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Editore: New York: Bantam Spectra Books 1st Edition 2003, 2003
Da: John McCormick, Mississauga, ON, Canada
Prima edizione
Trade Paperback. Condizione: Fine. First Edition. ----------trade paperback. Not originally offered for sale, this book contains excerpts of books forthcoming from Spectra in 2003-4. In addition to the new authors shown above, there are also selections from continuing writers such as George R.R. Martin, Kevin J. Anderson, Kim Stanley Robinson, etc. An unread fine copy.
Editore: Auerbach Publications, 2004
ISBN 10: 0849319137ISBN 13: 9780849319136
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.15.
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Nuovo - A partire da EUR 73,68
Usato - A partire da EUR 10,41
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Editore: Caliber Comics, 2021
ISBN 10: 1635298180ISBN 13: 9781635298185
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Ribeiro, Gleidson; Gorman, Daniel; Montpeller, Osvaldo Pestana; Maikisch, Brian; Williams, Phillip; Racho, Helmut (illustratore). Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.93.
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Nuovo - A partire da EUR 15,58
Usato - A partire da EUR 15,32
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Editore: Carlton Books Ltd, 2004
ISBN 10: 1844426653ISBN 13: 9781844426652
Da: HPB-Ruby, Dallas, TX, U.S.A.
Libro
hardcover. Condizione: Very Good. Author (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 14,23
Usato - A partire da EUR 17,08
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Editore: William Blackwood & Sons Ltd, 1965
Da: Shore Books, London, Regno Unito
Rivista / Giornale
Soft cover. Condizione: Very Good. 100 pages. James Lunt "A Case Of Mistaken Identity" / Molly Dickins "Rich Man, Poor Man" / Phillip Spring "No Centaurs" / David S Woolman "The Rock" / Orugu "Nilotic Reflections" / David Pockley "The Free and the Caged" / Sir Mark Henniker "The Golden Horseshoe Ride" / June Knox-Mawer "Perspective On Paradise" / H N Beresford "Clay As Treasure Trove".
Editore: Theodore Presser, Philadelphia, 1932
Da: Clayton Fine Books, Shepherdstown, WV, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Near Fine. Charles O. Golden, cover illustration (illustratore). First Edition. Near fine in original wrappers with partial creasing and light soiling.
Da: Houle Rare Books/Autographs/ABAA/PADA, Palm Springs, CA, U.S.A.
No Binding. Condizione: Very Good. not signed) from the 1974 film "The Golden Age of Sinbad." 1). Full length shot of John Phillip Law as Sinbad carrying Caroline Munro (?) from a small boat. 2). Full length fantasy shot of two unidentified actors admiring a small flying reptile. Photographs are on single weight stock; 10" x 8"; very good (minor signs of handling; short tear right margin photo #1); 1974.
Editore: Private Libraries Associations, 1964
Da: Shore Books, London, Regno Unito
Libro
Soft cover. Condizione: Very Good. 20 pages. Will Carter "Rampant Lion" / B S Cron "The Recent Owners of The Golden Psalter" / George Rainbird "The Making of Colour Plate Books" / Donald Weeks "Heinrich Kley, Illustrator" / Harold Palmer Piser "Amateur Journals" / Recent Private Press Books.
Editore: Published by The Art Record Press, 144 Fleet Street, London First Edition . 1901., 1901
Da: Little Stour Books PBFA Member, Canterbury, Regno Unito
Membro dell'associazione: PBFA
Prima edizione
First edition in publisher's original russet card wrap covers [softback] with small inset illustration to the front cover. 8vo. 10'' x 6¼''. Contains 78 printed pages of text with 17 monochrome artwork illustrations throughout. Spine edges and corners torn, some sun fading to the spine and cover, cheap paper browning to the first 16 pages. In Very Good condition, no dust wrapper as published. Member of the P.B.F.A. ART [Spanish].
Editore: Knopf Books for Young Readers, 2006
ISBN 10: 0375838309ISBN 13: 9780375838309
Da: Aragon Books Canada, OTTAWA, ON, Canada
Libro
Condizione: New.
Editore: CRC PR INC, 2007
ISBN 10: 0849334233ISBN 13: 9780849334238
Da: Buchpark, Trebbin, Germania
Libro
Condizione: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. Aus der Auflösung einer renommierten Bibliothek. Kann Stempel beinhalten. | Seiten: 804 | Sprache: Englisch.
