grossman jon (26 risultati)

paperback. Condizione: Good.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condizione: Near Fine. slightly rolled.

Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Brand New. 374 pages. 8.27x4.72x1.18 inches. In Stock.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Neu. Buch und 2 CDs. In originaler Folie, ungeöffnet, neuwertig.

Condizione: Used. pp. xxviii + 472 4th Edition.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Used. pp. xxviii + 472 Illus.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Paperback. Condizione: Good.

Condizione: very good. Gebunden. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 39 Seiten. Buch mit 2 CD.

Condizione: Used. pp. xxviii + 472.

Couverture rigide. Condizione: Bon.

Softcover. Condizione: Good. No Jacket. First Edition. This is an ex-library book with stamps and a cardholder. Stamps have been marked out on the edges of the book. The covers look great. The binding is tight. The interior pages are clean and unmarked. Electronic delivery tracking will be issued free of charge.

Softcover. Condizione: Very Good. No Jacket. First Edition. This is an ex-library book with few stamps. The covers look great except for a light crease on the front cover. The binding is tight. The interior pages are clean and unmarked. Electronic delivery tracking will be issued free of charge.

Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Softcover. Condizione: As New. No Jacket. First Edition. Nearly Brand New! The interior pages are clean and unmarked. The binding is tight. The covers show absolutely no signs of wear. There is an organization stamp on the half title page. Electronic delivery tracking will be issued free of charge.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

5. Auflage. 39 S. : Ill. ; 14 x 15 cm Inklusive beider original CDs___Einband/Schnitt leicht gebrauchs-/regal-/altersspurig, innen sehr guter Zustand___Buchblock vollständig und sauber___ ___Bücher aus Nichtraucherhaushalten___Achten Sie auf unsere Bilder___Exakte Versandkosten außerhalb Europas auf Anfrage.___ Sprache: Deutsch Gewicht in Gramm: 198 Gebundene Ausgabe, Halbleineneinband [HLn.].

Soft cover. Condizione: Very Good. ] Trade-sized pb, appx 6x9 inches, white/black/yellow on caramel colored covers, 528 pages, VG. Exterior very nice (not quite 100% perfect). Appx 15 early pages have brief notations in the margin and/or a line or two highlighted in yellow + likewise another 15 pages or so more centrally located in the book. RWR5 Law Intellectual Property Rights.

Hardcover. Condizione: Good to fine condition. Limited edition. Copy H. C. (Hors D'Commerce) for promotional use. Double Elephant Folio (28 x 21.5"). 41 [7]pp., 9 b/w etchings. Original tan cloth linen clamshell box with screened Calder drawing, a facsimile signature and black lettering on cover, housing twenty-four double plates and nine original etchings with tissue guards, all signed Calder in margins; protected by handmade heavy light brown textured paper portfolio with black lettering on cover. This impressive edition of E. E. Cummings "Santa Claus" tale is accompanied by a collection of nine etchings by Alexander Calder. Of the total of 175 copies printed 25 were printed on large Arches vellum, numbered from 1 to 25, theses accompanied by two suites of engravings, one set on Arches and the other Auvergne by the hand of Moulin Richard-de-Bas. 75 copies on large Arches vellum were numbered from 26 to 100, this accompanied by a suite of nine engravings on Auvergne, by hand from Moulin Richard-de-Bas, and 75 copies on large Arches vellum numbered from 101 to 175, accompanied by a suite of nine engravings on Arches vellum. The engravings were printed on the hand presses of the Arte workshop. Hand letterpress in Caslon c. 24 is from Frequet and Baudier. The printing was completed in Paris, March 16, 1974. Our H. C. copy was one of the copies printed for the artist and is not noted in the colophon. Printed to Arches vellum and following the description of Nos. 101-175. Santa Claus is an allegorical Christmas tale in one act with five scenes. It was written by Cummings in 1946 and deals with increasing materialism and the lust for knowledge. Santa Claus and the sinister character Death exchange identities in a cynical scheme to sell shares in a worthless wheel mine. A little girl, whose innocence allows her to see through their deception, finds them out. Remorseful, Santa reveals his true identity, reaffirming his faith in love and giving, and reconciles with his estranged family. The play was inspired by Cummings' daughter Nancy, with whom he was reunited in 1946 after a bitter divorce. Alexander Calder illustrates this monumental artist's book with nine full-page etchings, whose simplified linear motifs convey the emotional power of the story. It was first published in the Harvard Wake, the Harvard University magazine in the Spring of 1946. Text in French and English. Portfolio box with light wear along edges, light fraying and chipping at three of the corners, and lightly sunned at spine and along edges. Wraps and Arches vellum paper plates in fine condition.