ipsiroglu mazhar sevket (30 risultati)

Hardcover. 106 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Ohne SU. Ansonsten ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1000.

Hardcover. 106 S. Guter Zustand. Leseseiten sind sauber und ohne Markierungen. Ausgeschiedenes Bibliotheksexemplar mit entsprechender Kennzeichnung. Buch weist leichte Lager- bzw. Gebrauchsspuren auf. Ohne SU. Sonst ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1000.

137 S. : Mit 57 Abb. auf Taf. ; 4 °. Orig.-Leinen. (gut erhalten).

Soft cover. Condizione: New. 1st Edition. Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 74, [1] p., b/w and color ills. Yüksel Arslan: Iliski, davranis, sikintilara övgü'den Arture'lere, (1955-1970).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The dust jacket has a little wear. The page edges are lightly foxed. 150 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Soft cover. Condizione: New. IPSIROGLU, MAZHAR SEVKET Ahtamar Kilisesi. Isikla canlanan duvarlar. [PAPERBACK]. Istanbul: Yapi Kredi Yayinlari, 2021. Large 8vo., 109 p., color and b/w ills. Paperback. New ISBN: 9789750850653 CATALOG: Armenica KEYWORDS: Armenian architecture Orthodox Church Van History of art Van Golu'ndeki kucuk bir adada, cok uzaktan bile gorulebilen bir konumda yukselen Ahtamar Kilisesi, dis cephesini seritler halinde saran kabartmalariyla, Dogu-Hiristiyan mimari sanatinin essiz bir ornegidir. Cogu yassi olan bu kabartmalar, puslu havalarda ya da golgede duvarin icinde belirsizlesirken, gun isiginda canlanir; boylece kilise gunesle birlikte adeta "hayat bulur". Bugune dek Ahtamar uzerine yapilan arastirmalarda, kilisenin mimarisi ve suslemeleri birbirinden ayri ele alinmisti. Ne var ki, Ahtamar'da mimari ile dis donanim ayrilmaz bir butundur, kiliseyi "isildayan" bir yapi haline getiren de bu butunluktur. Dolayisiyla, kilisenin bir butuncul sanat yapiti olarak degerlendirilmesi gerekir. Ahtamar'in sanat tarihi acisindan onemi ancak boyle bir bakisla aciga cikar. Ahtamar Kilisesi, daha once baska ornekleri gorulmus bir yapi tipini temsil etmekle birlikte, iyi korunmus tek ornek olmasi acisindan buyuk onem tasiyor.

Soft cover. Condizione: Fine. Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 241, [1] p., color and b/w ills., 10 color plts. Avrupa resminde gerçek duygusu.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Paperback. Pbo. Dust wrapper. Roy. 8vo. (24 x 18 cm). In Turkish and French. [xxi], 153 p., b/w plates. Fatih albumuna bir bakis.= Sur l'album du Conquerant.

Soft cover. Condizione: New. IPSIROGLU, MAZHAR SEVKET Oncu bir dusunur: Mazhar Sevket Ipsiroglu. 13 Mayis - 15 Temmuz 2008. Edited by Filiz Ozdem. [Exhibition catalogue]. Istanbul: Yapi Kredi Kultur Sanat Yayincilik, 2008. Large 8vo., 160 p., b/w and color ills. Paperback. New ISBN: 9789750814365 CATALOG: Painting & Sculpture KEYWORDS: History of art Biography Painting.