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Editore: Published by Centro de Estudios Europa Hispánica, Spain, First Edition . 2008., 2008
Da: Little Stour Books PBFA Member, Canterbury, Regno Unito
Membro dell'associazione: PBFA
Prima edizione
First edition in publisher's original colour illustrated stiff deep French flap card wrap covers [soft back]. Quarto. 10½'' x 7¼''. This book brings together 32 texts about Velázquez that appeared between 1964 and 2006 in academic publications, exhibition catalogues, newspapers and general magazines. A good number of them are published here in Spanish for the first time. The set is the result of Jonathan Brown's long dedication to the life and works of the great Spanish painter, and also collects his opinions on many of the attempts to solve the mysteries that arise from the paintings of this enigmatic artist. All these issues are addressed in the last of the essays, "Velázquez, today and tomorrow," unpublished so far. There are two issues that give unity to the set of essays. Velázquez was a painter of the court of Felipe IV, and the changing relationship he maintained with the monarch is the framework in which the artist's career has to be interpreted. The central element of this relationship is Las Meninas, to which Brown dedicates two long essays: the classic one "On the meaning of Las Meninas" (1978) and "Las Meninas as masterpiece" (1999). The second theme is the question of the attributions and the related problem of the innovative technique of the artist. Velázquez was not a prolific painter. Since most of his safe works are in museums today, and as the price of large paintings continues to break records, determining what new works are authentic is an increasingly controversial task. In this book, Brown addresses this issue in its broadest dimension and participates in the debate on some specific attributions. Contains 449 printed pages of Spanish text with monochrome and colour illustrations, works of art and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 9788493606053 ART [Spanish].
Editore: Prestel Publishing, Munich Berlin London New York, 1995
ISBN 10: 379131453XISBN 13: 9783791314532
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Libro
Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 120 pages. Hardcover. 183 illustrations 33 in color. Published on the occasion of the exhibition from the Art Institute of Chicago, Chicago IL June 8-September 4, 1995. Dustjacket is protected with a mylar cover. Book.
Editore: Whitney Museum of American Art, 1994
ISBN 10: 0874270936ISBN 13: 9780874270938
Da: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Very Good. First Edition. First edition. Sticker remains on rear cover. 1994 Soft Cover. 223 pp. On December 12, 2014, the Education department presented Looking Back at Black Male, a public program to mark the twentieth anniversary of the exhibition Black Male: Representations of Masculinity in Contemporary American Art, (November 10, 1994-March 5, 1995). Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era. Looking Back at Black Male brought together exhibition curator Golden, Hilton Als, a writer who edited the exhibition catalogue, and Huey Copeland, art historian and critic, to discuss the exhibition and its afterlives. The program considered Black Male?s significance for cultural debates twenty years ago as well as how it has inspired artists and curators working in its wake. At the beginning of the conversation, Copeland remarked, 'As the nationwide protests of the unpunished murders of two unarmed black men, Michael Brown and Eric Garner have again brought into vivid focus, the 'black male' is a perennial site of fear and projection, policing and pathology, contestation and coalition.' He also stated that the exhibition was not about offering a mirror or image of black masculinity, but providing a context to comprehend how a black male might be produced visually, and the many ways that one might work through that visual production. Referring to the Black Male catalogue as a landmark anthology that has continually sparked many conversations, and a five-part film program organized by John Hanhardt, the Whitney's former film and video curator, Copeland asked Golden and Als to talk about the ways in which they created a multi-pronged curatorial and cultural approach to the exhibition. Golden explained that in order to address the complexities of black masculinity, the exhibition demanded many voices and perspectives. There was no previous model for understanding the complicated manifestations and nuances of representations of black men, and she described her feeling that in order to make this exhibition, it was as if a new language had to be invented. Both Golden and Als underscored the importance of the multiple exhibition components to create a broader context for considering the ideas and themes in the works themselves and to engage a wide audience that Golden was hoping would visit the show. Among these components was a context room (located within the exhibition) that displayed a thematic timeline created by cultural historian Maurice Berger, and a series of public programs organized by Connie Wolf, former director of the Whitney?s Education department. The context room featured an introductory panel and ten large-scale wall texts that, in Berger?s words, were intended to 'narrate very selective moments from this complex history of oppression, struggle, survival, and triumph; it is meant as an adjunct to the Black Male exhibition, as a space of learning and contemplation, as a means of contextualizing some of the issues explored in the exhibition.' Themes included Community and Leadership, Civil Rights, Business and Employment, Television and the Media, and Gender and Sexuality. The Business and Employment text panel provided historical information such as: '1971, The U.S. Bureau of Labor statistics reports that African Americans lag far behind whites in economic prosperity, earning three-fifths of the average white income.' Public programs related to the exhibition included an extensive film program as well as discussions of the event of the show itself. One of these programs was a conversation between cultural historian and Harvard University professor Henry Louis Gates, Jr. and philosopher and activist Cornel West. At the beginning of the conversation, Gates asked if the art-viewing public can 'move beyond all the polemics about so called positive and negative ima.
