goto kazuko (44 risultati)

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Gebundene Ausgabe. Condizione: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Umschlag durch Lager- oder Transportschaden -This book combines insights from cultural economics, public finance, and tax law, providing an accessible and comprehensive introduction in the application of tax incentives for the creative industries. It does not have a single-country focus, but instead uses the perspective and examples of various countries around the world. The book starts with a theoretical part, introducing the concepts of creative industries and of tax incentives: how can the creative industries be defined, why do governments support the creative industries and how can tax incentives be applied as policy instrument. In the globalized and digitalized world in which the creative industries operate, restrictions imposed by guidelines on harmful tax competition and state aid and regulations influencing the (im)possibility of applying tax incentives in cross-border situations have a great impact. For that reason these legal concepts are discussed as well in the theoretical part. Globalization also gives rise to questions on the cross border application of tax incentives. The example of cross border giving is discussed in this respect. The theoretical part is followed by a part that focuses on tax incentives for specific sectors of the creative industries: museums and cultural heritage, the audiovisual industries (film, tv and videogames), the art market, copyright and artists. This part uses insightful examples from various countries to illustrate the application of these tax incentives. As the book takes both an academic and a practical approach, it is of relevance to researchers, students, policy makers and readers involved in the creative industry who seek an in-depth and up-to-date overview of this alternative way for governments to support the creative industries.Books on Demand GmbH, Überseering 33, 22297 Hamburg 258 pp. Englisch.

Condizione: Fine. KOS01203244.

Condizione: Fine. Number of books: 1.

Condizione: Fine. Number of books: 1.

Condizione: Fine. Number of books: 1.

Condizione: Fine. Number of books: 1.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. Number of books: 1 book.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. Volume: 1.

Soft cover. Condizione: Fine. Title: Inten Complete Works 82 Authors: Tamako Kataoka. Chuichi Konno. Kazuko Gokura. Hideo Shiode. Sumio Goto. Yoshihiro Shimoda. Katsumi Kitada. etc. Quality: Perfect Publication time: 1984 Edition: Soft Cover Publisher: Japan Art Institute Printing time : 1997 Page: 121 Page size: 24 x 25 cm 163 Product Description: Complete collection of the 82nd Inten Exhibition by the Japan Art Institute Revival Nihon Ganwa Ishigaki Collection Hand-painted paintings of people. landscapes. flowers and birds. This book includes 300 works by Japanese artists such as Ikuo Hirayama. Yuki Ogura. Toshio Tabuchi. Toshio Matsuo. Horin Fukuoji. Tamako Kataoka. Yuji Tezuka. Masaaki Miyasako. Koji Matsumura. and Seiji Yoshimura. Original Japanese version. The Japan Art Institute was established in 1898. under the guiding principles of Tenshin Azakura. including Hashimoto Gaho. Yokoyama Taikan. Kanzan Shimomura. and Hishida Shunso. Tenshin passed away on September 2. 1913. and was revived by the Japan Art Institute on the first anniversary of his death in the following year. Recreational platform is the main purpose of artistic free research. Since then. the goal of innovation in modern Japanese painting. since the founding spirit has been centered on the unbreakable research. unbreakable development. and the appearance of today's formation. A total of 332 works included in this book are included in this exhibition.

Condizione: New.

Condizione: New.

Condizione: New. In.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 260 | Sprache: Englisch | Produktart: Bücher | This book combines insights from cultural economics, public finance, and tax law, providing an accessible and comprehensive introduction in the application of tax incentives for the creative industries. It does not have a single-country focus, but instead uses the perspective and examples of various countries around the world. The book starts with a theoretical part, introducing the concepts of creative industries and of tax incentives: how can the creative industries be defined, why do governments support the creative industries and how can tax incentives be applied as policy instrument. In the globalized and digitalized world in which the creative industries operate, restrictions imposed by guidelines on harmful tax competition and state aid and regulations influencing the (im)possibility of applying tax incentives in cross-border situations have a great impact. For that reason these legal concepts are discussed as well in the theoretical part. Globalization also gives rise to questions on the cross border application of tax incentives. The example of cross border giving is discussed in this respect. The theoretical part is followed by a part that focuses on tax incentives for specific sectors of the creative industries: museums and cultural heritage, the audiovisual industries (film, tv and videogames), the art market, copyright and artists. This part uses insightful examples from various countries to illustrate the application of these tax incentives. As the book takes both an academic and a practical approach, it is of relevance to researchers, students, policy makers and readers involved in the creative industry who seek an in-depth and up-to-date overview of this alternative way for governments to support the creative industries.

Condizione: New. pp. 260 Softcover reprint of the original 1st ed. 2017 edition NO-PA16APR2015-KAP.

Condizione: New. pp. 260.

Taschenbuch. Condizione: Neu. Tax Incentives for the Creative Industries | Sigrid Hemels (u. a.) | Taschenbuch | Creative Economy | xiii | Englisch | 2018 | Springer | EAN 9789811357145 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Hardcover. Condizione: Brand New. 9.25x6.25x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book combines insights from cultural economics, public finance, and tax law, providing an accessible and comprehensive introduction in the application of tax incentives for the creative industries. It does not have a single-country focus, but instead uses the perspective and examples of various countries around the world. The book starts with a theoretical part, introducing the concepts of creative industries and of tax incentives: how can the creative industries be defined, why do governments support the creative industries and how can tax incentives be applied as policy instrument. In the globalized and digitalized world in which the creative industries operate, restrictions imposed by guidelines on harmful tax competition and state aid and regulations influencing the (im)possibility of applying tax incentives in cross-border situations have a great impact. For that reason these legal concepts are discussed as well in the theoretical part. Globalization also gives rise to questions on the cross border application of tax incentives. The example of cross border giving is discussed in this respect. The theoretical part is followed by a part that focuses on tax incentives for specific sectors of the creative industries: museums and cultural heritage, the audiovisual industries (film, tv and videogames), the art market, copyright and artists. This part uses insightful examples from various countries to illustrate the application of these tax incentives. As the book takes both an academic and a practical approach, it is of relevance to researchers, students, policy makers and readers involved in the creative industry who seek an in-depth and up-to-date overview of this alternative way for governments to support the creative industries.