Jecu marta (43 risultati)

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Paperback with little to no shelf wear. Pages are clean, unmarked and unread.

Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - light dent/wear and scuff marks to boards, pages in nice condition, shipped from the UK.

Paperback. Condizione: New. Architecture and the Virtual is a study of architecture as it is reflected in the work of seven contemporary artists, working with the tools of our post-digital age. The book maps the convergence of virtual space and contemporary conceptual art and is an anthropological exploration of artists who deal with transformable space and work through analogue means of image production. Marta Jecu builds her inquiry around interviews with artists and curators in order to explore how these works create the experience of the virtual in architecture. Performativity and neo-conceptualism play important roles in this process and in the efficiency with which these works act in the social space.…

Condizione: VG+. Dark orange softcover book with white lettering down the spine. Pages: (9), 10-277, (11). Profusely illustrated with both color and black-and-white images. Bilingual text. "In 'The Use of Landscape' we seek to describe the theoretical and artistic context of works selected precisely in order to highlight diverse and non-exhaustive discourses, some contradictory, others complementary, leaving readers to decide what best suits them. The book is not exclusively about the Anthropocene, or exclusively about ecology, nor is it about how to hug a tree in order to have a connection with nature without knowing its role but sensing its importance, or about artistic or curatorial practices specific to contemporary art. You will read about how artists view landscape and what they do with it, how photography views landscape and how it captures it, how environmentalists and poets view landscape and how they incorporate it into their work. The publication consists of visual and textual contributions made by the following artists and authors: Bogdan Bordeianu, Stephanie Damianitsch, Tibor Hartel, Michael Höpfner, Marta Jecu, Alexandra Mereu i, Olivia Mih l ianu, Ghenadie Popescu, Iarina Tav , Sorina Vazelina, Elena Vl d reanu.".…

Paperback. Condizione: Brand New. Paperback.Width: 21 cm. Height: 26cm. 304 pages. English text.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - This volume deals with historic or fictive monuments after they have disappeared as a consequence of ideological or political systems that have changed and follows what happens with the accumulation of information that persists in the material carcases of the built forms. In focus is how does this lost information convert at a moment when a change of paradigm happens in the social thinking. Theoretical texts, guest essays, artists' special visual inserts, reference material and interviews follow how political vestiges, processes of commemoration and appropriation of cultural information can shape a dynamic memorial culture infused with cross-references and which can be its architectural outcome. Many of the contributions gathered in this volume investigate moments in which the city itself throws out information from its fabric and the void that this displacement left behind, or the imprints and mutations that time left in the built form, the way architecture is a reservoir in which information is selected, confined until it is practically brought into disappearance, as well as the fossilisation of the recent industrial heritage that is assimilated as a sort of futuristic recreation of the past that retrospectively distorts reality. The contributions are engaged in an argumentative way to use, adapt and reconsider the architectonic legacy of modernism and to concoct a permeable monument, non-symbolic and that proposes a dynamic historicization. Artists: Carlos Bunga, Delio Jasse, Hironari Kubota, Matias Machado, David Maranha, Luca Pozzi, Cristian Rusu, Sancho Silva, Yukihiro Taguchi, Nuno Sousa Vieira, Sinta Werner.…

Kartoniert / Broschiert. Condizione: New.

