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Editore: Getty Trust Publications, Santa Monica CA, 2024
ISBN 10: 1606068911 ISBN 13: 9781606068915
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. "There was money in the air, ever so much money," wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection. This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Editore: Getty Trust Publications, US, 2024
ISBN 10: 1606068911 ISBN 13: 9781606068915
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 68,40
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Aggiungi al carrelloPaperback. Condizione: New. "There was money in the air, ever so much money," wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler and Co., and Goupil Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
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EUR 60,47
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ISBN 10: 1606068911 ISBN 13: 9781606068915
Da: Brook Bookstore On Demand, Napoli, NA, Italia
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Editore: Getty Research Institute,U.S. 2024-06-25, 2024
ISBN 10: 1606068911 ISBN 13: 9781606068915
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ISBN 10: 1606068911 ISBN 13: 9781606068915
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. "There was money in the air, ever so much money," wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler and Co., and Goupil Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
Lingua: Inglese
Editore: Getty Trust Publications, Santa Monica CA, 2024
ISBN 10: 1606068911 ISBN 13: 9781606068915
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 51,93
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. "There was money in the air, ever so much money," wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection. This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Revaluation Books, Exeter, Regno Unito
EUR 96,01
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Aggiungi al carrelloPaperback. Condizione: Brand New. 384 pages. 9.75x7.00x1.25 inches. In Stock.