george bruno (227 risultati)

paperback. Condizione: Very Good.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: New. Heitz, Bruno (illustratore).

Condizione: As New. Heitz, Bruno (illustratore). Unread book in perfect condition.

Condizione: New. Heitz, Bruno (illustratore).

Condizione: As New. Heitz, Bruno (illustratore). Unread book in perfect condition.

No Binding. Condizione: Good. ORIGINAL 1955 reprint/offprint of journal article; no covers; small chips along gutter where disbound from collected reprints volume; o/w in good condition. Journal.

Condizione: As New. Redondo, Bruno (illustratore). Unread book in perfect condition.

Paperback. Condizione: Very Good. Ex-library paperback in very nice condition with the usual markings and attachments. Text block clean and unmarked. Tight binding.

Condizione: New. Redondo, Bruno (illustratore).

Condizione: New.

Condizione: New. Heitz, Bruno (illustratore).

Condizione: New. Heitz, Bruno (illustratore).

Condizione: As New. Heitz, Bruno (illustratore). Unread book in perfect condition.

Condizione: As New. Heitz, Bruno (illustratore). Unread book in perfect condition.

Soft cover. Condizione: Good - Very Good. No Jacket. Bill George (cover) (illustratore). First Thus. A 1st thus of an mid 1950s PB edition of a mystery from the mid 1940s. Dell Book 817. Light edge wear. Browning to the spine. Round sticker ghost on the back cover. Light browning to the pages. Mild spine lean. A good to very good copy.

Soft cover. Condizione: Good +. First Printing. Moderate wear; an adequate readable copy. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 366pp., xvi. '1' in number line. Light green marbled boards with green spine and blood red lettering on spine; endpapers illustrated with "The Family tree of Giuseppe Verdi". Glossy dustwrapper not price-clipped ($22.95; '$24.95' light blue price sticker affixed over original price), with front cover illustration of Verdi, seated on garden bench, contemplatively leaning on umbrella, title lettering in maroon across lower half front cover, above editor names in smaller green letters. Slight ruffle across top spine end, slight bump to rear cover top left corner (trivial impact upon book corner itself); tiny closed tear to rear cover top edge about 1" to left of top left spine corner, even tinier closed tear about the same place on lower rear cover edge, else New. (No previous owner names. Clean text.

Condizione: New. Tolibao, Harvey; Bruno, Toni; Mello, Eduardo (illustratore).

Decorative Cloth. Condizione: Very Good+. Bruno Bramanti (illustratore). Aged front and rear gutters, else textblock very clean and tight; Sunned spine, minimally shelf worn, decorative, floral design binding; In worn slipcase. 155p., including notes. Size: 4to - Over 9 ¾" -12" Tall. Hardcover.

Paperback. Condizione: New. Tolibao, Harvey; Bruno, Toni; Mello, Eduardo (illustratore).

SingleIssueMagazine. Condizione: Good-. Vol. LXV, no. 1. Pulp magazine. Cover art is uncredited [Rudolph Belarski] for "Sing a Song of Murder" (novelet) by G. T. Fleming-Roberts. Includes "Death in a Guilt Frame" (novelet) by C. S. Montanye; "Six Kids in Astoria" by Tom Curry; "Lady in Distress" by Bruno Fischer; "Dead Dogs Don't Whine" by O. B. Myers; "Murder a Day" by Lew Talian; "Murder by Candlelight" by Ray Cummings; "I, Said teh Fly" by B. J. Benson; "Death's Duet" by George William Rae. Features: "Headquarters". Has been damp with light stins, rubs, and foxing; standard wear and tear at edges; letteer a on front in pen. Book.

Condizione: Good. - Tall octavo, softcover bound in printed tan wraps. The wraps are darkened, rubbed & soiled with some small stains. The spine is rubbed & chipped. 36 pages. There are occasional small stains. Illustrated with a black-and-white portrait frontispiece after a drawing by Joseph Simpson. Good. Limited edition of 450 copies.The text includes "the only authentic autobiography" of Frank Harris, two pages written in the third person, at the request of Guido Bruno.

Softcover. Condizione: Fair. (NAP). Sewn binding. I've rated this copy as "Fair only" because although the binding is tight, the spine is uncreased and there are no marks, ***the covers are grubby and stained ***. Creasing to front cover, small dot label front cover, pages lightly toned.

Very close to fine and bright stiff wraps with strong spine and clean text throughout.

Hardcover. Condizione: Near Fine. No Jacket. Bramanti, Bruno (illustratore). No Edition Or Printing Stated. Includes Sandglass Sheet. The Book Is Bound In A Patterned Green Cloth Over Boards. Lettering On The Spine Within A Black Field. All Edges Are Dyed Black. Only A Hint Of Wear. The Black Slip Case Has Wear At The Opening And The Bottom. Good Condition.

Illustrations by Bruno Bramanti. (illustratore). Reprint. Near fine, in very good publisher's slipcase. Publisher's full green cloth, stamped in gilt and black, in publisher's glassine dust jacket, housed in publisher's slipcase.

0. 80 S., quer8°, Pbd., mit Farbfotos und einer CD. (HSRH) Band: 0.

Soft cover. Condizione: As New. Condizione sovraccoperta: Near Fine. First Trade Paperback Edition. INVALUABLE: INDISPENSABLE, ENTRALLING, AMBITIOUS: AS-NEW First Trade Paperback Edition (Orig. 1995) Fifth Printing (c. 2010): Volume 3 in the series "Weimar and Now: German Cultural Criticism" edited by Anton Kaes w/ Martin Jay & Edward Dimendberg * 6.48" x 9.74" x 1.86", 1.54 kg, xx+810 (830) pp * ABOUT THE BOOK: A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the 20th century. Its political & cultural lessons retain uncanny relevance for all who seek to understand the tensions & possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, & politics assembled in any language. It invites a wide community of readers to discover the richness & complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, & official documents (many unknown even to specialists & most never before available in English), this book challenges the traditional boundaries between politics, culture, & social life. Its 30 chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret & urban entertainment, & the situation of Jews, intellectuals, & workers before & during the emergence of fascism. While devoting much attention to the Republic's varied artistic & intellectual achievements (the Frankfurt School, political theater, 12-tone music, cultural criticism, photo-montage, & urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, & sexuality; it also contains a timetable of major political events, an extensive bibliography, & capsule biographies. This will be a major resource & reference work for students & scholars in history; art; architecture; literature; social & political thought; & cultural, film, German, & women's studies. * HIGHEST PRAISE: "'The Weimar Republic Sourcebook' is an INVALUABLE resource for understanding one of the most important & resonant eras of the 20th century. SInce the Weimar debate has continued to repeat itself, albeit w/ less intellectual brilliance, this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced & eloquent complexity: most of these texts, even those by the most famous names of the period, appear for the first time in English. This is an INDISPENSABLE, ENTRALLING, properly AMBITIOUS book." -Susan Sontag * ABOUT THE AUTHORS-EDITORS: ANTON KAES is Professor of German & Director of Film Studies at the University of California, Berkeley. He is author most recently of "From Hitler to Heimat: The Return of History as Film" (1989). MARTIN JAY is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include "Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought" (California, 1993). EDWARD DIMENBERG is Assistant Professor of German Studies, Film & Video Studies, & Architecture at the University of Michigan.