Garrett janet (40 risultati)
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Da: Collectors Cabinet, Teaneck, NJ, U.S.A.Collectors Cabinet
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EUR 6,22
EUR 4,53 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Good. Softcover, oblong, 8 1/2 by 10 3/4 inches, 148 pages, illustrated. Front cover has soft 1 1/2 inch crease. Pages are clean. Initial page missing 1/8th by 1/2 inch piece at upper corner.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 11,69
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Condizione: New. In.
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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EUR 27,82
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Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Local Population Studies No 76. Spring 2006
Contributions from: Peter Frankiln; Nigel Goose; Janet Hudson; Jon Stobart; Chris Galley; Andy Gritt; Christine Jones; Matthew Woollard; Eilidh Garrett; Andrew Hinde; Tom Nutt
Editore: Local Population Studies Society , Nottingham University Department of Adult Education; SSRC Cambridge Group for the History of Population and Social Structure, Matlock, Derbyshire 2006
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- Prima edizione
Da: Bailgate Books Ltd, Doncaster, , Regno UnitoBailgate Books Ltd
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 4,77
EUR 16,78 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Softcover. Condizione: Very Good. No Dust Jacket. First Edition. ISSN 0143-2974. Contents include: new LPS features; LPSS projects; editorial matters; conference report: 'death and disease in Britain 1660-1950: urban and rural persectives'; baptism to marriage ratios and the reliability of late seventeenth century Scottish paris…h registers; What can Dade registers tell us about infant mortality in the later eighteenth century? From Rose's bill to Rose's act: a reappraisal of the 1812 parish register act; health visitors and infant mortality in the 1900s; A vision of Britain through time: making sense of 200 years of census reports; the componants of population change; news from universities: University of Aberdeen, University of Exeter; book reviews. Crisp cream illustrated covers, sound stapled binding, clean pages. No dust jacket, as published. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 42012070013. All our books are sent by tracked mail.
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Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 29,32
EUR 5,74 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. None. Minor shelf wear; bottom corner of rear wrap creased. Else a bright, clean copy. When Marcel Duchamp shipped Constantin Brancusi's sculpture Bird in Space to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import… tariff for a manufactured object. A legal battle ensued, with the courts eventually declaring Bird in Space an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own Bird in Space (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance. Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself). Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. Wilhelm Noack oHG (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts. Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph. Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum/palladium prints that constitute One Ton (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the enormous amount of energy required in the extraction of precious metals. Born in England in 1967 and now living in Denmark, Starling has been the subject of solo exhibitions at museums around the world, including the Hiroshima City Museum of Art (2011), Kunstmuseum Basel (2005) and the Museum of Contemporary Art in Sydney (2002), and his work has been featured in major international group shows, such as the Venice Biennale (2009), the Moscow Biennial (2007) and the São Paulo Biennial (2005). Awards include the Turner Prize (2005), the Blinky Palermo Prize (1999) and the Paul Hamlyn Foundation Award for Artists (1999). In the Survey, Dieter Roelstraete presents a comprehensive overview of Starling's work, examining circularity and serendipity and the their relationship to historical research. For the Interview, Francesco Manacorda and the artist discuss the central role of time in his work. Janet Harbord's Focu.
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Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 29,32
EUR 5,74 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. None. Minor shelf wear; light crimping at corners of wraps. Else a bright, clean copy. When Marcel Duchamp shipped Constantin Brancusi's sculpture Bird in Space to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import… tariff for a manufactured object. A legal battle ensued, with the courts eventually declaring Bird in Space an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own Bird in Space (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance. Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself). Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. Wilhelm Noack oHG (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts. Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph. Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum/palladium prints that constitute One Ton (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the enormous amount of energy required in the extraction of precious metals. Born in England in 1967 and now living in Denmark, Starling has been the subject of solo exhibitions at museums around the world, including the Hiroshima City Museum of Art (2011), Kunstmuseum Basel (2005) and the Museum of Contemporary Art in Sydney (2002), and his work has been featured in major international group shows, such as the Venice Biennale (2009), the Moscow Biennial (2007) and the São Paulo Biennial (2005). Awards include the Turner Prize (2005), the Blinky Palermo Prize (1999) and the Paul Hamlyn Foundation Award for Artists (1999). In the Survey, Dieter Roelstraete presents a comprehensive overview of Starling's work, examining circularity and serendipity and the their relationship to historical research. For the Interview, Francesco Manacorda and the artist discuss the central role of time in his work. Janet Harbord's Focu.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 34,18
EUR 2,28 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: New.
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 36,53
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 28,52
EUR 7,82 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 15 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 35,36
EUR 2,28 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: As New. Unread book in perfect condition.
