James agee michael sragow (66 risultati)

Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: Good. . Satisfaction 100% guaranteed.

Hardback. Condizione: Good. James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee?s film reviews for The Nation ?the most remarkable regular event in American journalism today.? Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock?s Lifeboat, Vittorio De Sica?s Shoeshine, and a wealth of other cinematic subjects. Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. Agee?s own work as a screenwriter is represented by his script for Charles Laughton?s unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee?s masterfully probing reporting for Fortune?on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting?and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Hardback. Condizione: Fair. A passionate literary innovator, eloquent in language and uncompromising in his social observation and his pursuit of emotional truth, James Agee (1909?1955) excelled as novelist, critic, journalist, and screenwriter. In his brief, often turbulent life, he left enduring evidence of his unwavering intensity, observant eye, and sometimes savage wit. This Library of America volume collects his fiction along with his extraordinary experiment in what might be called prophetic journalism, Let Us Now Praise Famous Men (1941), a collaboration with photographer Walker Evans that began as an assignment from Fortune magazine to report on the lives of Alabama sharecroppers, and that expanded into a vast and unique mix of reporting, poetic meditation, and anguished self-revelation that Agee described as ?an effort in human actuality.? A sixty-four-page photo insert reproduces Evans?s now-iconic photographs from the expanded 1960 edition.A Death in the Family, the Pulitzer Prize?winning novel that he worked on for over a decade and that was published posthumously in 1957, recreates in stunningly evocative prose Agee?s childhood in Knoxville, Tennessee, and the upheaval his family experienced after his father?s death in a car accident when Agee was six years old. A whole world, with its sensory vividness and social constraints, comes to life in this child?s-eye view of a few catastrophic days. It is presented here for the first time in a text with corrections based on Agee?s manuscripts at the Harry Ransom Humanities Research Center.This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee?s deep involvement with religious questions, and three short stories: ?Death in the Desert,? ?They That Sow in Sorrow Shall Not Reap,? and the remarkable allegory ?A Mother?s Tale.?LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Hardback. Condizione: Good. A passionate literary innovator, eloquent in language and uncompromising in his social observation and his pursuit of emotional truth, James Agee (1909?1955) excelled as novelist, critic, journalist, and screenwriter. In his brief, often turbulent life, he left enduring evidence of his unwavering intensity, observant eye, and sometimes savage wit. This Library of America volume collects his fiction along with his extraordinary experiment in what might be called prophetic journalism, Let Us Now Praise Famous Men (1941), a collaboration with photographer Walker Evans that began as an assignment from Fortune magazine to report on the lives of Alabama sharecroppers, and that expanded into a vast and unique mix of reporting, poetic meditation, and anguished self-revelation that Agee described as ?an effort in human actuality.? A sixty-four-page photo insert reproduces Evans?s now-iconic photographs from the expanded 1960 edition.A Death in the Family, the Pulitzer Prize?winning novel that he worked on for over a decade and that was published posthumously in 1957, recreates in stunningly evocative prose Agee?s childhood in Knoxville, Tennessee, and the upheaval his family experienced after his father?s death in a car accident when Agee was six years old. A whole world, with its sensory vividness and social constraints, comes to life in this child?s-eye view of a few catastrophic days. It is presented here for the first time in a text with corrections based on Agee?s manuscripts at the Harry Ransom Humanities Research Center.This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee?s deep involvement with religious questions, and three short stories: ?Death in the Desert,? ?They That Sow in Sorrow Shall Not Reap,? and the remarkable allegory ?A Mother?s Tale.?LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Hardcover. Condizione: Fine. First Printing. 8vo. 748 pages. In slipcase. Library of America. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Hardback. Condizione: Good. James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee?s film reviews for The Nation ?the most remarkable regular event in American journalism today.? Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock?s Lifeboat, Vittorio De Sica?s Shoeshine, and a wealth of other cinematic subjects. Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. Agee?s own work as a screenwriter is represented by his script for Charles Laughton?s unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee?s masterfully probing reporting for Fortune?on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting?and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Hardback. Condizione: Fair. A passionate literary innovator, eloquent in language and uncompromising in his social observation and his pursuit of emotional truth, James Agee (1909?1955) excelled as novelist, critic, journalist, and screenwriter. In his brief, often turbulent life, he left enduring evidence of his unwavering intensity, observant eye, and sometimes savage wit. This Library of America volume collects his fiction along with his extraordinary experiment in what might be called prophetic journalism, Let Us Now Praise Famous Men (1941), a collaboration with photographer Walker Evans that began as an assignment from Fortune magazine to report on the lives of Alabama sharecroppers, and that expanded into a vast and unique mix of reporting, poetic meditation, and anguished self-revelation that Agee described as ?an effort in human actuality.? A sixty-four-page photo insert reproduces Evans?s now-iconic photographs from the expanded 1960 edition.A Death in the Family, the Pulitzer Prize?winning novel that he worked on for over a decade and that was published posthumously in 1957, recreates in stunningly evocative prose Agee?s childhood in Knoxville, Tennessee, and the upheaval his family experienced after his father?s death in a car accident when Agee was six years old. A whole world, with its sensory vividness and social constraints, comes to life in this child?s-eye view of a few catastrophic days. It is presented here for the first time in a text with corrections based on Agee?s manuscripts at the Harry Ransom Humanities Research Center.This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee?s deep involvement with religious questions, and three short stories: ?Death in the Desert,? ?They That Sow in Sorrow Shall Not Reap,? and the remarkable allegory ?A Mother?s Tale.?LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Hardback. Condizione: Good. A passionate literary innovator, eloquent in language and uncompromising in his social observation and his pursuit of emotional truth, James Agee (1909?1955) excelled as novelist, critic, journalist, and screenwriter. In his brief, often turbulent life, he left enduring evidence of his unwavering intensity, observant eye, and sometimes savage wit. This Library of America volume collects his fiction along with his extraordinary experiment in what might be called prophetic journalism, Let Us Now Praise Famous Men (1941), a collaboration with photographer Walker Evans that began as an assignment from Fortune magazine to report on the lives of Alabama sharecroppers, and that expanded into a vast and unique mix of reporting, poetic meditation, and anguished self-revelation that Agee described as ?an effort in human actuality.? A sixty-four-page photo insert reproduces Evans?s now-iconic photographs from the expanded 1960 edition.A Death in the Family, the Pulitzer Prize?winning novel that he worked on for over a decade and that was published posthumously in 1957, recreates in stunningly evocative prose Agee?s childhood in Knoxville, Tennessee, and the upheaval his family experienced after his father?s death in a car accident when Agee was six years old. A whole world, with its sensory vividness and social constraints, comes to life in this child?s-eye view of a few catastrophic days. It is presented here for the first time in a text with corrections based on Agee?s manuscripts at the Harry Ransom Humanities Research Center.This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee?s deep involvement with religious questions, and three short stories: ?Death in the Desert,? ?They That Sow in Sorrow Shall Not Reap,? and the remarkable allegory ?A Mother?s Tale.?LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation?s literary heritage by publishing, and keeping permanently in print, America?s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.…

