Grover friedlander (75 risultati)

Hardback. Condizione: Good. An examination of the ultimate power opera grants to singing: the reversal of death.In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth--the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals--in operas by Puccini and other composers and performances by Maria Callas--are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. This may arise from the multiplication of singing voices inhabiting the same body, from disembodied singing, from the merging of singing voices, from the disconnection of voice and character. The instances developed in the book take on added significance as they describe a reconfiguration of operatic singing itself. Singing reigns over text, musical language, and dramatic characterization. The notion of the afterlife of singing reveals the singularity of the voice in opera, and how much it differs categorically from any other elaboration of the voice. Grover-Friedlander's examples reflect on the meanings of the operatic voice as well as on our sense of its resonating, unending, and haunting presence. Traditionally, opera kills its protagonists, but Grover-Friedlander argues that opera at times also represents the ways that the voice, singing, or song acquire their own forms of aliveness and indestructibility. Operatic Afterlives shows the ultimate power that opera grants to singing: the reversal of death.…

Hardback. Condizione: Good. An examination of the ultimate power opera grants to singing: the reversal of death.In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth--the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals--in operas by Puccini and other composers and performances by Maria Callas--are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. This may arise from the multiplication of singing voices inhabiting the same body, from disembodied singing, from the merging of singing voices, from the disconnection of voice and character. The instances developed in the book take on added significance as they describe a reconfiguration of operatic singing itself. Singing reigns over text, musical language, and dramatic characterization. The notion of the afterlife of singing reveals the singularity of the voice in opera, and how much it differs categorically from any other elaboration of the voice. Grover-Friedlander's examples reflect on the meanings of the operatic voice as well as on our sense of its resonating, unending, and haunting presence. Traditionally, opera kills its protagonists, but Grover-Friedlander argues that opera at times also represents the ways that the voice, singing, or song acquire their own forms of aliveness and indestructibility. Operatic Afterlives shows the ultimate power that opera grants to singing: the reversal of death.…

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condizione: Very Good. Hardcover in a bright, unclipped dust jacket. An examination of the ultimate power opera grants to singing: the reversal of death. In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth-the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals-in operas by Puccini and other composers and performances by Maria Callas-are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. Clean copy, 252 pages. Record # 378833.…

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Very Good. Pages 571-781. A softcover book in very good condition. Mild edgewear; tiny creases to corners, and pencil-like indentation marks in the front cover. Otherwise, text clean and binding tight. An academic journal of opera studies.

Paperback. Condizione: New. Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists-Erik Satie, Bertolt Brecht and Kurt Weill-as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online.This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.…

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. 186pp. Ex Academic Library. Library Withdrawal stamp etc. otherwise internally very clean looking little if ever used.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. An examination of the ultimate power opera grants to singing: the reversal of death. Num Pages: 256 pages, 8 b&w illus. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 237 x 163 x 25. Weight in Grams: 532. . 2011. Hardcover. . . . .

Hardback. Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text clean and solid; Princeton Studies In Opera, 20; 8vo 8" - 9" tall; 216 pages.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New. An examination of the ultimate power opera grants to singing: the reversal of death. Num Pages: 256 pages, 8 b&w illus. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 237 x 163 x 25. Weight in Grams: 532. . 2011. Hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New.

Paperback. Condizione: Brand New. 144 pages. 8.50x5.43x0.33 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 250 pages. 9.25x6.50x1.00 inches. In Stock.