Jane aspinwall keith davis (27 risultati)

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Condizione: Near fine. Condizione sovraccoperta: Near fine. First Edition. 4to. 358 pp. Illustrated with 606 tritone and full colour photographic plates. Printed to coincide with an exhibition entitled "Developing Greatness: The Origins of American Photography 1839-1885; From Daguerreotype to Dry-Point" that took place at the Nelson-Atkins Museum of Art (Kansas City) from June 9 to December 30, 2007. Brown endpapers. Pages bright and clean. Binding strong and square. Boards and spine clean. D/j very lightly rubbed and wrapped in protective clear mylar. Hardcover: full red cloth over boards with complete d/j.…

Hardcover. Condizione: VG. Red cloth boards with photograph. 166 pages : illustrations. Catalog of an exhibition held at the Nelson-Atkins Museum of Art, September 6, 2019-January 26, 2020./ Includes bibliographical references (pages 162-165).

Hardcover. Condizione: fine/near fine. Quarto. 12" x 10". 358pp. A very nice copy in dust jacket. The Hallmark Photographic Collection at the Nelson-Atkins Museum of Art. The most definitive study of this period in American photographic history.

Condizione: New.

Hardcover. Condizione: Fine. Near Fine. First Edition. Red cloth first edition is fine in near fine jacket. ; 9.84 X 1.55 X 12.18 inches; 360 pages.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New. No Dust Jacket as Issued. 1st. Edition 2019, Red cloth hardcover with a color photo illustrations on the front board with gilded and black letters to the front boards and spine , 168 page book . Illustrated with color plates from the gold rush . Condition : NEW . Size: Folio - over 12 - 15" tall. Various Artist (illustratore). Book. …

Hardcover without dustjacket as issued, 180 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Hardcover. Black DJ with photo-illustration and yellow and white lettering; red boards with dark brown lettering; 328 pp (some color). "In this text, Keith F. Davis examines photography's social history and aesthetic development in an era of rapid national growth. He demonstrates how key themes and genres - including the business of daguerreian portraiture, the markets for Civil War images, and the art of Western landscape photography - reflected the concerns and values of nineteenth-century society. Photographers of this era expressed a new national consciousness while, at the same time, helping to shape it. They also explored the visual language of a radically new medium, laying the foundation for all of photography's subsequent history."-- Jacket. VG (Light edgewear/scuffing/smudging to DJ; interior is in excellent condition.).…

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 260 pages. 11.25x11.25x1.00 inches. In Stock.

Hardcover. Condizione: Near Fine. No Jacket. Very good, clean, tight condition - collector's "near fine". No jacket. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

First Edition. First edition and first printing. Hardcover. 220 pages. Published in conjunction an exhibition that ran October 12, 2012 through January 20, 2013. Features a foreword by Julian Zugazagoitia and texts by Keith F. Davis, Jane L. Aspinwall, April M. Watson, and Terry Evans. Includes 95 color and 48 tritone images, an extensive illustrated chronology by Kaitlyn Bunch, and a personal bibliography by Evans. A clean very near fine copy in cloth boards with color image inset into the front cover with some slight tapping to the top right corners. No dust jacket as issued. Surprisingly uncommon.…

Condizione: New. &Uumlber den AutorJane Lee Aspinwall is associate curator and collections supervisor of photography, and Keith F. Davis is senior curator of photography, both at The Nelson-Atkins Museum of Art, Kansas City.

Hardcover. Condizione: Brand New. 260 pages. 7.70x2.60x2.40 inches. In Stock.

Hardcover. Condizione: Brand New. illustrated edition. 360 pages. 12.25x10.00x1.50 inches. In Stock.

hardcover. Condizione: new.

Hardcover. Condizione: New. Nelson-Atkins Museum of Art.

Hardcover. Condizione: New.

Hardcover. Condizione: New. Clarence King's Survey, undertaken between 1867 and 1872, covered a vast swath of terrain, from the border of California eastward to the edge of the Great Plains. It was the first survey to include a full-time photographerâ"Timothy O'Sullivanâ"who produced about 450 finished photographs in large-format and smaller-format stereographs. O'Sullivan's images convey a distinct individual quality of perception, at once direct and laconic, as well as a perfect union of objective fact and personal interpretation. As such, O'Sullivan remains the most admired, studied, and debated photographer who worked on the great western surveys of the 19th century.This handsome and enlightening book aims to enrich and enlarge our understanding of O'Sullivan's pivotal body of western photographs by emphasizing the idea of context. This ambition encompasses several frames of reference: O'Sullivan's best-known images in relation to his larger body of survey work; the function his photographs served in relation to the survey's overall goals and methodologies; and the King Survey itself as a logical part of a complex and prolonged expeditionary endeavor. The volume also includes an essential catalogue raisonnà of O'Sullivan's King Survey work.…