gong zhi zhao zhu bian (16 risultati)

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Soft cover. Condizione: New. Language:Chinese.Author:FANG WU JIAN ZHU HE SHI ZHENG GONG CHENG BIAO ZHUN SHI GONG ZHAO BIAO ZI GE YU SHEN WEN JIAN BIAN ZHI ZU.Binding:Soft cover.Publisher:China Building Industry Press; 1 (July 1. 2010).

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Soft cover. Condizione: New. Language:Chinese.Author: JIAN ZHU GONG CHENG SHI GONG ZHI LIANG YAN SHOU BIAO ZHUN YU TONG YONG BIAO GE DUI ZHAO YING YONG SHOU CE BIAN WEI HUI.Binding:Soft cover.Publisher:s Press; 1 (May 1. 2004).

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paperback. Condizione: New. Paperback. Pub Date: 2020-10-01 Language: Chinese Publisher: The Local History of Chinese Bookstores. as a comprehensive documentary description of the natural environment. social features. and historical changes of a region in Chinese history. is the establishment. evolution. and astronomy of a certain region. The systematic description of basic conditions in all aspects. such as geography. politics. economy. military. culture. people. customs. etc. is an important basis for us to understan.

paperback. Condizione: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date: 2009 Publisher: relics basic information about the title: Renditions of Nirvana and Maitreya iconography (fine) Buddhist art of Dunhuang Masterwork original price: 198 yuan Author: Palace rule Zhao editor: the Dunhuang Academy translator: Li Ping Zhang Qingtao Publisher: Heritage Publication Date :2009-08-01ISBN: 9787501026258 words: Page: 582 Revision: Binding: Folio: 16 Weight: Edit recommend the study accepted the pioneer research stimulus and inspiration to Nirvana Maitreya image as the base axis. trying to use the image hermeneutics. explore the Buddhist art from India to Central Asia. the spread and change. The Nirvana and Maitreya. at first glance the two senses the theme combined perhaps giving a strange feeling. but both the base axis reason. Because the question of life and death - Nirvana is the central idea of ??Buddhism. the Nirvana amurense Maitreya image and this relationship is deep. Based on the fundamental Buddhist concept of Nirvana. related to its dead and life (regeneration) image linked to Buddhist art across the real face of India. Central Asia. the spread and development of changes. from the structure of spy . Summary catalog preface of the purpose of the study and a hermeneutic approach of the diversity of Buddhist art images of the two studies constitute the first of the three studies India Qian blocking wave faith with Nirvana Fine Arts Chapter pagoda how to understand the symbol of its decorative principle - the pagoda modeling the performance of a symbol of death and life dart out in an Introduction blocking wave sacred tree branch mention three mortar column cosmic axis four mortar and tire the goddess. eggs. pot five pagoda shrine. Temple. park six mortar the decorative principle (a) water (b) of the plant (c) animals (4) gods (e) with dense tea seven dart out blocking wave . the Nirvana story of Nirvana amurense double Chapter II South India Amara Sukarnoputri Figure - the Shakya last trip story I. INTRODUCTION II story six scenes explain (a) the first scene of The third scene of the second scene of sub sacred tree (b) cover Borneo sacred tree (c) Dalin dove Tuo Singhalese Lecture (d) The fourth scene as the staring (e) fifth scene Shakya open river miracle (f) sixth scene like Nirvana story feature production years of the four-story map and location determine Amara Sukarnoputri octagonal column reliefs unearthed funeral story Chapter bullock Tuo Luo Nirvana graph interpretation - Shakya dead four gods (the the Introduction two lateral Shakya secular people (the end of the Luo tribe) devil and daughter story map. Brahma and Indra. the Executive King Kong God. the tree of God. the goddess of the city. the praise of God) five bhikkhus (the sad tears Bhikkhu. Ananda. and Aniruddha excellent Bowmore that required Postscript large Kasyapa) Chapter Six Conclusion fourth India Nirvana art changes - - Nirvana's symbolic and narrative contradictions of early Buddhist art in Nirvana Nirvana figure taboo of Fine Arts (a) (b) two Gandhara relics story nirvana the story Figure (a) Nirvana (Nirvana) (2 ) funeral (remains wrapped cloth Departures funeral procession cremation ) (c) of the relic ( relic into the city guardian. Sunday relic relic battle sub relic handling relic from the tower (c) Nirvana ) (d) of the Nirvana story feature India Nirvana Figure (a) Kushan dynasty Mathura Lo (b) of the Gupta dynasty Mathura Luo and Sal Nath big like - Kushinagar That Sankara of Ajanta (d) the Baltic toward Conclusion second Ministry Indian Zunxiang two series with the Maitreya Buddha image image of ancient India. Brahma. Indra image - the Holy One. Walker and king the image of soldiers Introduction two Brahma and Indra. the godhead Brahma's image (a) of the the Brahma image formation (b) the development of the Brahma image Indra image (a) formation of an image of Indra (b) Indra image five Con.

Hardcover. Condizione: New. HardCover. Pub Date: 2009 Publisher: Heritage publication of this book is a masterpiece of contemporary Buddhist archeology attention by the international academic community. Of departure from the rich results of the Archaeological Survey of India. Gandhara and Central Asia about Nirvana and Maitreya image features its series. in-depth analysis of the similarities and differences of the different regions of Buddhist art. their own path of development. clearance academic many areas of misunder.

Hardcover. Condizione: New. HardCover. Pub Date: 2019-12-01 Pages: 321 Language: Chinese Publisher: National Defense Industry Press In 2010. the National Research Council published a report Seeing Photons: Progress in Visible Light and Infrared Sensor Arrays. which focused on critical passives Sensor technology. its conclusions indicate that for many tactical occasions. the detector technology is approaching the background limit of infrared light detection (BLIP). so it seems difficult for new types of detectors to spaw.

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