Gorfinkel elena (146 risultati)
Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
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Condizione: New.
Lingua: Inglese
Editore: British Film Institute 5/1/2025 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
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Paperback or Softback. Condizione: New. Wanda. Book.
Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
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Da: Lakeside Books, Benton Harbor, MI, U.S.A.Lakeside Books
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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner's wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in…its sensibility, it received critical acclaim upon release, winning the Critics' Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film's de-dramatised aesthetic, one that rebukes the artifice and "slickness" of Hollywood. Gorfinkel considers Loden's craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.
Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condizione: Fine. in original shrinkwrap Very Good paperback with light shelfwear - NICE! Standard-sized.
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Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Paperback or Softback. Condizione: New. The Prop. Book.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK) 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Paperback. Condizione: New. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micro and… macro scales at which the prop operates. Props are the material-often literal-furniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogénie, the crystal egg in Risky Business, or the domestic bric-à-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scène. And yet, the prop has rarely-almost never-been taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contexts-studio filmmaking, art cinema, adult and avant-garde films-The Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
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Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: California Books, Miami, FL, U.S.A.California Books
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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner's wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in…its sensibility, it received critical acclaim upon release, winning the Critics' Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film's de-dramatised aesthetic, one that rebukes the artifice and "slickness" of Hollywood. Gorfinkel considers Loden's craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miners wife and mother, electing instead to drift. Bracing in its realist texture and proto-fe…minist in its sensibility, it received critical acclaim upon release, winning the Critics Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the films de-dramatised aesthetic, one that rebukes the artifice and slickness of Hollywood. Gorfinkel considers Lodens craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Brossura
Da: California Books, Miami, FL, U.S.A.California Books
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates th…e micro and macro scales at which the prop operates. Props are the materialoften literalfurniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogenie, the crystal egg in Risky Business, or the domestic bric-a-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scene. And yet, the prop has rarelyalmost neverbeen taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contextsstudio filmmaking, art cinema, adult and avant-garde filmsThe Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema. A fresh look at film through its invisible visible objects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micro and… macro scales at which the prop operates. Props are the material-often literal-furniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogénie, the crystal egg in Risky Business, or the domestic bric-à-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scène. And yet, the prop has rarely-almost never-been taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contexts-studio filmmaking, art cinema, adult and avant-garde films-The Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK) 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
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Lingua: Inglese
Editore: British Film Institute 2025
Serie: BFI Film Classics, Libro 196 di 58. Libro 196 di 58 - BFI Film Classics
- Brossura
Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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