Goodelman aaron j (8 risultati)

Hard Cover. Condizione: Good. No Jacket. 2nd Edition. This hard cover book has a brown cover with brown and silver bordered lettering on the front and silver lettering on the spine of the cover. The owner's stamp is on the inside, tanned pages, wear and soil. 359 pages. Size: 5.5"x8". Yes (illustratore).…

Trade Paperback. Condizione: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" [2] pages (unpaginated). Large postcard relating to the exhibition at the school, March - April 1967; photograph on verso. A very good copy with slight creases, rubbing and browning; else a very desirable illustrated ephemeral piece. 8vo oblong ephemera1 B/w Photograph (frontispiece portrait).…

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Green cloth over boards; front cover blind stamped with pictorial design and gilt stamped with titles and design; spine gilt stamped with titles and design; pictorial end papers; slight weekness of hinges. see pictures. beautiful cond book no writing no tearing. owners name. Aaron J. Goodelman (illustratore).…

Decorated Cloth. Condizione: Very Good +. Condizione sovraccoperta: Good +. First Edition, First Printing. Dust Jacket has sunned spine with small chis and archival repaired tears now protected with paper backed polyester film. Book has gifting on ffep and date 5/30/43 and small chip to lower gutter area on ffep. Aaron J. Goodelman (illustratore).…

Hardcover. Condizione: Very Good. No Jacket. 3rd Edition. In Yiddish. 200 pages. 247 x 176 mm. Illustrated. Goodelman, Aaron J., (Aharon Gudelman) 1890-1978. (illustratore).

Hardcover. Condizione: Very Good.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. [1st edition, 1st printing] ; 179 pages illustrations 26 cm ; LCCN: 50-9725 ; LC: NB1250; Dewey: 736.4 ; OCLC: 227669 ; beige and brown cloth ; no dustjacket ; Contents: Art is what you make it -- Wood as material for the sculptor -- Ideas and subject matter -- Tools and their care -- Rasps for carving in the round -- Carving in the round -- Carving a head -- Carving in low relief -- Finishing -- How to use sculpture ; "n simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art." ; contains numerous illustrations of beautifully photographed artwork of William Zorach, Maria Nunez del Prado, Aaron Goodelman, C Ludwig Brumme, Warren Wheelock, Ernst Barlach, Jose De Creeft, Chaim Gross, Peter John Lupori, Milton Hebald, Ossip Zadkine, Ann Wolfe, Dorothea Greenbaum, Gwen Lux, Evelyn Raymond and Alonzo Hauser ; copy of award-winning Santa Clara, New Mexico sculptor and painter, Joe Rodriguez Valles (1922-1982) ; foxing to endpapers ; else VG. Book.…

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. In Yiddish. 200 pages. 247 x 176 mm. Illustrated. Elihu "Elye" Tenenholtz's copy. was born in the Russian hamlet of Azran, near the city of Rovne, in 1887 and came to the US at the age of ten. His first appearance in amateur Yiddish theatricals occurred in 1903, in staged readings of the works of Yiddish author Sholom Aleichem, the first person to do that. He augmented his theater appearances by writing for and editing a Yiddish satirical magazine under the pen-name "Moishe McCarthy". In 1916 he made the leap to the professional Yiddish stage and, befriended by the great doyenne Bessie Thomashevsky, helped her pen her memoirs, the first publication documenting a Yiddish actor's life. By 1920 he was appearing on both the Yiddish art stage with Maurice Schwartz and on Broadway, quickly rising to the top leadership of the Hebrew Actors' Union, the first arts union in America. In 1925 he co-founded a theater company with Celia Adler, half-sister of Luther Adler and "Method" teacher Stella Adler. In 1926 he was summoned to Hollywood and given a five-year contract at MGM. Like most Jewish actors, when he arrived in Hollywood he changed his name (choosing to bifurcate it into "Tenen Holtz"). During that time he regularly appeared in films alongside such stars as Greta Garbo, Norma Shearer, Joan Crawford, Jean Harlow and Marion Davies and under directors like King Vidor and Victor Fleming. This period would prove to be Tenenholtz's most prolific and would account for the majority of the 50+ films in which he would appear. While in Hollywood he helped jump start its fledgling Yiddish theater, founding a popular Yiddish theater company that included other transplanted Yiddish actors including Muni Weisenfreund (aka Paul Muni, father and son Rudolph Schildkraut and Joseph Schildkraut. When his contract at MGM ended, he moved over to Warner Brothers where he made films with Leslie Howard under the direction of Michael Curtiz. By the late 1930s the only calls he got were from Poverty Row studios, so Tenenholtz moved to nearby Monrovia and opened a chicken ranch. Though he would occasionally go back in front of the camera, he retired from film. By the time TV emerged, he landed a few roles on shows such as Perry Mason (1957) and Alfred Hitchcock Presents (1955). He died in 1971. Goodelman, Aaron J., (Aharon Gudelman) 1890-1978. (illustratore).…