holsteyn pieter (13 risultati)

1. Original-Radierung von Holsteyn (in der Platte signiert) auf auf rückseitig unbedrucktem Büttenblatt mit dekorativ abgesetztem Plattenrand, in der Platte teils eiweißgehöht, bildliche Darstellung ca. 14,5 x 13,5 cm, Blattgröße ca. 29 x 19,5 cm, rückseitig alte Montagereste (war gerahmt), ansonsten sauber und sehr gut erhalten, sehr selten 2100 gr.

Pieter Holsteyn de Jonge (illustratore). A drawing of a bird, like a thrush, peck on the ground.Made by Anonymous after Pieter Holsteyn de Jonge .Medium: Drawing (watercolour) on hand laid (verge) paper. Watermark: IV. Monogram of I Villedary, Jean Villedary, papermaker in France from 1668-1758. This paper was also made in abundance in the Netherlands in the second half of the 18th century.Sheet size: 19.2 x 29.5 cm (7.56 x 11.61 inch). Image size: 18.5 x 28.3 cm. (7.28 x 11.14 inch).ANIMAL-BIRD-THRUSH-PECK | RBOS-A8-06BACKGROUND INFORMATIONSource: unknown, to be determined.Biography artist: Possibly after Pieter Holsteyn de Jonge (1614-1673) was a Dutch painter, draughtsman and engraver. He was especially known for his drawings of birds and plants. Condition: good, given age. Some staining and creasing. 2 Pinholes at top from binding. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Hardcover. Condizione: Very Good. PIETER HOLSTEYN THE YOUNGER (DUTCH, 1614-1687) Aves aquatiles advivum eleganter depictae a Petro Holsteyn - Aves ad vivum depictae a Petro Holsteyn celeberrimo pictore. Amsterdam: ca 1638 2 volumes, oblong folio (9 1/8 x 14 inches; 8 3/4 x 14 inches). 168 Exceptionally fine original watercolor drawings of birds of the Dutch Empire: The Netherlands, South Africa, Southeast Asia, and the Americas, Painted by the Premier Natural History Artist in the Netherlands of the time, Pieter Holsteyn II. The only example of such an album in private hands. Drawn with superb naturalism: Birds are shown at rest, preening, flying, swimming and diving. Volume I: 9 blank leaves, manuscript title-page, 79 fine original watercolor drawings of waterbirds, including ducks, geese, swans, heron, grebes, pelicans, puffins, penguins and auks, each initialed by Holsteyn PH fc , interleaved with blank leaves which are in 42 instances annotated in a contemporary hand with the name of the bird preceding it, 6 of the illustrated leaves are similarly annotated lower right, and many of the leaves, both illustrated and blank have partial manuscript page numbers in the center of the top edge, followed by a further 16 blank leaves, watermarked crowned Stasburg lily WR for Wendelin Riehel, according to Churchill created from 1636, (the last of which is torn with loss to the fore-edge); Volume II: 7 blank leaves, manuscript title-page, 89 fine original watercolor drawings of shore-birds, herons, songbirds, exotic pheasants, peacocks, hummingbirds, birds of paradise, cockerels, toucans, spoonbills, parrots, cockatoos, parakeets and one of the earliest depictions of a DODO, each initialed by Holsteyn PH fc, interleaved with blank leaves which are in 66 instances annotated in a contemporary hand with the name of the bird preceding it, many of the illustrated leaves are similarly annotated lower right, 10 blank leaves. Uniformly bound in near contemporary full Dutch vellum over paste-board, each cover decorated in panels with gilt filets and decorated at the innermost corners with tulip and rose tools surrounding a central arabesque medallion, the spines in five compartments with four raised bands, the titles in the second, the others decorated with fine gilt rose tools, all edges gilt (volume I worn with loss to the spine an upper left-hand corner of the front cover, edges gnawed by rodents, each lacking two pairs of green silk ties). Roger Pasquier, ornithologist and art historian has written of the Holsteyn albums: The 168 paintings depict 81 species and another 30 hybrids and avicultural varieties. Each painting is a portrait showing a single bird in with a few exceptions full profile. Some face left, others right. The birds and their simple landscape base are each about 7 by 8 inches, a few larger. The wild birds include many common in the Netherlands as well as a wide range of species from other hemispheres where the Dutch had established colonies and trading posts. The portraits of avicultural varieties reveal an interest in experimentation in hybridizing different wild birds, especially ducks, and in selecting for unusual features in parrots and in barnyard fowl. The album depicts a remarkable number of albino birds, from peafowl and pheasants to ducks, that long before any formal knowledge of genetics were the result of very selective breeding. "The bird portraits also reflect a youthful curiosity and perhaps even a prankish spirit; a few of the birds are unidentifiable, either imaginary or clearly composites of different species that could never have met. We can also distinguish by their posture or animation the birds Holsteyn would have known in life, either by common observation or visiting a private menagerie, from those he drew from stuffed specimens that must have been part of a specialist s collection. CONTACT US FOR A FULL DESCRIPTION Loca: 6.3BC.20D.