Soft cover. Condizione: New. IPSIROGLU, MAZHAR SEVKET - ORHAN DURU - FERIT EDGU - SELAHATTIN HILAV Yuksel Arslan: Iliski, Davranis, Sikintilara Ovgu'den Arture'lere (1955-1970). Istanbul: Yapi Kredi Yayinlari, 2016. Large 8vo., 74 p., color ills. Paperback. New ISBN: 9789750836183 CATALOG: Painting & Sculpture KEYWORDS: Turkish painting History of art Yuksel'in goruleri karmasik bir bilincalti dunyasini yansitiyor. Gorulmedik yaratiklar ortaya cikmis. Organlari eksik. Kemikleri ve kaslari et baglamamis. Bunlar, dokulmekte olan insan kalintilari mi, yoksa sanatcinin dusuncesinde ureyen yeni bir insan turunun ilk ornekleri mi, anlasilmiyor. - M. S. Ipsiroglu Maviler kalkiyor yerini soluk renklere, toprak renklerine birakiyordu. Bilincaltinin olasiliklarini belirtiyordu, butun igrenclikleri, ozgurlugu ve somut ornekleriyle. Belki herkes gibi kendi bunalimini da sergiliyordu bu yapitlarinda, olaganustu ve saygideger bir gucle. - O. Duru Nicin dogayi soyutlamak da Insan dusuncesini somutlamak degil? - F. Edgu Onun "resmi" (peinture), bir "resim karsiti"dir (anti-peinture). Bu ayrica, sanatin insandan ayri ve onun karsisina dikilen bir gercek olmasina, yani "sanat icinde yabancilasmaya" karsi cikmaktir; insan kisiliginin ve hur varliginin temel bir sart olarak ileri surulusudur. - S. Hilav Demek, kendime, kucuk, toplumdisi, yikici, anarsist, insansala karsi, arturique, patafizik, psychiaRtrique!, Nietzscheci, vs, bir yasanti secmistim. - Y. Arslan.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 108 pp., Color ills. 24 x 16.5 cm. In Turkish and English.

Soft cover. Condizione: New. IPSIROGLU, MAZHAR SEVKET Islamda resim yasagi ve sonuclari. Istanbul: Yapi Kredi Yayinlari, 2022. Large 8vo., 186 p., color and b/w ills. Paperback. New ISBN: 9789750809552 CATALOG: Turkish & Islamic arts KEYWORDS: Painting History of art Islamic art Miniature Manuscripts "Islam sanatini olusturan gucler nelerdir, bu sanat nasil bir hayat davranisinin ifadesidir ve sanat tarihine katkisi ne olmustur? Bu kitapta Islam minyatur sanati cercevesi icinde kalarak bu sorulari cevaplandirmaya calisacagiz; fakat Islam sanatinin diger alanlarinda calisanlarin da, bu arastirmada yararlanabilecekleri bazi ipuclari bulacaklarini umuyoruz." Ilkin Almanca, ardindan Turkce olarak yayimlanan Islam'da Resim Yasagi ve Sonuclari, Turkiyeli bir bilim ve sanat adami tarafindan Islam sanati uzerine kaleme alinmis ilk kaynaklardan biri olup parmak bastigi konulardan bircogunun bugun de tartisiliyor olmasi onemini arttirmaktadir. Islam sanati icinde kendine ozgu yapisi ve yeri olan tasvir sanatinin dogusu, gelismesi, baslica ekolleri ve soyutculugu etrafinda ozlu bilgiler veren bu kitap, Bati ve Dogu sanatindaki resim anlayisi farkliligini iki uygarligin dunya goruslerindeki farkliliklara bagliyor. Yirminci yuzyil Bati sanatinda kavram ressamliginin dogusunu, Islam sanatindaki soyutculukla karsilastiran yazar, iki taraf arasinda hem amac hem de teknik acisindan ayriliklar oldugu sonucuna vararak su degerlendirmeyi yapiyor: "Bati sanati tabiatcilik yolunda imkanlarini sonuna kadar arastirip tukettigi icin soyuta yonelirken Dogu tabiatcilik gelenegini hic tanimamis gibidir.".

Condizione: New. Editors: Translator: 76 pages.

Condizione: New. Editors: Translator: pages.

Condizione: New. Editors: Translator: pages.

Condizione: New. Editors: Translator: pages.

Softcover. Condizione: New. 140pp., 23x15cm., in Turkish.

Condizione: New. Editors: Özdem, Filiz Translator: 160 pages.

Hardcover. Condizione: Near Fine. IPSIROGLU, MAZHAR SEVKET - SABAHATTIN EYUBOGLU (Introduction by) Turkey: Ancient miniatures. Preface by Richard Ettinghausen. New York: The New York Graphic Society by arrangement with UNESCO, 1961. 4to., 26, [5] p., 32 color plates. Original cloth binding. No dust wrapper. Near fine ISBN: CATALOG: Turkish & Islamic arts KEYWORDS: History of art Miniature Manuscripts Ottoman art Traditional arts.