THE BLUE OX REVIEW Winter 1985
Hackel, Janet, & David Rubin, editors, George Garrett, Alan Cheuse, Janet Kauffman, Al Young, Theodore Solotaroff, Et Al
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Da: marvin granlund, emeryville, CA, U.S.A.marvin granlund
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 20,89
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Softcover. Condizione: Very Good. Ann Arbor, c 1985, paperback, Very Good (lightly bumped at the corners) , 176 pages, unmarked. George Garrett, Alan Cheuse, Janet Kauffman, Al Young, Theodore Solotaroff, et al. LITERATURE [file poe. ] [ntsp] [dp 0704]; F2101 X9X.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 30,37
EUR 10,50 spedizioneSpedito da Irlanda a U.S.A.Quantità: Più di 20 disponibili
Condizione: New. 2012. Paperback. First comprehensive monograph on the Turner-Prize-winning artist. Series: Contemporary Artists Series. Num Pages: 160 pages, 180 colour. BIC Classification: ACXJ5; AGB. Category: (G) General (US: Trade). Dimension: 291 x 252 x 17. Weight in Grams: 1034. . . . . .
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Da: Majestic Books, Hounslow, , Regno UnitoMajestic Books
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EUR 37,52
EUR 7,52 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Condizione: New. pp. 160 Illus. (Col.).
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 36,73
EUR 9,06 spedizioneSpedito in U.S.A.Quantità: Più di 20 disponibili
Condizione: New. 2012. Paperback. First comprehensive monograph on the Turner-Prize-winning artist. Series: Contemporary Artists Series. Num Pages: 160 pages, 180 colour. BIC Classification: ACXJ5; AGB. Category: (G) General (US: Trade). Dimension: 291 x 252 x 17. Weight in Grams: 1034. . . . . . Books ship from the US and Irela…nd.
My Sister Eileen Lot of Eleven 8 x 10 Stills 1955 Janet Leigh, Jack Lemmon!
Directed by Richard Quine / Starring Janet Leigh, Jack Lemmon, Betty Garrett ("Hilarious song-'n'-dancer!"), Bob Fosse (the famous choreographer in an early acting role; billed as "Robert Fosse"), Kurt Kasznar, Dick York (billed as "Richard York"), Lucy Marlow, and Tommy Rall
Editore: Columbia Pictures 1955
- Foto
Da: AcornBooksNH, New Harbor, ME, U.S.A.AcornBooksNH
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 15,48
EUR 7,72 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
No Binding. Condizione: VG. A lot of eleven VG or better original release 8 x 10 stills. Inventory #67493. Photographic Image.
My Sister Eileen Lot of Ten 8 x 10 Stills 1955 Janet Leigh, Jack Lemmon!
Directed by Richard Quine / Starring Janet Leigh, Jack Lemmon, Betty Garrett ("Hilarious song-'n'-dancer!"), Bob Fosse (the famous choreographer in an early acting role; billed as "Robert Fosse"), Kurt Kasznar, Dick York (billed as "Richard York"), Lucy Marlow, and Tommy Rall
Editore: Columbia Pictures 1955
- Foto
Da: AcornBooksNH, New Harbor, ME, U.S.A.AcornBooksNH
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 15,48
EUR 7,72 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
No Binding. Condizione: VG. A lot of ten VG or better original release 8 x 10 stills. Inventory #67492. Photographic Image.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 46,52
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Paperback. Condizione: New. When Marcel Duchamp shipped Constantin Brancusi's sculpture Bird in Space to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import tariff for a manufactured object. A legal battle ensued, with the courts eventually declarin…g Bird in Space an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own Bird in Space (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance. Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself). Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. Wilhelm Noack oHG (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts. Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph. Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum/palladium prints that constitute One Ton (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the e.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 30,72
EUR 17,36 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Condizione: New.
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Da: Chiron Media, Wallingford, , Regno UnitoChiron Media
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EUR 30,33
EUR 17,93 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
paperback. Condizione: New.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 31,10
EUR 17,36 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Condizione: As New. Unread book in perfect condition.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 35,35
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Condizione: New. In.
Simon Starling (Phaidon Contemporary Artists Series)
Dieter Roelstraete,Francesco Manacorda,Janet Harbord,Michele Robecchi,Craig Garrett
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Da: Chiron Media, Wallingford, , Regno UnitoChiron Media
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EUR 31,62
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Paperback. Condizione: New.
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Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno UnitoHay-on-Wye Booksellers
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EUR 25,80
EUR 28,93 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: New.
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Da: Revaluation Books, Exeter, , Regno UnitoRevaluation Books
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EUR 37,60
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Paperback. Condizione: Brand New. 160 pages. 11.34x0.71x9.69 inches. In Stock.
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Da: THE SAINT BOOKSTORE, Southport, , Regno UnitoTHE SAINT BOOKSTORE
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EUR 30,73
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno UnitoHay-on-Wye Booksellers
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EUR 27,42
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Condizione: As New.
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Da: libreriauniversitaria.it, Occhiobello, RO, Italialibreriauniversitaria.it
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EUR 37,95
EUR 17,95 spedizioneSpedito da Italia a U.S.A.Quantità: 12 disponibili
Condizione: NEW.
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Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno UnitoHay-on-Wye Booksellers
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EUR 29,80
EUR 28,93 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 60,50
EUR 3,44 spedizioneSpedito in U.S.A.Quantità: 3 disponibili
Condizione: New. pp. 160.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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EUR 52,83
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 3 disponibili
Condizione: New. pp. 160.
