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Editore: Random House, 1993
ISBN 10: 0679420843ISBN 13: 9780679420842
Da: HPB-Movies, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: Cassell, 1997
ISBN 10: 0304350230ISBN 13: 9780304350230
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.15.
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Editore: Edinburgh (Mainstream Publishing Projects), 1991
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
380pp. 103 illus. Sm. 4to. Cloth. D.j.
Editore: Random House, 1993
ISBN 10: 0679420843ISBN 13: 9780679420842
Da: Jay W. Nelson, Bookseller, IOBA, Austin, MN, U.S.A.
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near fine book and jacket.
Editore: ANGELO COLLA EDITORE
ISBN 10: 8894272273ISBN 13: 9788894272277
Da: Brook Bookstore, Milano, MI, Italia
Libro
Condizione: new.
Editore: Pan Books, London, 1991
ISBN 10: 0330326201ISBN 13: 9780330326209
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Paperback. Black wraps with illustration and white, red and black lettering; x, 374 pp.; 48 unnumbered pages of plates; richly illustrated. This book was originally published under the title, "Drawn to Trouble," by Mainstream, 1991. Good+ (Wraps are edgeworn and pages are toned; interior is clean; binding is solid.).
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Editore: Random House, New York, 1991
Da: Handbook, Toronto, ON, Canada
Prima edizione
8vo, black quarter cloth, blue paper to boards. Fine in fine dj.
Editore: Angelo Colla editore, Costabissara, 2023
ISBN 10: 8894754103ISBN 13: 9788894754100
Da: Libreria già Nardecchia s.r.l., Rome, RM, Italia
Libro
Condizione: NEW. Costabissara: Angelo Colla editore, 2023 9788894754100 809 192 p. : ill. col. b/n, indice ; 27 cm. Il Linguaggio della linea è un essenziale trattato sul disegno, il primo che spiega i "fondamentali" del disegno e guida a leggere un disegno nel suo insieme e nei dettagli per capire ciò che il suo autore ci vuole trasmettere. Il manoscritto di questo libro, scoperto tra le carte inedite di Eric Hebborn, è il frutto di una vita trascorsa studiando le opere dei Grandi Maestri e cercando di individuare il denominatore comune a tutti i disegni veramente eccellenti indipendentemente dal tempo e dal luogo e perfino dagli artisti che li hanno prodotti. Hebborn ha ottenuto riconoscimenti in tutto il mondo per la sua capacità di disegnare nello stile di Michelangelo, Rembrandt, van Dyck, Piranesi, Bruegel, Gainsborough e molti altri. Per Noah Charney, storico dell'arte autore di best-seller e fondatore dell'Association for Research into Crimes against Art (ARCA), Hebborn è stato il più grande falsario d'arte della storia. Il modo innovativo di studiare i disegni proposto da Hebborn ci aiuta a capire i modi, in parte istintivi e in parte razionali, con cui un artista ha tracciato, riunito, alternato o contrapposto le linee del suo disegno, e a riconoscere gli stili particolari dei Grandi Maestri in base alle diverse combinazioni dei segni da loro usati.
Editore: Mainstream Publishing, Edinburgh, 1991
Da: Bookcase, Carlisle, Regno Unito
Hard. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pages bright and clean, boards tidt, spot stain on reading edge, dust jacket slightly edge worn. Size: 8vo.
Editore: New York: Random House, [1991]., 1991
ISBN 10: 0679420843ISBN 13: 9780679420842
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Libro Prima edizione
Hardcover. Dust Jacket Included. 8vo. pp. 380. 103 illus. quartercloth. dw. First American Edition.
Editore: Mainstream Publishing, Edinburgh, Scotland, UK, 1991
ISBN 10: 1851583696ISBN 13: 9781851583690
Da: gearbooks, The Bronx, NY, U.S.A.
Libro
Hardcover. Condizione: Like New. Condizione sovraccoperta: Very Good. Raimondo Luciani (Photos) (illustratore). Reprinted 1991. 380 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text. Dj shows minimal wear.
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Editore: Cassell,, London., 1997
ISBN 10: 0304351881ISBN 13: 9780304351886
Da: Richard Booth's Bookshop, Hereford, Regno Unito
Libro
PaperBack. Condizione: Very Good. No jacket. A near fine copy.