Soft cover. Condizione: Very Good. IPSIROGLU, MAZHAR SEVKET - SABAHATTIN EYUBOGLU Avrupa resminde gercek duygusu. Istanbul: IU Edebiyat Fakultesi, c. 1958. 2nd ed., large 8vo., 241 p., fully color and b/w ills., 10 color plates. Signed by Sabahattin Eyuboglu as "[Ibrahim] Balaban kardese". Paperback. Very good ISBN: CATALOG: Painting & Sculpture KEYWORDS: History of art Europe Painting.

Dust jacket. Condizione: Fine. Condizione sovraccoperta: Fine. Original bdg. Atlas folio. (39 x 28 cm). In English and Turkish. 40 p., Turkish text; 41, [2] p. English text, 16 b/w ills., 52 colour plates. Bozkir rüzgari Siyah Kalem: Topkapi Sarayi Müzesi kitapliginda bulunan Üstad Mehmed Siyah Kalem'in resimlerinin tipki basimi = Siyah Kalem: Wind of the steppe: 52 facsimile reproductions of paintings by Master Mehmed Siyah Kalem in Topkapi Palace Museum. English translation by Mary Isin. In Siyah Kalem's world there is no duality of subject and object. His creatures should not be viewed as even remote semblances of natural prototypes. They are figments of the artist's imgination, unique entities with their own lives. Although Siyah Kalem's figures have been drawn on a plane, since they are shown from various angles they are almost sculptural, springing from the suyrface of the picture as if they were tangible. Unlike Leonardo Da Vinci or Dürer, Siyah Kalem does not depict his world of objects emancipated from mysterious forces, motivated only by aesthetic considerations. He should rather be likened to the witch doctors of primitive societies. Here the power of the artist to depict is synonymous with sorcery. The picture is a medium for summoning spirits and Siyah Kalem's creatures appear one by one in his pictures in response to these summons. Siyah Kalem's art is realistic, but this realism is not what we understand by this term today. We have seen that his creatures are not imitations of nature but the product of cognitive activity. This cognition was that of the mythological age, when the distinction between picture and depicted was vague: When dream and reality were easily confused. Therefore pictures possessed a magical power of suggestion over whoever lokked at them.".

Lex.-8°. 137 S. Mit 57 sw-Abbildungen auf Tafeln, Leinen (Schutzumschlag mit leichten Randläsuren; gut erhalten).

Lex.-8°. 106 S. mit 54 Farb- und sw-Abbildungen, Leinen (ohne Schutzumschlag; Vorsatz und verso befleckt ohne Textverlust; sonst gut erhalten).

Soft cover. Condizione: New. 1st Edition. Paperback. Cr. 8vo. (20 x 14 cm). Bilingual in English and Turkish. 125 p., color and b/w ills. The separate publication in book form of a panel discussion organized by the Varlik journal which was attended by Ömer Uluç at a very early point in his career (1967) with other important post war and contemporary Turkish painters, art historians, and the owner of the Varlik literary journal: Özdemir Altan, Sabri Berkel, Cemal Tollu, Nurullah Berk, Nuri Iyem, Zahir Güvemli, Ercüment Kalmik, Sezer Tansug, Mazhar Sevket Ipsiroglu. The subjects of this important panel discussion are the contemporary condition of the Turkish and world art, pop-art and op-art, etc.

quer- Lex.-8°. 152 S., zahlreiche montierte Farbabbildungen, Leinen (gut erhalten).

Hardcover. Condizione: Very Good. 1st Edition. xx, 153 pages : illustrations, B&W & some colour plates ; 24 cm. Turkish and French. owner's plate. bound in blue leather.

hardcover. Condizione: Sehr gut. Seiten; Natürlich mit Schutzumschlag! Sprache: Deutsch Gewicht in Gramm: 1.

Gebundene Ausgabe. Condizione: Gebraucht - Gut. 1. Auflage, 1984. Gebrauchsspuren am Schutzumschlag. Gebrauchsspuren am Einband. Seiten gut erhalten.

Fol. 47 S., 74 Farbtafeln. OLwd. mit mont. Deckelbild sowie Deckel- u. Rückenvergoldung, berieben. ABWEICHENDE VERSANDKOSTEN! ABWEICHENDE VERSANDKOSTEN! 2,400 gr.

Condizione: NEW.