Condizione: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. Very nice, tan cloth-bound copy with gilt titling on spine. With age, there is some slight foxing appearing on the outer edge of the text block. Copyright page states "First Printing." There is one mark of wear on the slipcase. The binding is tight--as if never opened or read. The Brown ribbon bookmark is neatly tucked into the text block and appears never touched. Brown endpapers with LOA graphic logo pattern. 748 pages. Not ex-library. Shelf: D-2.…

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fine. First Thus. First printing stated. A Fine copy in like slipcase.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Good. LOA #160; 8vo 8" - 9" tall; Book is in good overall condition. No writing or major blemishes. Average wear. *Ex-Library copy with usual markings.; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.…

Hardcover. Condizione: Very Good. 1st Edition. No markings, attractive copy in slipcase.

Hardcover. Condizione: Very Good. LIBRARY OF AMERICA hardbound book, no dust jacket, in protective slipcover. VERY GOOD - Collectible. Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in DJ with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA.

Hardcover. Condizione: As New. Library of America number 160. As new in tan cloth. Includes publisher's insert. Sewn-in ribbon bookmark. No dust jacket, as issued. Housed in an as new slipcase. Still in original shrinkwrap.

Hardcover. Condizione: Near fine. Near fine. First printing. First printing, near fine cloth hardcover in a near fine dust jacket (price at flap) with both showing just a hint of wear. 748 pages with index. Still a good looking copy of this collection of the noted writer's work that makes up installment #160 in the Library of America series.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket As Issued. First Edition; First Printing. In slipcase with no jacket, as issued. First Edition, First Printing (Stated). Like new with light wear to covers and no marks to text. First Editions. ; LOA #160; 8vo 8" - 9" tall; 748 pages. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Jacket As Issued. Tan cloth in slipcase.

Hardcover. Condizione: new. Hardcover. James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agees film reviews for The Nation the most remarkable regular event in American journalism today. Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcocks Lifeboat, Vittorio De Sicas Shoeshine, and a wealth of other cinematic subjects. Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. Agees own work as a screenwriter is represented by his script for Charles Laughtons unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agees masterfully probing reporting for Fortuneon subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfightingand a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nations literary heritage by publishing, and keeping permanently in print, Americas best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. This second volume in The Library of America's two-volume Agee edition includes Agee on Film, previously uncollected film criticism, Agee's screenplay for The Night of the Hunter, and much more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: New.

Soft Cover. Condizione: Very Good ++. First Thus. Mass market paperback, 217 pages; age toned, very gently read, if at all, very clean and unmarked. See also our listing for Agee on Film, Volume One [1], Essays, Reviews and Comments (buy both and save on postage!).