Editore: The New York Times & Arno Press, New York, 1963
Da: RareNonFiction, IOBA, Ladysmith, BC, Canada
Membro dell'associazione: IOBA
Rivista / Giornale Prima edizione
Single Issue Magazine. Condizione: Good. Illustrated by Tames, George; Hyde, Philip; Moss, John; Whiteside, Duncan;Devaney, A.; Mahoney, U.; Falk, Sam; Morris, Larry; De Vries, Paul;Glueckselig; Shore, Robert; Doty, Roy; Golden, Alice; Anderson, Doug;Einhorn, Ben; Miller, Marilyn (illustratore). First Edition. 136 pages. Features: Can the new President (LBJ) overcome standpattism in Congress; LBJ Program in Action - photo feature; Unless We Lead We Will Falter; What Kind of Nation Are We? - thoughts in the wake of JFK's murder; Do White Men Have a Future in Africa? - T.J. Mboya of Kenya says yes, as long as they do their part in nation building; Visit to a Russian Village - photo-illustrated article on a trip to the Russian countryside, where few Westerners are permitted; The Importance of Angel Investors to Broadway Producers; Should it Take 34 Months for a Trial?; Today's American Ex-Pats are often businessmen, nor rebels; By 1966 Half of Us Will Be Under 25; The New York City Center of Music and Drama turns 20; Photos of Manhattan town home redone by architect James Stewart Polshek;On Human Rights - thoughts, new and old, as Human Rights Week begins; and more. Ads: one-page ad for Henry Mancini's soundtrack to the movie 'Charade"; Nice fashion ads; Bulova Accutron; 2-page ad for Look Magazine; Color ad for Sony consumer electronics; Cuesta-Rey Cigars; Wilkinson Sword Pruners; Loft's Little Fruit Cakes; Beautiful one-page color-photo ad for E.J. Korvette ladies' fashions - nautical theme; Unox Ham. First few pages rumpled, otherwise unmarked with average wear. A sound vintage copy; Folio - over 12" - 15" tall; The New York Times Magazine, December 8, 1963 - Do White Men Have a Future in Africa? President (LBJ) overcome standpattism in Congress; LBJ Program in Action - photo feature; Unless We Lead We Will Falter; What Kind of Nation Are We? - thoughts in the wa.
Editore: Alfred A. Knopf, New York, 2003
Da: The First Edition Rare Books, LLC, Cincinnati, OH, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: fine. Complete set of His Dark Materials Trilogy by Philip Pullman, signed by the author in each volume. This set includes the first American edition of The Golden Compass, The Subtle Knife, and The Amber Spyglass. (illustratore). First American Edition, First Printing. Octavo, [three volumes], 399pp; 326pp; 518pp. All hardcover, Volume I and II with navy cloth spine and title in gilt, Volume III with illustrated boards. Full number with "First Edition" stated on each copyright page. A fine set, all solid text blocks. Touch of wear to bottom edge of Volume I. In the publisher's dust jackets, retail prices intact, fine with vibrant illustrations. Signed by the author on the title page of each book. Scarce seen with signatures in all three volumes. The first book in this trilogy was originally published in the U.K under the title of Northern Lights. Pullman planned to title the series The Golden Compasses as a reference to a line from Milton's Paradise Lost, but eventually swapped it with His Dark Materials. Publishers at Alfred A. Knopf were so attached to the Golden Compasses name that it was used for the American printings, as seen here.