Delicate watercolour of two grape hyacinths by the Dutch watercolour painter and engraver Pieter Holsteyn de Jonge (1614-1673). Holsteyn made many drawings of plants, birds and insects which were often composed in albums. Some of those albums are still intact and supplied with a title-page by the artist himself and as a result many of the drawings in those albums were not signed. These grape hyacinths were in such an album, which was later taken to pieces. With certificate from Dr. S. Segal, Amsterdam. In very good condition. Watercolour (ca. 13.5 x 13 cm) on laid paper (31.5 x 21 cm), with caption below.

Portrait of Jean de la Chambre (1605-1668) engraver and calligrapher. His bust is directed to the right, with his head slightly turned to face the viewer. De la Chambre is holding a quill pen. Lettered below the picture: 'Versche˙de gheschriften op . Chambre Franchoysche Schoolm. Tot Haerlem Anno 1666'; signed on the bottom left: 'J.D. Bray Pinxit.' and on the righ:'P. Holsteyn Sculpt.' Muller (II, nr. 1002) Hollstein (IX, 6) l Engraving on laid paper, pasted on thick paper; trimmed on platemark; total: 253 x 171 mm PP01C (Chambre, Jean de la).

No Binding. Condizione: Fair. Portrait of Boudewijn Catz. Born c. 1601 in Gorinchem, The Netherlands. Died 18 May 1663 in Leuven, Belgium. Etching and Engraving by Pieter Holsteyn II (1614?1673), c. 1820. Reasonable condition. Paper slightly soiled. A small tear on the left, just affecting the image (=strenghtend on verso). Some minor, faint spotting/small stianing. Verso: blank. Note: dimensions reflect the plate mark. Note: a later imperssion, early 19th century. Dimensions: 455 x 336 mm. Boudewijn Catz was Roman Catholic priest, Apostolic Vicar, Vicar to the Diocese of Haarlem, and Apostolic vicar to the Dutch Mission. c. 1820. Print.

No Binding. Condizione: Fair. Portrait of Johannes Cuyermans. Born c. 1600. Died 1666. Etching and Engraving by Pieter Holsteyn II (1614?1673), c. 1650. Reasonable condition. Margins trimmed to the border. Paper slightly soiled. A minor damage to the image on the left. Verso: blank. Dimensions: 142 x 130 mm. Johannes Cuyermans was Ambassador, Dutch Ambassador, Diplomat at the Peace ofMunster, and Diplomat at the Peace of Munster. c. 1650. Print.

No Binding. Condizione: Good. Portrait of Anna van Ruytenburgh. Born 19 June 1589 in Amsterdam, Netherlands. Died 3 November 1648 in The Hague, Netherlands. Etching and Engraving by Pieter Holsteyn II (1614?1673), after Gerard ter Borch II (1617-1681), 1646. Good condition. Paper with some creasing. A very small tear in the lower margin (=not affecting the image by far). Verso: blank, with traces of former mounting. Note: dimensions reflect the plate mark. Dimensions: 214 x 135 mm. Anna van Ruytenburgh was Wife of Adriaan Pauw. Print.

No Binding. Condizione: Good. Portrait of Jacob van der Burgh. Born c. 1600 in Leiden, The Netherlands. Died 25 December 1659 in Amsterdam, The Netherlands. Etching and Engraving by Pieter Holsteyn II (1614?1673), after Gerard ter Borch II (1617-1681), c. 1650. Good condition. Short margins. Some minor, faint creasing. Verso: blank, with traces of former mounting and an unidentified collection stamp. Note: dimensions reflect the entire leaf. Dimensions: 213 x 132 mm. Jacob van der Burgh was Poet, and Statesman. c. 1650. Print.

