Da: Readers Cove Used Books & Gallery, DEMING, NM, U.S.A.
Paperback. Condizione: Very Good. Glossy covers, solid binding. Minimal wear. Clean unmarked pages. ; 8.40 X 8.30 X 0.40 inches; 112 pages.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 53,12
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 54,63
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 185,78
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 206,46
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 187,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 203,90
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Data di pubblicazione: 2024
Da: Rendezvous Cinema, Chichester, Regno Unito
Arte / Stampa / Poster
EUR 12,77
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Grade: Good. Est. Dimension: Approximately (7 x 10" (inches)) Year Printed: 2024 Director: Bette Gordon Original: Yes Shipped: Flat Product & Description Synopsis: An experimental film about the experience and representation of women, using different narrative methods. (Drama) Condition Specifics: Poster stored flat in good condition. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas. But overall the poster is in good condition for age. Please carefully inspect images before purchasing. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.
Editore: The Kitchen Center for Video and Music New York, NY, 1979
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[10] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. Wong," Klaus Wyborny's "Six Little Pieces of Film," Gordon Matta-Clark's "Freshkill," Sheila McLaughlin's "Inside Out," Ernie Gehr's "Untitled," Barbara Ess / Carla Liss' "Seesaw" and "Technology/Transformation: Wonder Woman," JJ Murphy's "Science Ficton," Tom Chomont's "Space Time Studies," Stuart Sherman's "5 Films," Leandro Katz's "Splits," Bette Gordon's "Exchanges," Michael Oblowitz's "Table Conversation," Pat O'Neil's "Sleeping Dogs (Never Lie)," John Lurie's "Hell Is You With African Queen," Howard Guttenplan's "Diary 78," Warren Sonbert's "Divided Loyalties," Bill Brand's "Split Decision," Lawrence Weiner's "Altered to Suit," Martha Haslanger "Frames and Cages and Speeches" and "Lived Time," Manuel de Landa's "The Itch, Scratch, Itch Cycle" and "Incontinence," and Harry Smith's "Mirror Animation." Short synopses provided for each film indexed. Very Good. Discoloration towards edges, light handling marks and edge wear.
Editore: Horizon Films, New York, 1983
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Fotografia
Vintage studio still photograph of Sandy McLeod, shot by (and credited at the right margin to) Nan Goldin, from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square, soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars, with a screenplay by Kathy Acker, music by John Lurie, cinematography by frequent Jarmusch collaborator Tom de Cillo, and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine.