harburg ernest (25 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condizione: Very Good. Used - Very Good: Item may have minor cosmetic defects (marks, wears, cuts, bends, crushes) on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on the edges of the text block. Item may be missing bundled media, access codes, and/or accessories.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. First Edition. Used - Very Good.

Hardcover. Condizione: Good. Various (Photographs) (illustratore). First Edition. Cover is in good order save for corner bumping. DJ is in good order save for rubbing. Text is clean and tight in binding. No ownership or other markings. Size: 8vo - over 7¾" - 9¾" tall.

hardcover. Condizione: Very Good. very clean hardcover with jacket no marks. clean trext. solid binding. very light wear.ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine dust. First Edition. Book is in FINE condition - bright boards and sound binding. Dust jacket is in FINE condition - bright, intact and whole. ARN W.09; 8vo - over 7¾" - 9¾" tall.

Trade Paperback. Condizione: New.

Cartonato con sovracoperta. Testo in inglese. Text in English.Con immagini in bianco e nero f.t. Numero di tavole: 0 pp.356 9780814774335 altezza 24 larghezza 16.2 Esemplare in buone condizioni. Sovraccoperta con lievi segni d'usura. Testo in inglese.Text in English. Book in good condition.

Condizione: New.

Hardback. Condizione: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment.

Hardcover. Condizione: Brand New. illustrated edition. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Condizione: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. This title looks at the industry s successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway.Klapp.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Signed. First Edition. First Edition. A very good hardcover in a very good mylar wrapped dust jacket. Spine very slightly cocked. Minor shelf wear to the bottom of the boards. Dust jacket has minor wear around the edges. SIGNED upside down on the Rear Fly by Julie Andrews, Carol Channing, Angela Lansbury, and Stephen Sondheim. (Presumably the dust jacket was on upside down at the time of signing, leading to their unusual orientation at the rear of the book.).

Hardcover. Condizione: Brand New. illustrated edition. 352 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.