Editore: Darton, Longman & Todd 1981, 1981
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
EUR 13,65
Quantità: 1 disponibili
Aggiungi al carrelloSuper octavo hardcover (VG) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.
Lingua: Inglese
Editore: The University of Chicago Press, US, 2010
ISBN 10: 0226389618 ISBN 13: 9780226389615
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 50,19
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Lingua: Inglese
Editore: The University of Chicago Press, US, 2010
ISBN 10: 0226389618 ISBN 13: 9780226389615
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Lingua: Inglese
Editore: The University of Chicago Press, US, 2010
ISBN 10: 0226389618 ISBN 13: 9780226389615
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
EUR 45,84
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. What does it mean to be in the studio? What is the space of the studio in the artist s practice? How do studios help artists envision their agency and, beyond that, their own lives? This title locates the studio both spatially and conceptually - at the cent.
Lingua: Inglese
Editore: The University of Chicago Press, US, 2010
ISBN 10: 0226389618 ISBN 13: 9780226389615
Da: Rarewaves.com UK, London, Regno Unito
EUR 46,12
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Lingua: Tedesco
Editore: Darton, Longman & Todd, London, 1972
ISBN 10: 0232510881 ISBN 13: 9780232510881
Da: Dreadnought Books, Bristol, Regno Unito
EUR 17,75
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First English Language Edition. Size: 8vo 7 3/4 - 9 3/4". x + 268pp. Single volume only of set or series. Binding firm. Dust Jacket marked and worn. Edges browned slightly. Ex-library, with minimal stamps and markings (Woodbrooke Quaker Study Centre). Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Religion & Theology; ISBN: 0232510881. ISBN/EAN: 9780232510881. Pictures of this item not already displayed here available upon request. Inventory No: 55157.