interview with Rube n Ortiz-Torres. Size: Folio.

Hard Cover in Dust Jacket. Condizione: Very Good +. 4to, 136 pp, VG+ in pictorial dust jacket. Text in English & Spanish. Fifty color plates, most full-page. Includes a chronology and bibliography.

First edition. Oblong softcover. Exhibition catalog for a show that ran May 20 through September 4, 2016. Features a foreword by Ena Heller, curator's acknowledgements and introduction by Amy Galpin, an interview of Sandra Ramos by Meghan Beck, an interview of Wanda Raimundi-Ortiz by Leah Sandler, and texts by Sandler on Shirin Neshat, Rina Banerjee, an interview of Gunzalo Fuenmayor by Meghan Beck, aand an interview of Hugo Crosthwaite by Ariel Plotek. Includes numerous illustrations. A fine copy in wrappers.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

hardcover. Condizione: New. **HARDBACK**.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Addie Herder created small-scale collages for which she relied on compositional principles of balance and dynamism. These rigorous, found paper compositions earned the artist well-deserved respect from other artists, dealers, and collectors. Although Herders work invites comparisons with well-known artists like Joseph Cornell, she eschewed prevailing 20th-century artistic trends such as painterly abstraction, minimalism, and conceptualism. This beautifully illustrated book, the first to examine the art of this dynamic artist, introduces her multilayered practice to new audiences and offers a critical analysis of her intricate and intriguing assemblage constructions and ephemera. This beautifully illustrated book is the first to examine the art of the dynamic collage artist Addie Herder, offering a critical analysis of her intricate constructions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Demy table, [27.75cm/11inches], full Swiss-white-embossed gray cloth with mylar-protectected dust jacket, pp. 409, indexed. Illustrated with b-w halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. In exceptionally good condition.

Hardcover. Condizione: Brand New. 128 pages. 9.00x7.00x0.80 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Fine. **PAPERBACK** Minor wear & tear: tops of pages 206-232 slightly crushed, otherwise new.

hardcover. Condizione: Very Good. Very good, pages are clean, however there is some shelf wear on dust jacket, including some marking, creasing and /or indentations. Shipped from the UK within 2 business days of order being placed.

Softcover. Condizione: VG. Illustrated wraps with black lettering, 90 pp, profusely illustrated in color. Published on the occasion of the exhibition 'Displacement : symbols and journeys', on view at the Cornell Fine Arts Museum of Rollins College in Winter Park, Florida, from May 20, 2016 to September 4, 2016.

Paperback. Condizione: VG. Bright yellow wraps, 97 pp., color & BW illus. Published on the occasion of an exhibition at the Cornell Fine Arts Museum of Rollins College, Winter Park, Florida, April 18-August 2, 2015.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This English/Spanish bilingual volume explores Cuban and U.S. landscape painters largely active from 1850 to 1910 whose portrayals of Cuba reflect political, social, and ideological changes in both countries. In the Mind's Eye tells many stories about Cuba that reflect the island's significance, both as the place from which Cubans fled, and a destination to which Americans flocked. While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century - with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, Maria Magdalena Campos-Pons, and Juana Valdes. Two new interviews with artists Juana Valdes and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art. A ground-breaking exploration of the Cuban landscape in the imagination of American and Cuban artists, In the Mind's Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely coloured artists portrayal of the country, presenting a skewed perspective on this nation. AUTHORS: Amy Galpin is the chief curator, Patricia & Phillip Frost Art Museum-FIU, Miami. Katherine Manthorne is professor of Art of the United States, Latin America, and Their Cross-Currents, 1750-1950 and deputy executive officer, the Graduate Center, City University of New York. Jorge Duany is director of the Cuban Research Institute and Professor of Anthropology in the Department of Global & Sociocultural Studies at Florida International University. Dr. Duany has written extensively on Cuban and Caribbean migration, ethnicity, race, nationalism, and transnationalism. He has published twenty-two books, including Picturing Cuba: Art, Culture, and Identity on the Island and in the Diaspora (2019). SELLING POINTS: . Bilingual volume, presented in both English and Spanish . Presents approximately 40 works by nineteenth- and early twentieth-century painters, and contemporary artists from the last twenty years . While much has been written about art produced after the 1959 revolution, this volume seeks a longer historical trajectory by focusing on the nineteenth century with twenty-first-century interventions 100 colour illustrations this English/Spanish bilingual volume is a ground-breaking exploration of the Cuban landscape in the imagination of American and Cuban artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. In the Mind's Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this nation.While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century-with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, María Magdalena Campos-Pons, and Juana Valdes. Two new interviews with artists Juana Valdes and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Addie Herder created small-scale collages for which she relied on compositional principles of balance and dynamism. These rigorous, found paper compositions earned the artist well-deserved respect from other artists, dealers, and collectors. Although Herder's work invites comparisons with well-known artists like Joseph Cornell, she eschewed prevailing 20th-century artistic trends such as painterly abstraction, minimalism, and conceptualism. This beautifully illustrated book, the first to examine the art of this dynamic artist, introduces her multilayered practice to new audiences and offers a critical analysis of her intricate and intriguing "assemblage" constructions and ephemera.