hill suzanne bloom (26 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. Illustrated. Light shelf wear to the edges; interior clean.

First Edition. First edition. Oblong softcover. 79 pages. Exhibition catalog for a show that ran June 28 through September 1, 2002 at International Center of Photography and then February 8 through May 2, 2004 at the Museum of Fine Arts in Houston. Preface by Willis E. Hartshorn. Introduction by Edward W. Earle. Essay by Lucy R. Lippard. A look at the collaboration between Ed Hill and Suzanne Bloom that includes numerous illustrations. A fine copy in wrappers. An as new copy and still in the publisher's shrinkwrap.

Paperback. Condizione: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover, 80 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple bound, 30 pages; very good condition except moderate rubbing wear to white covers; no internal marks.

Paperback. Condizione: Fine. 1st. 79 pages, illustrations (some colour); 23 x 31 cm. Published by the International Center of Photography and Houston Artists Fund in conjunction with the exhibition MANUAL: Two Worlds, The Collaboration of Ed Hill and Suzanne Bloom, organized by the International Center of Photography and curated by Edward W. Earle, Curator of Digital Media. Exhibition held at the International Center of Photography, New York City, June 28 to September 1, 2002; The Museum of Fine Arts, Houston, February 8 to May 2, 2004. Firm binding, clean inside copy. *** "Focuses on a body of work, broadly titled Arcadia Project, created between 1996 and 2002, which deals with the concept and mythology of Arcadia." - Publisher. *** CONTENTS: Preface, by Willis E. Hartshorn; Introduction: The Garden in the Machine, by Edward W. Earle; The Trees for the Forest, by Lucy R. Lippard; Errant Arcadia, by Ed Hill, Suzanne Bloom. Size: Oblong. Collectible.

Soft Cover. Condizione: Very Good. 30 page catalogue from an exhibition held at the Museum of Fine Arts in Houston from Feb 20 - April 13 1980, staple binding, clean and unmarked, a little edgewear along spine, 30 pages, NO age toning.

Fine and bright oversize and wide stiff wraps with excellent square spine and crisp bright text throughout. Quite attractive in color and black and white.

Paperback. Condizione: Fine. First Edition. 4to., pictorial stapled wraps, color plates, (8) pp. Bright, sharp, clean copy with no ownership markings. ; Well packaged in a box, ships with tracking.

First edition SIGNED. February 20 - April 13, 1980. Inscribed by Suzanne Bloom and Ed Hill. With a long interview with both artists by Anne Tucker. Also includes illustrations of their work. Near fine illustrated pictorial stiff wraps with clean nicely illustrated text.

unpaginated 8vo Illustrated in color Original wrappers (paperback) VG+.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Teal and white printed wrappers; no dust jacket as issued. Collaborative art works by Marina Abramovic / Ulay, Gwen Akin / Allan Ludwig, Bernd & Hilla Becher, MANUAL (Suzanne Bloom / Ed Hill), Kate Ericson and Mel Ziegler, Gilbert & George, Suzanne Hellmuth and Jock Reynolds, Vera Lehndorff and Holger Trülzsch, Mike Mandel and Larry Sultan, Patrick Nagatani and Andrée Tracey, and Mike & Doug Starn. Curated by Mark Johnstone. Essay by Tressa R. Miller. Includes biographies on the artists. 16 pp., with 10 four-color and 3 black-and-white plates. 8-1/2 x 11 inches. Published on the occasion of an exhibition at Security Pacific Corporation's Gallery at the Plaza. Near Fine (some wear and a slight bend at the edge of the spine, else Fine).

No Binding. Condizione: Near Fine. 1st. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Pamphlet. Condizione: Fine Condition. 10 PAGES. Very slim volume, unpaginated (10 pages) 7 color illustrations including cover. Staple-bound illustrated wraps. Published on the occasion of the exhibition from The Glassell School of Art, The Museum of Fine Arts, Houston February 6-27, 1986.

Soft cover. Condizione: Fine. design: Artworks, Houston, 126 gr, 35,5 x 20,2 cm.

Cloth in Dust Jacket. Condizione: Fine (But Incomplete). Condizione sovraccoperta: Fine. First Edition. 167pp, 110 color and duotone illustrations. Text in German. This is the beautifully designed and printed 1989 monograph on the work of Anton Christian - Viennese figurative painter of the tortured and bizarre. A brand new, most handsome example from an unstated SIGNED AND NUMBERED edition issued with a loose print laid into a sleeve at the front of the book, but with this example LACKING the print. It has been priced accordingly. Signed and Numbered by the Artist. Artist Monograph.

Hardcover. 1. Auflage. Z : 167Seiten mit 147 Abbildungen, davon 105 in Farbe.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. Reviews by Thomas McEvilley, Donald Kuspit, John Yau, Jeanne Silverthorne, Patricia C. Phillips, Jean Fisher, Ida Panicelli, John Howell, Barbara Kruger, Ronny Cohen, Nancy Stapen, Judith Russi Kirshner, Michael Bonesteel, Ed Hill, Suzanne Bloom, Hal Fischer, Charles Hagen, Linda Burnham, John Brumfield, Ingrid Rein, Annelie Pohlen, Max Wechsler, and Stuart Morgan. Cover: Mask from Sulka, New Britain.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Ronny Cohen on Janis Provisor Ronny Cohen on Richard Stankiewicz Glenn O Brien on Jan Müller Glenn O Brien on Daryl Trivieri Jeanne Silverthorne on Louise Lawler Jeanne Silverthorne on Agnes Martin Ed Hill and Suzanne Bloom on The Nicaragua Media Project Donald Kuspit on Gene Davis Donald Kuspit on Walt Kuhn Donald Kuspit on The Success of Failure Thomas McEvilley on Carolee Schneemann Thomas McEvilley on Pat Steir John Howell on Arnold Mesches John Howell on Time and Space Limited Barbara Kruger on Difference: On Representation and Sexuality Patricia C. Phillips on Susan Smith Patricia C. Phillips on Donna Byars Patricia C. Phillips on Susana Torre, Allan Wexler Charles Hagan on Chuck Close Charles Hagan on Paper Tiger Television.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.