jared fuller (14 risultati)

Soft cover. Condizione: VG. 5pp story, illustrated with a drawing, salvaged from a damaged copy of The Argosy, Volume XIX, #4, January, 1895. In report covers.

Paperback. Condizione: Very Good. No Jacket. Ashes To Beauty-Jared Fuller (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: As New. almost new but not, clean, tight, unmarked.

Singleissuemagazine. Condizione: Fair. First Edition. New York: The Frank A. Munsey Company. 1905. First Edition. Softcover Magazine. Printed wrappers [about 6.75" x 9.75"], last numbered page is 384 plus unpaginated ads [first numbered page is 194]. Includes "The Land of the Long Night" by W. Bert Foster, the first part of "Block Tower Seven" by Jared L. Fuller, the second part of "The Fugitive" by Albert Payson Terhune, the second part of "Marooned in 1492" by William Wallace Cook, the third part of "the Hoodoo Ranch" by Seward W. Hopkins, the fourth part of "Downing the King-Pin" by Marcus D. Richter, the fourth part of "Who and Why?" by Bertram Lebhar, plus 9 short stories. Fair copy with front and rear cover and spine all detached as a unit but present, scattered tearing to the spine, damp staining to the bottom portion of the front and rear of the issue, price to the front cover, text paper fully tanned. bx298E.

SingleIssueMagazine. Condizione: Good+ to Very Good-. Vol. XLIX, No. 3. Cover art is uncredited. Pulp magazine. [Edited by Matthew White.] Includes "Guarding the Treasure" (complete novel) by Garrett Swift; "A Month in Masquerade" (pt. 1) by Edgar Franklin; "Block Tower Seven" (pt. 2) by Jared L. Fuller; "The Fugitive" (pt. 3) by Albert Payson Terhune; "Marooned in 1492" (pt. 3) by William Wallace Cook; "The Hoodoo Ranch" (pt 4) by Seward W. Hopkins; "Drowning the King-pin" (pt. 5) by Marcus D. Richter; "Who and Why?" (pt. 5) by Bertram Labhar; "At the Appointed Hour" by F. K. Scribner; "The Troublemakers" by Porter Emerson Brown; "A Courtship Against Time" by Philip Quincy Loring; "The Notoriety of Miss Nan" by Lulu Linton; "The Finish of Kennedy" by Matthew White, Jr.; "When Coal Went Down" by Stephen Brandish; "The Engine That Disappeared" by John H. Hamlin; "An Author's Vengeance" by Edward A. Moree; "The Mistake of a Matchmaker" by Una Hudson; "The Awakening of an Old Maid" by Francis A. Corey; "Saunders' Magic Grease Eradicator" by Charles F. Bloom. Name on cover and first page in pen; creasing; edge and corner wear, heavy at rear cover foredge; rusty staples; minor stains; rubbing; tanning.

Softcover. Condizione: Good. First Edition; First Printing. Magazine. Pictorial wrappers [about 6.75" x 9.75"], last numbered page is 384 plus unpaginated ads [first numbered page is 194]. Includes "An Unwilling Accomplice" by Seward W. Hopkins, part one of "The Ravens of the Rhine" by F. K. Schribner, part two of "Jim Dexter---Cattleman" by William Wallace Cook, part two of "No Way Out" by Bertram Lebhar, part three of "The Outcast" by W. Bert Foster, part five of "Block Tower Seven" by Jared L. Fuller, part four of "A Month in Masquerade" by Edgar Franklin, plus 11 short stories. Good copy [spine torn and lightly chipped at the ends, staining around the spine head, price to the front cover, text paper tanned. mag9E.

Paperback. Condizione: New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardback. Condizione: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia.

Hardback. Condizione: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia.

Hardback. Condizione: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia.

Hardback. Condizione: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia.

Pulp. Condizione: Good+. First Edition; First Printing. Argosy, The. November 1901. Contains "At Land's End." part seven by Jared L. Fuller. General wear with spine split and midl loss of paper to top left corner adn edge of cover for good plus condition with nice off-white supple paper. ; Vol. 37.4; Small 4to 9" - 11" tall.

Condizione: Good. Boston: Jonathan Howe, 1831. 32mo. xv,208pp. Three parts, each with separate title page: Part 1: The seraphic shepherd (trans. Cornelius Caley); Part 2: Letters addressed to an awakened sinner (Andrew Fuller); Part 3: Extracts from Advice to a young Christian (A village pastor [Jared B. Waterbury]). Good book. (Christian life) Inquire if you need further information.