Editore: Hamburg / Frankfurt/M., Weltkunst- / Bruckmann-Verlag, 1997., 1997
Da: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Germania
EUR 26,50
Quantità: 1 disponibili
Aggiungi al carrello16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 25% REDUZIERTER PREIS / PRICE-REDUCTION of over 25%; ehemaliger Preis / previously EUR 36,50] --- 1. AUFLAGE, GROSSFORMATIGE BROSCHIERTE ORIGINALAUSGABE; mit gedruckter Signatur des Künstlers auf dem Titelblatt. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .
Editore: Durham, Pennsylvania: Durham Press, 2016
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo
Condizione: Good. Original portfolio for the suite with the table of contents on thick board. 63 x 56cm.Likely for a display by Gagosian. Few dents.Michael Heizer created a group of 4 intaglio prints for Durham Press titled "Hard Edge Etchings." The portfolio consists of four prints, each measuring 22 x 19 ¼ inches. The Hard Edge Etchings were made from custom-cut, shaped copper plates with unique silhouettes, relating to his works on nonstandard canvases: Hard Edge Paintings and his recent Wet Paintings, all of which were shown recently in a solo show at Gagosian, Beverly Hills. Unlike his Hard Edge Paintings-which recall Color Field abstraction with their art historical title and their bold, distinct areas of colors or tone-the prints contain spontaneous yet precise etched lines and shapes that often intersect and overlap. Their active, energetic surfaces harken to the early modernist works of artists such as Wassily Kandinsky and Kazimir Malevich while being decidedly contemporary.In his monumental excavations and constructions, geometric paintings, and drawings, Michael Heizer explores the relationship between positive and negative space. Examining the profound effects of form and scale, his works evoke the simultaneous feelings of awe and dread that constitute the sublime.