harrison meadows (33 risultati)

Paperback. Condizione: Good.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

paperback. Condizione: Fine.

Condizione: New. Weir, Harrison; Foster, Birket (illustratore).

No Binding. Condizione: Near Fine. 1st Edition. Folded newspaper. Mild browning to outer edges, otherwise looks unread. Cover contains large photo of Kingsolver.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean and bright pages. Wrappers are clean with light handling wear. Address label on back. Contents: Meadows, Abraham Lincoln and the Register. Dirck, Lincoln's Kentucky childhood and race. Meadows, Toward a view of Abraham Lincoln's trans-Appalachian world in motion. Leonard, One Kentuckian's hard choice: Joseph Holt and Abraham Lincoln. Stegmaier, Abraham Lincoln and the Danville Farmer: the president-elect discusses policy with a Kentuckian. Smith, "Gentlemen, I too, am a Kentuckian": Abraham Lincoln, the Lincoln Bicentennial, and Lincoln's Kentucky in recent scholarship. Kleber, The judgment of future events: Kentucky embraces Abraham Lincoln, its native son. Williams, Legend and myth: Abraham Lincoln in Kentucky. Bowman, Comparing Henry Clay and Abraham Lincoln. Hudson, Abraham Lincoln: an African American perspective. Meely, American nationalism in the image of Henry Clay: Abraham Lincoln's eulogy on Henry Clay in context. Harrison, Lincoln, slavery, and Kentucky. Research fellowships. Index. ; 9.0" tall; 340 pages.

Condizione: New.

Paperback or Softback. Condizione: New. Wild Theater: Staging the Margins of Baroque Ideology in the Spanish Comedia. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia. The role of the "Wildman" in Baroque Iberian theater Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

Paperback. Condizione: New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Brand New.

Paperback. Condizione: New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware.

Paperback. Condizione: New. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman-and ideas of wildness more generally-have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos-and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 336 pages. 9.21x6.14x1.06 inches. In Stock.

Buch. Condizione: Neu. Neuware.

Hardcover. Condizione: Good. 140 Pictures By Absolon, Wehnert, Meadows And Weit, Well Colored By Hand (illustratore). Early Edition. Viii, 9 -271 Pp. Publisher's Red-Brown Pebbled Cloth, Gilt Title On Spine Framed In Gilt, Yellow Endpapers. Charmingly Illustrated With 140 Colored Pictures, For Very Young Children. 26 Stories Altogether, With 2 Pp Preface. Undated, But With An Affectionate Gift Inscription From Sister To Brother Dated In 1867. This Is Not The Same Book As The Later, Much Shorter Editions From Addey, Hurd And Houghton, Or Sheldon, Blakeman, Nor Anything Like Them. Worldcat Records 11 Institutional Holdings.

Leather Bound. Condizione: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1856. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 342, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 342.

Gebunden. Condizione: New. Weir, Harrison; Foster, Birket (illustratore). Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThis book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Paperback. Condizione: new. Paperback. In Wild Theater, Harrison Meadows critically examines the genealogy of one of world literature's most well-known figures: the "Wildman." From its earliest manifestations in works such as The Epic of Gilgamesh to more recent films like The Green Knight, the transhistorical figure of the Wildman has fascinated generations of scholars and the broader public for centuries. Despite this widespread interest, the place of the Wildman--and ideas of wildness more generally--have been underexplored in scholarship on the Spanish Baroque period. Wild Theater addresses this lacuna in scholarship by exploring the ideas of wildness in the Spanish comedia, a popular Spanish Golden Age theater genre that combined elements of tragedy and comedy. In five compelling chapters, Meadows argues that a major shift occurred during the Baroque period, whereby the largely positive quality of previous iterations in the genealogy of wildness take on a negative character in the cultural ethos--and that this fundamental shift was representative of the influence of Spanish colonialism on racial thinking and a larger set of changes in how early modern people viewed gender and class. In this way, the book identifies the wild figure's dramatic roots in the carnivalesque as an indispensable point of departure to plot the trajectory of wild representation in the theater of the Hispanic Baroque. From this guiding premise, Meadows traces the carryovers, transformations, and negations of the carnivalesque into early modern dramaturgy, specifically the Spanish comedia, which are emblematic of the poetic and ideological features of the emerging commercial theater in Iberia. The role of the "Wildman" in Baroque Iberian theater This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condizione: Neu. Weir, Harrison; Foster, Birket (illustratore). nach der Bestellung gedruckt Neuware - Printed after ordering - Happy Days Of Childhood is a book written by Amy Meadows in 1857. The book is a collection of stories and anecdotes about childhood experiences, meant to evoke nostalgia and fond memories of a simpler time. The stories cover a wide range of topics, from playing with friends and siblings to going on adventures and exploring the natural world. Meadows writes in a warm and engaging style, drawing the reader in with her vivid descriptions and relatable characters. The book is a celebration of childhood innocence and the joys of growing up, and will appeal to readers of all ages who are looking for a charming and uplifting read.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Taschenbuch. Condizione: Neu. Weir, Harrison; Foster, Birket (illustratore). Happy Days Of Childhood (1857) | Amy Meadows | Taschenbuch | Englisch | 2008 | Kessinger Publishing, LLC | EAN 9781436866354 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.