Editore: Neri Pozza, Vicenza, 1994
ISBN 10: 8873054633ISBN 13: 9788873054634
Da: Di Mano in Mano Soc. Coop, Cambiago, Italia
Libro
Brossura. Traduzione di Mary Archer.In coda al libro, f.t. numerose foto e tavole in b.n. Numero di tavole: 0 pp.384 9788873054634 altezza 21 larghezza 0 Esemplare in buone condizioni.Copertina con ingiallimento e macchie di polvere.Pagine ingiallite. Testo in Lingua Italiana.
Editore: DuMont, Köln, 2003
ISBN 10: 3832172955ISBN 13: 9783832172954
Da: Buchshop Heitabu, Leipzig, Germania
Libro
Pappe / Hardcover, Seiten minimal lichtrandig, kaum Gebrauchsspuren, 206 S.
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Editore: Overlook Books; Reprint edition (November 2, 2004), 2004
ISBN 10: 1585676268ISBN 13: 9781585676262
Da: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Libro
Condizione: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
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Editore: Overlook Books, 1997
ISBN 10: 0879517670ISBN 13: 9780879517670
Da: Goodwill Books, Hillsboro, OR, U.S.A.
Libro
Condizione: Good. Signs of wear and consistent use.
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Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: RIVERLEE BOOKS, Waltham Cross, HERTS, Regno Unito
Libro
Hardcover. Condizione: Good. Hardback in fair condition- with jacket. Pages in good clean condition. Some markings to edges of pages. Cover is marked and faded. Blue cloth board cover. White dust jacket with title in black lettering. Text pages clean & unmarked. Excellent binding with a straight spine.
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Editore: DUMONT Literatur und Kunst Verlag, 1999
ISBN 10: 3770143558ISBN 13: 9783770143559
Da: Volker Ziesing, Emmingen-Liptingen, Germania
Libro
Condizione: Gut. Die erste Tugend des Kunstfälschers ist die Verschwiegenheit. Eric Hebborn sieht das offenbar anders. Nach Jahrzehnten professioneller Anonymität trat er 1991 an die Öffentlichkeit. Zuerst in einer Dokumentation der BBC, später mit einer inzwischen vergriffenen Autobiographie. Da Film und Buch hierzulande nicht erschienen, durfte "Der Kunstfälscher" die meisten deutschen Leser zum ersten Mal mit Hebborn bekannt machen. Hebborn plaudert darin so offen über sein Handwerk, als wäre Bilderfälschen die natürlichste Sache der Welt. Gerade das macht den Charme des Buches aus. Im galanten Plauderton des Gentlemanverbrechers, der sich der Sympathie des schadenfrohen Publikums sicher sein kann, macht Hebborn sich über selbstgefällige Experten lustig, führt durch die Hexenküche des Kunstfälschers, liefert ein sachkundiges Kompendium der Materiallehre, erzählt Anekdoten aus dem Kollegenkreis, seziert die Logik des Kunsthandels und gibt nebenbei praktische Tips fur Hobbyfälscher. Das Buch ist vor allem deshalb faszinierend, weil es einen kompetenten Einblick in die künstlerische Praxis gibt. Hebborn interessiert an den Werken der alten Meister nicht die Ikonographie, sondern die Technik, nicht das Was, sondern vielmehr das Wie, und er nähert sich diesem Wie mit ansteckender Begeisterung. So etwa in der Schilderung, wie er ein halbfertiges Gemälde aus dem 16. Jahrhundert, das er schlitzohrig halblegal erworben hatte, kurzerhand selbst vollendete. Die Rekonstruktion ist in allen Schritten fotografisch dokumentiert, das Ergebnis beeindruckend. Im Fall Hebborn verschwimmen die sonst scheinbar so festen Grenzen zwischen Künstler, Restaurator und Fälscher zu einer faszinierenden Zwischenexistenz. Inzwischen verkauft eine prominente Londoner Galerie seine Repliken und historisierenden Nachdichtungen erfolgreich als dekorative Schaustücke -- nach dem Motto: original gefälscht. Momentan hat sie vier Zeichnungen im Angebot, darunter einen Daumier und einen Rembrandt a la Hebborn. Hebborn selbst nutzt das nichts mehr: Er starb 1996 in Rom, kurz nach Erscheinen der italienischen Originalausgabe seines Buches, unter mysteriösen Umständen. --Christian Demand.