Taschenbuch. Condizione: Neu. OPEN MONUMENT | Research on ephemeral commemoration architecture and modernist patrimony | Marta Jecu | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | Revolver Publishing | EAN 9783957630001 | Verantwortliche Person für die EU: Salchli, Kurt, Kurt Salchli, Revolver Publishing, Immanuelkirchstr. 12, 10405 Berlin, info[at]vice-versa-vertrieb[dot]de | Anbieter: preigu. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: New. Architecture and the Virtual is a study of architecture as it is reflected in the work of seven contemporary artists, working with the tools of our post-digital age. The book maps the convergence of virtual space and contemporary conceptual art and is an anthropological exploration of artists who deal with transformable space and work through analogue means of image production. Marta Jecu builds her inquiry around interviews with artists and curators in order to explore how these works create the experience of the virtual in architecture. Performativity and neo-conceptualism play important roles in this process and in the efficiency with which these works act in the social space.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. This volume explores contemporary artistic practices developed in material culture museums to reimagine historic collections. It begins by examining the influence of conceptual art within art museums and the transformative impact it has had on museology. Specifically, it highlights how conceptual art's institutional critique, initially rooted in the art world, has been adopted and adapted by other areas of museology.The contributions collected in this volume span various timelines: they consider historic conceptualism and its influence in the art or ethnographic museum; recent NorthSouth/EastWest decolonial practices, with a focus on practices developed on the African continent; post-digital conceptual practices that are problematising heritage and locality; and performative and activist conceptual practices. At the same time, some of the contributions gathered in this volume express a timely critique of artistic interventions in museums, which turn out to be formal solutions that maintain a hegemonic vision on history. The chapters examine conceptual art in the development of new solutions for socially engaged and decolonising museological practices. The first part considers artistic actions conceived as a response to the history of art and the art institution and explores their intended repercussions in social space and other branches of museology. The second part shifts the perspective from the art museum to ethnology, history, and natural history museums. The final part explores an emerging vision of the museum as a socially and ecologically just, virtual, or concrete space of action and discourse, advocating its affinity with recent innovative trans-disciplinary, post-conceptual, and performative art practices.The book will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. This volume focuses on artistic practices that have recently been developed in material culture museums with the aim of rethinking historic collections. It will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: New.

Hardcover. Condizione: new. Hardcover. This volume explores contemporary artistic practices developed in material culture museums to reimagine historic collections. It begins by examining the influence of conceptual art within art museums and the transformative impact it has had on museology. Specifically, it highlights how conceptual art's institutional critique, initially rooted in the art world, has been adopted and adapted by other areas of museology.The contributions collected in this volume span various timelines: they consider historic conceptualism and its influence in the art or ethnographic museum; recent NorthSouth/EastWest decolonial practices, with a focus on practices developed on the African continent; post-digital conceptual practices that are problematising heritage and locality; and performative and activist conceptual practices. At the same time, some of the contributions gathered in this volume express a timely critique of artistic interventions in museums, which turn out to be formal solutions that maintain a hegemonic vision on history. The chapters examine conceptual art in the development of new solutions for socially engaged and decolonising museological practices. The first part considers artistic actions conceived as a response to the history of art and the art institution and explores their intended repercussions in social space and other branches of museology. The second part shifts the perspective from the art museum to ethnology, history, and natural history museums. The final part explores an emerging vision of the museum as a socially and ecologically just, virtual, or concrete space of action and discourse, advocating its affinity with recent innovative trans-disciplinary, post-conceptual, and performative art practices.The book will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. This volume focuses on artistic practices that have recently been developed in material culture museums with the aim of rethinking historic collections. It will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condizione: New.

Hardcover. Condizione: new. Hardcover. This volume explores contemporary artistic practices developed in material culture museums to reimagine historic collections. It begins by examining the influence of conceptual art within art museums and the transformative impact it has had on museology. Specifically, it highlights how conceptual art's institutional critique, initially rooted in the art world, has been adopted and adapted by other areas of museology.The contributions collected in this volume span various timelines: they consider historic conceptualism and its influence in the art or ethnographic museum; recent NorthSouth/EastWest decolonial practices, with a focus on practices developed on the African continent; post-digital conceptual practices that are problematising heritage and locality; and performative and activist conceptual practices. At the same time, some of the contributions gathered in this volume express a timely critique of artistic interventions in museums, which turn out to be formal solutions that maintain a hegemonic vision on history. The chapters examine conceptual art in the development of new solutions for socially engaged and decolonising museological practices. The first part considers artistic actions conceived as a response to the history of art and the art institution and explores their intended repercussions in social space and other branches of museology. The second part shifts the perspective from the art museum to ethnology, history, and natural history museums. The final part explores an emerging vision of the museum as a socially and ecologically just, virtual, or concrete space of action and discourse, advocating its affinity with recent innovative trans-disciplinary, post-conceptual, and performative art practices.The book will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. This volume focuses on artistic practices that have recently been developed in material culture museums with the aim of rethinking historic collections. It will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condizione: New.

Condizione: New.

Hardcover. Condizione: New.