No Binding. Condizione: Good. Portrait of Adriaan Pauw. Born 1 November 1585 in Amsterdam, Netherlands. Died 21 February 1653 in The Hague, Netherlands. Etching and Engraving by Pieter Holsteyn II (1614?1673), after Gerard ter Borch II (1617-1681), c. 1650. Good condition. Paper slightly soiled, with some minor, faint spotting. Some minor creasing. Verso: blank, with traces of former mounting and an unidentified collection stamp. Note: dimensions reflect the plate mark. Dimensions: 215 x 135 mm. Adriaan Pauw was Grand Pensionary of Holland, Knight, Lord of Heemstede, Lord of Bennebroek, and Lord of Nieuwerkerk. c. 1650. Print.

Portrait of Anna van Ruytenburgh in an oval. Text in Latin below: EXCELLENS ET GENEROSA DONA DONA ANNA DE RUYTENBURGH DOM DE HEEMSTEDE HOGERSMILDE ETC. FILIA QUONDAM DNI DE VLAERDINGEN ET MARITI PER GERMANIAM LEGATI EXTRAORDINARII NEC NON AD UNIVERSALIS PACIS TRACTATUS MONASTERII INSTITUTOS PLENIPOTENTIARII COMES.Dated: MDCXLVISigned: G: ter Burch pinxit / Monastery Westphalorum et PHolsteyn Calavit.[NL] Portret naar rechts van Anna van Ruytenburgh in een ovaal. Onder het portret zes regels in het Latijn. Gemaakt door Pieter Holsteyn II (1613/1615-1673), naar Gerard ter Borch II (1617-1681). Anna van Ruytenburch (1589-1648) was de echtgenote van toponderhandelaar Adriaan Pauw. Achter de schermen speelde ze een grote rol bij de Vrede van Münster. Gegraveerd portret van de Vrouwe van Heemstede etc. Anna van Ruytenburg door Pieter van Holsteyn naar Gerard ter Borgh.   Engraving on paper; total: 236 x 161 mm; mounted on cardboard mat, in very good condition. Hollstein 22.      .

Portrait of Jean de la Chambre (1605-1668) engraver and calligrapher. His bust is directed to the right, with his head slightly turned to face the viewer. De la Chambre is holding a quill pen. Lettered below the picture: 'Versche˙de gheschriften op . Chambre Franchoysche Schoolm. Tot Haerlem Anno 1666'; signed on the bottom left: 'J.D. Bray Pinxit.' and on the righ:'P. Holsteyn Sculpt.' Muller (II, nr. 1002) Hollstein (IX, 6) Engraving on laid paper, broad margins; platemark: 257 x 179 mm; total: 422 x 274 mm, some dirt on the margins, otherwise perfect conditions PP01C (Chambre, Jean de la).

No Binding. Condizione: Very Good. PIETER HOLSTEYN (DUTCH, 1614 - 1673) AND AERT SCHOUMAN (DUTCH, 1710 - 1792) A Blue Headed Tern in an Estuary Landscape Watercolor with touches of gouache, within brown ink framing lines; Signed with the artist's monogram in black ink, lower right: PH. fe. Bears a faint numbering in pencil, upper right: 173. Paper size: 6 1/8 x 8 in. Frame size: 16 x 18 ½ in. Provenance: Probably the collection of Aert Schouman (1710-1792), his estate sale, The Hague, B. Scheurleer, 10 December 1792, lot 910 References: C. Dumas et al, Een Koninklijk Paradijs, Aert Schouman en de verbeelding van de natuur, Dordrecht 2017, p. 156, no. 226, reproduced. Ibid., no. 227, reproduced. This fascinating and rare sheet is one of only a small number of known watercolors by Pieter Holsteyn. It has subsequently had an elaborate landscape added by Aert Schouman, to whom, it can be assumed, the present sheet once belonged. Other examples of Holsteyn Schouman collaborative watercolors are in the Fondation Custodia, Paris, and the North Holland Archives, Haarlem. Loca: 6.3WCC.8F.