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Editore: Cassell Illustrated, 1997
ISBN 10: 0304349143ISBN 13: 9780304349142
Da: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, Regno Unito
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. First Edition. VG-/vG- 1997 1st print Cassell hardback, unclipped DJ. Most of fly-leaf has been removed along edge, some yellowing to pages and spotting to top edge of pages, tight and unmarked. Size: 156\nx 234mm. 256 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Forgery; ISBN: 0304349143. ISBN/EAN: 9780304349142. Dewey Code: 702.874. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091985.
Editore: Cassell Illustrated 1998 1998, 1998
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Paperback, 200 pages, English, 235 x 160 mm, Fine copy. ISBN 9780304350278. 0 g.
Editore: Neri Pozza editore, Vicenza, 1994
Da: Libreria Tara, Roma, RM, Italia
Prima edizione
Storia e Critica Studi generali Fine arts History and Criticism General studies it. prima ed. trad. di Mary Archer bross. edit. ill. con bandelle in cop.: Le affascinanti memorie scandalose del più grande falsario del secolo - fuori catalogo.
Editore: Cassell, London, 1998
ISBN 10: 0304350273ISBN 13: 9780304350278
Da: The Wild Muse, Granville, NY, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Near Very Fine. 1st. First edition thus. First English edition (UK). Trade softcover. Published London: Cassell, 1998, first printing. Large 8vo. wrappers, 6 1/4" x 9 1/4", xvii+200pp., illustrated with b/w and color plates. Near very fine, crisp, tight. Size: 8vo.
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Editore: Cassell, London, 1997
Da: Brainerd Phillipson Rare Books, Holliston, MA, U.S.A.
Membro dell'associazione: SNEAB
Prima edizione
A superb copy, handsomely bound in heavy dark blue finely woven cloth and stamped brightly in gold along the spine. Internally fine and tight; virtually unread. With numerous photographic plates of famous paintings and forgeries printed on glossy paper. In a near-fine dust jacket with the original price of £20.00 at the bottom of the inside front flap. The white jacket is clean and crisp and printed in purple, red, and black with a photo of Hebborn producing one of his forgeries on the rear panel. While the spine lettering is mostly bright the orange of "Eric Hebborn" is slightly faded. A splendid first edition of this elusive work on art forgery. Many of Hebborn's works have gone unquestioned as orginals. This is the follow up to his autobiography "Drawn to Trouble: The Forging of an Artist". This volume is scarce because of the forger's secrets, and it comes with a disclaimer on the copyright page: "All the art techniques and practices described in this book are for information only and should not be undertaken without full regard to their legal consequence." A collectible copy of the first UK edition. Eric Hebborn was born in South Kensington, London in 1934.[1] His mother was born in Brighton and his father in Oxford. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this. Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15.Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the academy, winning the Hacker Portrait prize and the Silver Award, and the British Prix de Rome in Engraving, a two-year scholarship to the British School at Rome in 1959.[2] There he became part of the international art scene, establishing acquaintances with many artists and art historians, including Soviet spy Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career.Hebborn returned to London, where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter and improve them. Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Hebborn's knowledge of painting and restoration destroyed the relationship between him and Aczel.Hebborn and his lover Graham David Smith[3] also frequented a junk and antique shop near Leicester Square, where Hebborn befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop, Hebborn began to learn more about paper, and its history and uses in art. It was on some of these blank old pieces of paper that Hebborn made his first forgeries.His first true forgeries were pencil drawings after Augustus John, based on a drawing of a child by Andrea Schiavone. Smith states that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms.[3]Eventually Hebborn decided to settle in Italy with Smith. They founded a private gallery there.When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's and Sotheby's.[4] According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to rese.
Editore: London Mainstream Publishing Projects, Ltd. 1991, 1991
Da: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
Prima edizione Copia autografata
First Edition. Signed by the author Eric Hebborn at the title page. Illustrated. Fine copy in a very good dust jacket some minor edge wear and fading to the spine. From the jacket flap: ÒDrawn to Trouble is the autobiography of am man whose astonishing talents have defied the scrutiny of the National Gallery in Washington and the British Museum and whose work is regularly authenticated as that of the Old Masters - Michelanglo, Rembrandt, Rubens, Gainsborough, Reynolds.And whether it is his relationship with Sir Anthony Blunt, Sir Ellis Waterhouse, Peggy Guggenheim or the Rothschilds, or a host of other characters famous and infamous, Eric Hebborn brings the people and the incidents to life in a truly remarkable way, literally illustrating his remarkable skills as an artist and a draughtsman.Ó.